Not today Justin
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let's talk about Bridgerton tea, my ask is open

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Andulka

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hello vonnie
Sade Olutola

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@marlymari
ive invented (note: dubious claim) something i call the bear diet which is mostly fruits and vegetables with fish as the main protein source and something like once a month you eat a few hyperprocessed foods of your liking because that is when you, the bear, raid a dumpster in the suburbs
“bits to use in everyday conversations”
Gomez and Morticia Addams got divorced. I woke up mortified and with a sense of inexplicable dread.
you literally don’t need any other plot and i would watch the movie
Every 'normal' adult is fussing around Pugsley and Wednesday because "poor children that must be so hard for you to see mom and dad break up like this"
But the kid are absolutely unfazed, arguing that "it's alright they will be together again soon". The normie are so sad for the "children clinging to vain hopes" until Morticia and Gomez get married again two weeks after the divorce.
In the meantime Mama and Uncle Fester fight about which one of them will go to whose custody.
They pretend to argue in court and at meeting with lawyers over the splitting of the properties but that's mostly Gomez insisting to leave more and more thing to his wife in an angry voice.
At home they decided not to talk to each other so Lurch has to (begrudgingly) transmit messages from one to the other, even when they are sat on either side of the table.
That works (more or less) then Morticia says one word in french and Gomez run to cover her with kisses until Morticia remind him that they are spliting (that's the only moment he seems to regret the whole thing)
This. All of this.
Wednesday offers to help with split custody of Pugsley. her suggestion involved a big table saw
They fight over who gets to hire the expensive big-firm lawyer and who gets to hire the up-and-coming rookie divorce lawyer. It's a whole Thing.
The up and coming lawyer is Thing?
Once when I was in undergrad, someone described something as “problematic” in class and our professor was like, “That’s cool, but ‘problematic’ doesn’t really mean anything. It means that the thing you’re describing has a problem, and in and of itself that’s not bad. Art, especially, should always have problems, or else it’s not interesting and not art, either. It sounds like you’re trying to say that this is bad, but you don’t want to say ‘bad.’ Is that right?”
So from then on whenever one of us called something problematic, he would make us talk it out until we could name the “bad” thing we were hinting at. In this particular class, 7/10 it was some type of oppression, and the remainder was like, “I’m uncomfortable because this is very new/confusing/pushing boundaries that made me feel safe.”
Once we stopped calling things “problematic” and stopping at that, class got way more interesting and... we all had to say, like, “that’s racist” or “that’s misogynistic” or “ew capitalism gross” out loud, which a lot of us had never done in a classroom before. Or we had to be like, “Uhhh... I’m not sure what’s so bad?” and confront our own beliefs and that was maybe even more useful.
Anyway. Whenever I see the word problematic, I can’t help but think of this professor being like, “Good starting point, now let’s get specific.” I think when we have to commit to saying “that’s ___” it requires a lot more careful thought about the truth and impact and complexities of whatever we’re claiming. Sometimes there really is some bullshit afoot, and also sometimes it’s art, and it should be full of problems, because that’s what art is.
I know we’re all like lawless nonconformists but you really can’t be texting and driving. that’s one of the ones you’ve gotta listen to for real
"Try our ai-powered-" and I've stopped reading. You've instantly lost me. I don't trust anything that labels itself ai-powered. I'd rather deal with something that's squirrel-powered. Like Norm. I trust Norm. He won't try to sell my data.
Happy Pride
"everyone should get more aromantic" can appeal to tumblr's sensibilities but I genuinely think everyone should also get more asexual. I don't mean everyone stop having sex, what I mean is
Sex is not essential. You can live without it. Full stop.
Not having sex isn't shameful or a sign of failure. It also doesn't make anyone boring.
You are not entitled to having sex with anybody and nobody is entitled to having sex with you.
Sex is not what makes someone an adult.
Nobody's worth is defined by how much sex they have or don't have.
Sex is not equally important to everyone.
You can have fulfilling and happy relationships without sex.
You should only have sex on your own terms, not because you feel like you owe it to someone, or because you feel like you'd be incomplete without it.
Know your boundaries around sex and be firm about them. Know how to respect other people's boundaries.
The previous point also applies when it comes to discussing sex. If someone doesn't wanna talk about it or hear about it you have to back down.
Anything can be sexual but not everything has to be sexual.
has anyone done this yet idk?
btw it's so fucking stupid you can be anxious physically in your body even after you've decided mentally you don't care. I'm supposed to be in charge here
i wish you could laugh react eBay listings. that's not worth $250. you fucking asshole. lmao
you should also be able to do this to job listings
wow dude jts so awesome that your car is loud as fuck and smells worse when it drives past. thags fucking epic man. i really like how it hurts to listen to you drive past and it scares people. thats awesome man. i really like your car that makes a loud as fuck fart sound. fucking epic dude
I'm so fascinated by people who seem to believe that analyzing media is somehow taking the joy out of it. Like. Do you not enjoy thinking? Does taking stuff apart and figuring out how it works not give you a hit of dopamine? And you get mad when you see people having fun in this way? What a sad, miserable way to engage with the world.
"it loses its magic" to YOU maybe. to me it's my beautiful little magical solved puzzle
She got the idea for the study while walking with her advisor at Stanford to discuss her thesis topic, and the paper she eventually published in the Journal of Experimental Psychology in 2014 is sharp enough that it should have ended the seated meeting on the day it came out.
She ran 4 experiments on 176 people. Same person tested twice. Once sitting, once walking. The creativity tasks were the standard ones psychologists have used for decades to measure how good a brain is at generating novel useful ideas.
81% of participants in the first experiment produced more creative ideas while walking than while sitting. In the second experiment, 88%. In the third, 100%. Every single person walked into a more creative version of themselves. On average, people generated 60% more novel useful ideas the moment their legs started moving.
The skeptical question is the obvious one. Maybe it was the fresh air. Maybe it was the scenery passing by. Maybe it was the change of environment doing the work, not the walking itself.
Oppezzo killed every one of those explanations with one experimental decision. She put people on a treadmill facing a blank wall. No scenery. No fresh air. No environmental change. Just legs moving in place while staring at white drywall. The 60% boost held.
Then she ran the experiment that closed the case completely. She took participants outside in two conditions. Half of them walked through a Stanford courtyard. The other half were pushed through the exact same courtyard in a wheelchair. Same outdoor stimulation. Same scenery passing at the same speed. The only difference was whether the legs were moving.
The walkers produced dramatically more novel high-quality ideas than the wheelchair group. The outdoors did almost nothing on its own. The walking did everything.
She also tested the opposite kind of thinking. Convergent thinking. The kind where there is one right answer and you have to narrow down to it. Word puzzles where 3 words share a hidden fourth word that connects them. The seated participants did slightly better on these. Walkers got slightly worse.
Walking is not a general intelligence enhancer. It does one specific thing. It opens up the divergent search inside your brain. The part that generates options. The part that produces unexpected connections. The part that takes a problem and finds five ways into it instead of one.
When you need to converge on the single right answer, sit down. When you need to find the answer in the first place, get up.
The mechanism is now well understood. Walking selectively activates what neuroscientists call the default mode network, the system inside your brain that runs when you are not consciously focused on anything. The DMN is where mind-wandering happens. Where memories cross-reference each other. Where ideas that have been sitting in separate folders inside your head finally bump into each other.
When you sit at a desk and force yourself to concentrate, you suppress the DMN. When you walk at a natural pace, the executive part of your brain gets just busy enough handling the walking that the DMN comes online and starts doing the work that focus was blocking.
The most useful finding in the entire paper is the one almost nobody quotes. The boost did not turn off the moment people stopped walking. Participants who walked first and then sat back down stayed elevated. Their next round of seated creativity work was still significantly better than people who had been sitting the whole time. The rest lingered for at least several minutes after the legs stopped moving.
You do not need to do creative work while walking. You need to walk before the creative work. The brain holds the state.
Edited down a long tweet. (x)
I don’t think we talk enough about how, despite the presence of multiple globes, PotC takes place on a flat earth, ice wall included.
I'm gonna need some elaboration here
They literally sail over the edge of it after passing through a hole in a wall of ice. They fall off. They get back to the other side by passing through the whole ocean.
But also there’s a globe on, like, everyone’s desk.
#it's like lord of the rings#it's only flat for pirates
You get it.
No, but this is actually (sort of) canon.
See, part of the conceit of the PotC trilogy is that all myths are true. Nearly every supernatural element in the franchise has a root in some real world mythology or pirate lore, although some of them are mashed together.
Another thing is that they take place at the end of the Golden Age of Piracy, and the more the map gets filled in, and the more the Royal Navy takes power, there less room there is for the mystical and supernatural in the world. This is explicitly called out in At World's End with the death of the kraken:
Barbossa: The world used to be a bigger place. Jack: The world's still the same. There's just... less in it.
The only way to access the world of the supernatural is through the supernatural itself. You can only get to the Isla de Muerta with Jack's compass that points to whatever you desire, or if you already know where its is. You need Tia Dalma's map to find the edge of the world. To access the supernatural, you need to already be immersed in it.
The pirates world isn't flat, it's round - but because the edge of the world exists in myth, it therefore exists in reality. The pirates are able to find it through supernatural means, but if, say, someone like Norrington just sailed in the same general direction, he wouldn't end up in the same place.
“Pirate” is a mage subclass fueled by word of mouth, rule of cool, The Power of Belief/Love/Friendship, and rum.
If you look at it in a particular way, the Pirates specifically function by FAIRY RULES: obscure codes of law and formality that they are irrevocably bound to abide by...except when you get the wording wrong.
When we go to Tortuga (or any pirate controlled space) we leave behind the sensibilities of the real world and enter this bizarre perpetual revel of debauchery and violence that could never sustain itself in a world bound by sense.
That makes Jack our Puck character, a trickster of tricksters who can invert your fortunes just by letting him talk to you.
It also makes Will into a changeling, born of the fairyworld, adopted by mortals, and fated to return to it in what makes for a doomed love story. Hell, one might say that the reason Will's swords are SO GOOD is because they contain an element of myth about them: they're the IDEA of swords, true to how they would be in myth.
Companies that rushed to replace human labor with AI are now shelling out to have IRL workers to fix the technology's screwups.
Delicious. We love to see it.
@ralfmaximus
Ultimately, she spent 20 hours redoing the copy from scratch — and with her $100-per-hour rate, that meant her client was shelling out $2,000 for copy that likely would have ended up being far cheaper had a human just written it in the first place.
I love stories like this.
Get peer reviewed!