Andulka
PR's Tumblrdome
ojovivo
dirt enthusiast
titsay
Today's Document
No title available
i don't do bad sauce passes
YOU ARE THE REASON
if i look back, i am lost
RMH
KIROKAZE
Lint Roller? I Barely Know Her
cherry valley forever
JBB: An Artblog!
JVL
Cosmic Funnies
art blog(derogatory)
No title available
blake kathryn
seen from Slovenia
seen from Malaysia
seen from Türkiye
seen from Germany
seen from United States
seen from Poland
seen from United States
seen from Spain
seen from Poland
seen from United States
seen from Spain
seen from United Arab Emirates
seen from United Arab Emirates
seen from Germany
seen from Spain
seen from Austria
seen from United States
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seen from Bangladesh
seen from Slovenia
@bardsichord
hello and welcome to the account formerly known as treesinginghobbit! Just making a pinned post with some helpful links & info:
art tag - linktree Commission status: OPEN contact [email protected]
tag for my OC art: death's companion (a comic I am currently developing)
just got back into gardening so i’ve forgotten. are basil leaves supposed to be this big
am i the problem
op are you a hobbit
i hate viruses so fucking much. literally getting attacked by a fucking shape. a concept. consumes no energy. responds to no stimuli. its only existence is to fuck with you. like fuck offf
prev's tags are too good not to save
There are a lot of reasons to oppose monarchy but one of the most overlooked is that the king is always getting stuck in some kind of hazardous puzzle chamber filling up with gravel or lava or something. Do your fucking job man
You actually cannot skip to being good at a creative endeavour that you haven't put much practice into. You cannot trick your way out of the 'knows that your work is not what you want it to be but don't know how to improve it' stage by planning or reading or talking about it really really hard. At some point you just have to craft through it until your brain finds it's own unique way back to the 'everything I make slaps' stage and be prepared to start the cycle all over again. You just have to make that project you're excited about slightly less good than you want it to be. (Says this standing in a pool of blood and covered in blood and also coughing up a little blood)
fascinated by jeff the killer tbh. everyone in that creepypasta has generic white usamerican names (jeff, keith, barbara, billy, etc.) except for jeff the killer's doe eyed little brother liu. why is he liu. is liu chinese? it's okay if he's chinese. is jeff also chinese? has jeff the killer been chinese this whole time? am I a bad person?
⚔️⚔️⚔️⚔️
I love AO3 and all its wonderful, generous, gorgeous, hilarious writers.
Today's Seal Is: The Fujoshi
another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!
(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.
actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)
a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.
deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.
the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.
and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.
however.
you do have to know which one you're doing.
the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).
and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.
the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.
the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.
point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.
Stopping point if you find yourself on your phone doomscrolling, procrastinating, or “stuck”
You can move to scroll in another space (if you haven’t gotten out of bed yet, move to the couch; if you haven’t left the house yet, you can sit outside)
You can make your current space more pleasant to scroll in (if it’s not possible to move spaces, open a window or light a candle in your space)
You can scroll while taking care of your body (change into clean clothes, scroll while brushing your teeth or washing your face, scroll while drinking water or having a snack)
You can stay on social media but avoid depressing or mindless content (try searching for fun facts, hobbies you’re interested in, or good news)
Hard mode: try just making the switch on your phone from short-form to long-form content (from dozens of short posts to an article, a fanfic, or an ebook; from TikToks/Reels/Shorts to a interesting or fun YouTube video, podcast, audiobook, or film) — this can be the first step in transitioning out of being “stuck,” because you can, for example, go on a walk while listening to an audiobook, fold clothes while watching a video, etc.
Expert mode: Set a timer for one minute and put down your phone. Do anything else. (Take deep breaths, go get a drink, pick up a book or craft.) If you can do this, aspire to two or five minutes and keep increasing your time away from scrolling. (Use your phone to play music, a podcast, or an audiobook if this prevents you from picking it up again)
Good luck! I hope you were able to make your scrolling a touch more cheerful today!
happy pride month from sápmi! ❤️💚💛💙 I want to show you the sámi pride flag, it’s a rainbow version of the sámi flag (bottom left picture) and I think it’s really beautiful
happy pride month from sápmi again!
Once when I was in undergrad, someone described something as “problematic” in class and our professor was like, “That’s cool, but ‘problematic’ doesn’t really mean anything. It means that the thing you’re describing has a problem, and in and of itself that’s not bad. Art, especially, should always have problems, or else it’s not interesting and not art, either. It sounds like you’re trying to say that this is bad, but you don’t want to say ‘bad.’ Is that right?”
So from then on whenever one of us called something problematic, he would make us talk it out until we could name the “bad” thing we were hinting at. In this particular class, 7/10 it was some type of oppression, and the remainder was like, “I’m uncomfortable because this is very new/confusing/pushing boundaries that made me feel safe.”
Once we stopped calling things “problematic” and stopping at that, class got way more interesting and... we all had to say, like, “that’s racist” or “that’s misogynistic” or “ew capitalism gross” out loud, which a lot of us had never done in a classroom before. Or we had to be like, “Uhhh... I’m not sure what’s so bad?” and confront our own beliefs and that was maybe even more useful.
Anyway. Whenever I see the word problematic, I can’t help but think of this professor being like, “Good starting point, now let’s get specific.” I think when we have to commit to saying “that’s ___” it requires a lot more careful thought about the truth and impact and complexities of whatever we’re claiming. Sometimes there really is some bullshit afoot, and also sometimes it’s art, and it should be full of problems, because that’s what art is.
Seal appreciation post, those guys are my favorite animals and I love them so much.
They have done nothing wrong, ever. (I will not accept it)
Nigerian Pride 🏳️🌈🇳🇬
I meant to have this out yesterday. Happy belated pride. :)
I'm glad you all like the Nigeria Pride post!
Originally, I went in worried the opposite would happen. Growing up, I've been taught that Nigeria, the country, is homophobic. (I was born in America.) But over time, I learned that there's tons of other queer Nigerians; some are out, and some are in the closet 😭.
I'm also not used to this much attention, lol
Thank you all!
they got married btw
oh you’re not kidding
