I hate that SEPTember OCTOber NOVember and DECember arenāt the 7th, 8th, 9th, and 10th months.
Whoever fucked this up should be stabbed
Todayās your lucky day
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I hate that SEPTember OCTOber NOVember and DECember arenāt the 7th, 8th, 9th, and 10th months.
Whoever fucked this up should be stabbed
Todayās your lucky day
i hope this hasnāt been done yet lol
Lee Edelmann would approve.
please reblog this i spent way too long on what was supposed to be a quick edit
Masha The Hero
They forgot the part where the ambulance actually stopped to let the cat in
oh good I was worried
What a good cat. What a kind cat. How can anyone not love cats they are so good and loving.
they also forgot the part where they only found the baby because masha was screaming her head off bc she knew this baby was in danger. she went around outside the alley the next morning and yelled at passerby until she got one to follow her to the baby. she kept him warm all night and then made sure someone found him. she was adopted after this bc she was a stray and is in a loving home and is a hero
Hero cat
Thank you, Masha, youāre such a good girl.
See.
Kittens canāt regulate their own body temperature. Thatās why they pile up.
Cats see us as colony members.
Masha saw a kitten that was on its own, no mommy, no other kittens to cuddle with. She instinctively knew that was a cold kitten. She knewĀ that a kitten alone on a cold night was very likely to die. Because a kitten would have died too.
So, all she was doing was what any good colony member does - protecting the abandoned kitten. Then when the abandoned kittenās mommy didnāt come back, she called the rest of the colony for help.
People have this bizarre idea that housecats donāt have a social sense. They do, and it saved this kidās life. And possibly Mashaās too, as life on the streets is dangerous for a kitty.
We sayĀ āgood dogā all the time, but Masha was being a very, very good catā¦not just by human moral standards but by feline ones.
Rewriting Wandavision Finale
Skip to the dashes if you donāt want to read my justification/rant. Like everyone else, I was disappointed with the finale. I wasnāt really into all the theorizing and I havenāt read the comics so I wasnāt looking forward to some big reveal and I didnāt even know about the allegedĀ ābig cameoā so take all that as you will. I wasnāt disappointed because I expected an Avengerās level show-down. I was disappointed because they still tried to give us one.Ā I was disappointed with the finale because it felt like a very disjointed ending for a story that had always been very personal. As numerous people have alreadIy pointed out, this was a show about grief, specifically the grief of Wanda Maximoff, a flawed human being with amazing power. Literally the most powerful being in the universe. This show explored what someone with that kind of power might do when her grief becomes unbearable. That is the central conflict of the story, but the climax had almost nothing to do with it. We had a cartoonish military force and a random witch who wanted that power for herself despite already losing her own family in the pursuit of power. This is the heart of the problem with the finale - it stops becoming Wandaās story and starts becoming a cheap way to set up other MCU properities. It doesnāt feel like a natural chain of events and ending this show with Wanda yet again alone and isolated seems so wrong and unsatisfying.Ā So in order to feel satisified, Iām pitching an alternative to the last three episodes and posting it on the internet just in case this will help anyone else get closure. Iām not saying Iām smarter than the showrunners and Iām not going to stop watching MCU properties or start boycotting Disney (though tbh we should definitely do that but thatās another topic for another day). This is just a fun exercise for my peace of mind. --------------------------------------------------
Hayward's concern about Wanda was genuine. Yes, he was lying, but what he was lying in the way governments lie all the time - to keep dangerous information out of the wrong hands. The fact that Wanda can just create another Vision - the most dangerous weapon on the planet - is a very legitimate concern... and a threat, considering her mental state. So Hayward lies to everyone, saying that the Vision in the Hex is the real one, meanwhile, he has a second team secretly working to recreate the original villain as a backup plan to deal with this new threat. When Wanda attacks the SWORD base, he feels the threat has been realized and calls White Vision into action.
While going through Wandaās past, Agatha reveals her own grief and the loss she suffered because of her pursuit of power. She too has hurt people and is remorseful and warns Wanda that she is going down the same path. Just like in the episode, Agatha momentarily releases the townspeople from their trance to force Wanda to come to terms with the fact that she's hurting everyone. Her powers arenāt strong enough to reverse the spell permanently, but she can do this much. She reveals that the Hex is just that, a spell. An unfinished spell. If the spell is completed, Vision and the twins become real, but so does everything else. The people in town will become the parts that they're meant to play in Wanda's show, but it goes even further than that. Wandaās spell is ripping apart reality at the seams and rewriting it in the exact same way Thanos had attempted to with the Snap.
Agatha tells Wanda all of this to force her to undo the Hex, but inadvertently reveals that Wanda really can "raise the dead" (so that her out of character āYou can do that?ā is legit and not just a plothole). Because Wanda can change reality, she can bring people into being who are no longer there. Fietro was just a parlour trick that Agatha was able to mimic. What Wanda doing is real. Realizing this, Wanda starts to bargain with Agatha, trying to get her to help her finish the spell so no one gets hurt but she can keep her family together. She offers to bring back Agatha's mom, desperate not to lose her new family, but Agatha is resolute. These are powers no one should be messing with.
The threat of the new Vision is neutralized like in the show, but Hayward can't just walk away. More soldiers come in, demanding Wanda to stand-down. When they get close to the twins, she starts rewriting them as we.l, inadvertently starting to complete the Hex. Agatha tries to stop her, Monica tries to stop her, Hayward is essentially dying.
Finally, Vision shows up and silently confronts Wanda. She cries that she can't lose him again. He sadly delivers that line she originally says in the finale, "Family is forever" or something like it. Monica's "don't become a villain" speech gets reiterated and eventually Wanda gives in and starts reversing the Hex. As Vision starts to disappear he holds her and the twins, ever calm and reassuring. "We've said goodbye before" and she finishes "we'll say hello again".
In the aftermath, Wanda is alone again and weeping. Hayward, now back in his right mind, starts issuing orders to take her into custody, but Monica stands in his way as Agatha approaches. They wait and watch as Agatha embraces Wanda and helps her up. She looks back at the crowd gathering around them and then she and Wanda disappear in the blink of an eye. Hayward angrily accuses Monica of defying orders, misuse of funds and resources, aiding and abetting a terrorist and a whole other string of legitimate accusations but she calmly stands her ground, continuing to defend Wanda and explain her grief. They share some memories of Monicaās mom to reach common ground and Hayward relents as Jimmy reminds everyone that the real work has just begun.
We see SWORD ship out as the FBI comes in to help the townspeople rebuild their homes and deal with the aftermath of this traumatic experience. Jimmy approaches Agathaās house and knocks on the door, Fietro opens it with a casual āYou took your timeā and steps aside to let him in. Back at SWORD, Hayward oversees the decomissioning of White Vision as Monica is escorted to what we assume is a sort of detention center to face repraisals. Instead she meets a skrull who hints about her newfound powers and delivers the āan old friend of your mother wants to see youā line and continues escorting her into what turns out to be a spaceship hanger.Ā
The end credit scene isn't Wanda alone in a cabin with the book, but Agatha and Wanda together. Agatha is teaching her and helping her heal. We already know that Wanda is the more powerful of the two, but we can see in the look on Agathaās face as Wanda does the crazy hovering while reading the Book of the Damned thing that she is still very much concerned about the extent of Wandaās powers and what she will do with them. A kettle whistles on the stove as Wanda hears the cries of Billy and Tommy. Agatha comes back into the room with mugs of tea and depending what the showrunners need to set up for the next with additions to the franchise, she shares a look with Wanda or Wanda and the book are gone and Agatha looks stricken.Ā
My favourite genre of movie is 'vapid girly teen flicks from the 90's and early 00's that actually have important feminist and socially conscious messages'.
Some examples;
Don't be afraid to break the pointless and sexist rules society has imposed upon you, especially if they stand between you and your dreams.
Learn to recognise your self worth beyond the trappings of success.
Recognising and working to correct your white privilege, is not only the right thing to do morally, but will also lead to a more diverse and exciting playing field.
You absolutely do not have to sacrifice your femininity or sense of self in order to make your way in a traditionally masculine field.
I like when an article thumbnail features a pic of a woman conductor, as it is the closest I will get to living in a world where newspapers write feel-good human-interest stories about a local witch who is proud to show off her new spell.
Stop-Motion Moana
āWe can rebuild her⦠We have the technology⦠We know the way!ā
A few months ago I ripped apart a Moana doll and made it into a stop-motion puppet using a kinetic armature kit. Ā
The walk cycle above was the first thing I animated with this puppet, and was just a throw-away practice test with no green screen. I had never done a walk cycle in stop-motion before and soon discovered how difficult animating a straight-ahead cycle within a localized space with no retakes could be.
I showed the cycle to my dad while he was holding my Moana puppet in his hand and he seemed more impressed with this crappy test than the actual animation I did on the movie! I think the combination of him holding the puppet, and then seeing it come to life on the video before him was what blew him away. I guess thatās the appeal and magic of stop-motion. :)
Hereās a second test I animated for fun:
I read that itās best to have the foot joints nice and tight to hold the weight of the puppet, and have the arms looser.Ā Itās amazing how much weight those toe and foot ball-joints could hold for the falling poses:
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#iconic
youtube.com/watch?v=tc-jMrxgPsw&t=47s
this is cool but why is it shot like the intro credits of a crime drama
ā¦Dessert,Ā but shot like Murder.Ā I think Iāve found my favorite aesthetic ever.
Iām right and I should say it
Wait. How are peoples with siblings greeting eachother then?
āHeyā
āHeyā
āgreetings, whoreā
ā[fortnite dances]ā
āsup dumbassā
āfuck offā
No guys, I need to stop and talk about something in this movie and how fucking revolutionary it was; something that I havenāt seen in a movie before or since.
This is a movie about a kid who leaves her birth family.
Not a kid who find that they have a secret lineage or something that allows them to find their ātrue familyā - this is a movie about a kid whose true birth family is made up of bad people. So she gets out. And that is played as the right thing to do. She isnāt punished for it or made to feel bad about āabandoning her familyā. There isnāt an underlying ābut theyāre your family and you have to love themā or ātheyāre your family and they love you even if they donāt show it well or do hurtful thingsā message of the kind that I see OVER AND OVER AND OVER AND OVER in media. Matilda gets out and lives happily ever after because of it.
We need a million more movies like this to counter the metric shit ton of movies that directly counter this message.
Ā #sometimes the family you start with isnāt a good oneĀ #but you can find your ownĀ #family is not absoluteĀ #blood is not absolute
not to mention, Miss Honey is an abuse survivor herself (and in the book, sheās only 23 years old)
they both got out. they both became each otherās happy ending.
or the ātheyāre your family and despite whatever theyāve done you have to help themā trope thatās so hurtful
This is hilarious š¤£š¤£š¤£š¤£
The fact that this was posted by Taika himself on his Instagram account makes this 189x funnier
This is even more better as a german person who is understanding every single sentence in this movie and just trying to read different subtitles to it
i love taika
The Backstreet Boys performing I Want It That Way together from each of their homes is exactly what I needed today.
The Backstreet Boys have the best redemption arc .
The air instruments :-D