
@theartofmadeline
Aqua Utopia|海の底で記憶を紡ぐ
will byers stan first human second
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Stranger Things
Alisa U Zemlji Chuda

if i look back, i am lost
Jules of Nature

Discoholic 🪩
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Today's Document

tannertan36
Sade Olutola
YOU ARE THE REASON
Not today Justin
dirt enthusiast
Monterey Bay Aquarium
Peter Solarz

JVL

Andulka
seen from Brazil
seen from United States
seen from United Arab Emirates
seen from United States

seen from Brazil
seen from Brazil

seen from United Kingdom
seen from United States

seen from United States

seen from Germany
seen from United States
seen from United States
seen from United States

seen from United States
seen from United Kingdom
seen from Bolivia
seen from Canada

seen from Singapore
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seen from Türkiye
@marrowbones
"why can't they just be friends?" not in the homophobic sense, but in the "in your need to center romance in everything you are missing the whole point of the media in question" sense
evening light
🌸cherry buddy
by Resonant
I haven’t read this essay in… twelve years? I think? But someone (ETA: that someone was @whetherwoman who deserves the credit) linked it today and rereading it was a) a treat and b) honestly really helpful. If you, like me, want to write smut but often find it difficult, this essay may help a LOT.
Reblogging this as I periodically do because it’s still relevant (especially with so many new writers coming into fandom spaces who are SO ENTHUSIASTIC but maybe need some pointers?) and because I myself need the reminder. Wherever you are, Res, I hope you’re doing great.
I got hired to do a stand-up comedy set at the trope villain convention. It was a great gig. Really appreciative crowd. They were absolutely cackling the whole time. It was a little weird at the end though when all of them stood up and started clapping very slowly, before saying, in unison, "Well done, my friend. Well done."
One of them said he really liked how relatable my comedy was. Apparently it made him feel like we're not so different, he and I.
How to Write When You Don't Feel Like Yourself
There are going to be days (or weeks, or months) where you sit down to write and feel... disconnected. From your voice, from your characters, from your ideas. Like the person who used to write your stories just packed up and left.
They didn't. They're just tired. Here's how to keep writing anyway:
Lower the bar (Until it's on the floor) You are not here to write something brilliant. You are here to write something. A paragraph. A sentence. A single line of dialogue. Movement matters way more than quality.
Write around the story Don't force it. If you can't write the scene, try: ⋆ A character ramble / journal entry ⋆ A conversation that won't be included in the final draft ⋆ A list of things the character would never admit out loud ⋆ A messy summary of what should happen Engage with the story from a different angle.
Borrow a voice until yours comes back No, not with AI. Read something that feels close to what you want to write, or watch a scene that captures the tone, then write immediately after. Not to copy, to reignite your instincts.
Write the emotion, not the plot. What is your character feeling in this moment? What are they afraid of? What do they want but won't say? What's being kept from them? The emotion leads, the plot catches up later.
Stop trying to "feel like a writer" first. You don't write when you feel like a writer. You feel like a writer because you write.
You are still a writer, even on the days it feels distant. Especially then.
Reblogging for the writers who need to hear it, but also for the readers who have no idea how much work and courage it takes to write and post the stories they love to read.
All of this. One more that I may humbly add that works for me is retype the chapter.
For me, opening a new doc and placing it side-by-side against what I've written, and then transcribing what's already been done (and editing in the process) helps ground me in the scene/chapter/voice/characters and helps me discover ways to get unstuck (maybe I didn't explore an emotion earlier that needed to be dug into. Maybe they should not have left that room when they did and lingered longer. Maybe the conversation needed to get cut off before the character made the statement that derails everything). Starting from the beginning is like re-tracing your steps and editing at the same time, and most times it really helps get the brain closer to where it needs to be.
And yeah, I've done it multiple times on the same chapter. How many? You'll have to buy me a drink before I tell you that.
sydney adamu means so much to me. she's such a smart, fun, quirky, interesting, beautiful, dedicated, and talented person. she's by no means perfect, but she was absolutely perfect for the bear. ayo was phenomenal casting and i'm so grateful for the care and love she put into her. i can't properly form the words for how it feels to have her on my screen for the last time. s5 sydney, i hope you get all of the love and happiness you deserve !!!
ELIZABETH RAAB PHOTOGRAPHY
Guerriere series
www.elizabethraab.com
I know it’s a photo, but my heart says it’s a Renaissance painting.
I’m honestly tearing up rn. I’ve never seen someone who looked like me in modern art shown in a positive light like this. Thank you so much
Wanted to draw something simple and casual with the big four
Write it badly or it'll never be written
Write it badly or it'll never be written
Write it badly or it'll never be written
Write it badly or it'll never be written
Write it badly or it'll never be written
Please keep interacting with this post because when I come to tumblr to procrastinate, this shows up again in my notifications and guilts me into writing again
has this been done?
Artist By 末日预报
betraying someone who trusts them deeply is one of the sexiest things a character can do its unparalleled. cause either the relationship is irrevocably changed and said character is completely at fault (guilt complex, hot) or it isnt and then both sides have to deal with the fact that they care about each other enough to overlook the betrayal (unceasing devotion, also hot)
there's an old anne rice interview circulating on twitter rn that i remember reading ages ago where she makes a pretty salient point about how submissive men who have bdsm fantasies etc will go to a sex worker and basically order the ala carte version of their fantasy to be performed in real life but women don't really have that same option and certainly not at the same point of availability so they read her horny books instead. and honestly that argument has been in the back of my mind every time people get on their high horses about the popularity of booktok romantasy novels or heated rivalry or whatever the "women are horny and we're upset about that" cultural property du jour is ever since. women, especially straight women, have so few outlets for their sexual desires, especially if they have a partner who doesn't share them, and i will never understand why "someone ELSE'S private sexual fantasy makes me uncomfortable and therefore they should not be allowed to engage with it, even if i am in no way being affected by it or even aware of it at all" is such a popular party line among allegedly progressive young people.
in another life