biglobe
my kind of angels 👼👼👼
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h

oozey mess

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Noah Kahan

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art blog(derogatory)

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if i look back, i am lost
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he wasn't even looking at me and he found me
Lint Roller? I Barely Know Her

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@mercy-eliza
biglobe
my kind of angels 👼👼👼
@kohakuhime
love who you are and where you come from!
Tumblr allows blogs to be flagged as NSFW or flag themselves as NSFW
I think there should at least be a function where no NSFW blogs can follow you
When this site is 13+ as an age group, I think it’s fair for kids to have the option of TRYING to prevent obvious porn blogs from following them or reblogging their stuff. It just sounds right and normal. Not to mention not everyone enjoys porn blogs following them and would like to TRY and prevent it.
@staff
Seriously. And the onslaught of porn blog follows has spiraled out of control
I’ve probably blocked at least a thousand porn blogs at this point. It’s annoying to have to keep checking my followers for people that I would rather not have accessing or reblogging the pictures of me or my followers.
porn blogs are the reason I don’t share photos of myself. I don’t wantmy photographs to be taken and oversexualized.
Can we talk about how the Deadpool movie, which the media has largely referred to (in so many words) as a fuckboy’s wetdream, not only gives a female sex worker an empathetic role, but treats her and her work more respectfully than about 99% of so called feminist media?
.
At no point does the movie imply that Vanessa is tainted because she is a sex worker. At no point does the movie imply that Vanessa is unworthy of love because she is a sex worker.
At no point is Vanessa portrayed as “broken.”
At no point does the movie imply that being a sex worker makes Vanessa a bad girlfriend. At no point does Deadpool ask or expect Vanessa to sacrifice her job for their relationship.
At no point is Vanessa slut-shamed for her job, by either protagonists or villains.
Think about that.
Denigrating sex workers is so taboo within the Deadpool movieverse that even the villains won’t do it.
We know that Vanessa experienced sexual abuse, and that it’s shaped the person she’s become and influenced the choices she’s made. The movie clearly acknowledges that sexual abuse is real, and that it is damaging, and that people who experience sexual abuse struggle to lead “normal” lives and get “normal” jobs.
But the movie never hands sexual abusers the mic.
There is no sexual abuse porn in this movie. There are no voyeuristic rape flashbacks. There are no misogynist monologues. The audience learns about Vanessa’s abusive past from Vanessa, on Vanessa’s terms, through Vanessa’s own words.
This seems like the bare minimum of dignity any female character should be granted, yet so much media fails to meet this extremely low bar.
The movie makes it very clear that Vanessa has a life outside of sex work. She does not live on a stripper pole. Sex work is something Vanessa does. Sex work is not who Vanessa is. She has an apartment. She wears pajamas. What other fictional universe can say the same? I can think of one tv show, but that’s about it, and that show’s viewership is nothing compared to Deadpool’s.
Now on the one hand, I’m not necessarily happy that Vanessa’s character arc revolves almost entirely around her romantic relationship with the lead male protagonist. But on the other hand, I find it very refreshing to see a sex worker in the media whose character arc does not revolve entirely around the fact that she is a sex worker. Hate to say it, but for sex workers in the media, being relegated to the role of love interest is actually a step up.
Most feminist media would rather pretend sex workers don’t exist than write storylines of any kind for them.
This.
And the people who call Deadpool a fuckboy’s wet dream sure as heck didn’t watch the same movie I did.
The movie has:
A very funny moment in which the joke is on those who assume that sex workers have abusive pasts, not on the sex worker. (The comparing abuse thing gets ridiculous enough that they’re both clearly lying).
The male lead repeatedly posed in female come-on positions. This one is my favorite:
He’s even on a bearskin rug in front of a fire. The humor in this pose is “Haha, isn’t it silly to pose a character like that.” It’s designed explicitly to make people think about how commonly female characters are shown in these kinds of ridiculous poses. Going to tell me that’s not a feminist visual joke?
An under-age female character who is never sexualized. Yeah, this girl
Look at that. A practical costume, her breasts are minimized rather than emphasized. We only see Negasonic Teenage Warhead as badass, not “cute.” And she’s treated like a teenager, not a child or an adult.
Oh, and Deadpool doesn’t rescue Vanessa in the end. He throws her a weapon so she can rescue herself. Which she does, because she’s badass.
I’d actually call Deadpool a feminist movie, and an important one. Why?
Because they probably tricked an entire bunch of fuckboys into watching a feminist movie ;).
So, why was it so feminist?
Two words: Ryan and Reynolds.
Ryan Reynolds wanted to do this movie. He wanted to do this movie for years. Reynolds is basically a Deadpool cosplayer who managed to convince a movie studio to pay him a lot of money to be a Deadpool cosplayer.
Guess what Ryan Reynolds also is?
A feminist. He says he’s going to push for even more badass ladies in the sequel. (I think we’re going to see Vanessa with superpowers. They had her long enough to expose her to the agent, if not to activate it).
I’d love to see Vanessa with superpowers, and I enjoyed the hell out of Deadpool.
I forgot one, and an important one.
When we are shown the strip club Vanessa works at, it is not filmed the way movies always film strip clubs.
It’s filmed as if we were going to an office. It’s just “this is where Vanessa happens to work.” No low shot angles to show off women’s bodies, no soft porn music.
Just very…matter of fact.
She’s decided that the only way to change porn is to keep making it.
“We like to tell ourselves stories about why some women decide to do “this kind of work.” But until her experience with Deen, Stoya says, she had not been assaulted — at least not in the way we typically think of sexual assault.
“When I was 17, I would walk around in these enormously baggy Army pants and a big baggy sweatshirt and no makeup and definitely not sexy hair, kind of smelly, and I still got harassed and groped,” she recalls.
“I learned that by virtue of walking out of my front door, I am seen by sections of the world as someone they can just take sexual pleasure from.” Dancing onstage for money and eventually having sex on-camera allowed Stoya to reclaim a position of power in that dynamic
The uprising at Stonewall, our most famous civil rights moment, happened at a bar. It wasn’t noble or solemn, it was drunk, surly, and there were sequins involved. Those trans women and drag queens didn’t just stage a polite protest about repealing sodomy laws or cross-dressing prohibitions. They fought back against a police force invading our bar, the one place where the simple right to get a vodka soda and make out with a cute gay girl or boy in peace was something we could take for granted. It may seem frivolous, but when society has denied you dignity, honesty and safety, frivolity is all you’ve got… When people kill us, pass laws against us, make cheap jokes about us, they aren’t actually saying all gay people should die. They’re saying all L.G.B.T. people should know our place, live in silence, lie about who we are. Societal homophobia wants us to be ashamed, and finds ways to punish us if we refuse. The greatest gay rebellion is honest expression of our truth.
Pride After Orlando (via coneyislands)
Romantic love as most people understand it in patriarchal culture makes one unaware, renders one powerless and out of control. Feminist thinkers called attention to the way this notion of love served the interests of patriarchal men and women. It supported the notion that one could do anything in the name of love: beat people, restrict their movement, even kill them and call it a “crime of passion,” plead, “I loved her so much I had to kill her.” Love in patriarchal culture was linked to notions of possession, to paradigms of domination and submission wherein it was assumed one person would give love and another person receive it.
bell hooks, Feminism Is for Everybody: Passionate Politics (via reading-blog)
Performing life-threatening stunts is scary enough – but to swordfight or crash into cars wearing skimpy costumes rather than padding requires a special kind of courage
They perform mind-blowing stunts dressed in clothes as flimsy as paper doilies and are forced to meet Hollywood’s demands for ever-shrinking waistlines without losing the muscles they depend on for work. Meet cinema’s small but dedicated community of stuntwomen: because of the skimpy clothes they have to wear, they put themselves in more danger than their male colleagues.
But it’s all part of their day job. Tammie Baird is Hollywood’s go-to stuntwoman for car hits. She’s appeared in Fast & Furious, Chris Brown’s Next 2 You music video, and NCIS: LA. She’s been smashed into windshields, bounced off bonnets and slammed into the tarmac – more often than not wearing a tight dress and heels. When Baird got her first role, in Mr & Mrs Smith, she went shopping for stunt gear “like a guy”. “I bought the biggest, bulkiest pads, and thought, ‘Yeah, I’m protected, nothing’s gonna get me.’ Then I saw my wardrobe – I was wearing a miniskirt.”
“Women face extra risks because ‘unless they’re playing athletic nuns, they’re going to be less covered than men'”
I really wish that movie existed, though
BLOOOOOOOOOOOP #StopBuzzThieves @buzzfeedvideo
oh my god i just met gary this is so awful
Look around you. Appreciate what you have. Nothing will be the same in a year.
Diane Guerrero wrote a book about when she was just a teenager she was left homeless after her family was deported to Colombia and how the American welfare system did absolutely nothing to help her and she’s been advocating and bringing awareness to mental health issues within the Latin community and y'all only recognise her as the pretty girl from the puta gif instead of the valid important activist she is.
reblog if you want your followers to tell you what vibe you give off based on your blog
‘cause nobody gives a shit about Black lives
JUNE 01, 2016 -
“Up to a thousand refugees are feared to have drowned in recent days while trying to cross the Mediterranean Sea. The United Nations say this marks one of the highest weekly death tolls since the migrant crisis began in 2014.UNICEF says many of the victims were youth fleeing war and violence in their home countries.
The majority of the refugees were from Eritrea, Nigeria, Somalia and South Sudan.”
http://www.democracynow.org/2016/6/1/as_1_000_migrants_drown_under
Sexism doesn’t exist in comics
in case you don’t know, Gail Simone wrote Deadpool
in fact she relaunched Deadpool
They took something from you. Go get it back.
Maya Glick’s RAIN - an indie fan film about Ororo Munroe.
Watch it now, let’s get these view numbers up!
SIGNAL BOOST