Why can’t the commies ruin states that suck, why do they have to ruin the pretty ones that I like
Because they’ve already ruined the ones that suck. That’s why they suck.
art blog(derogatory)
Not today Justin

Game Changer & Make Some Noise
Lint Roller? I Barely Know Her
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occasionally subtle
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shark vs the universe
"I'm Dorothy Gale from Kansas"
The Bowery Presents

Product Placement
KIROKAZE
let's talk about Bridgerton tea, my ask is open
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Love Begins
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@miss-nerd-alert
Why can’t the commies ruin states that suck, why do they have to ruin the pretty ones that I like
Because they’ve already ruined the ones that suck. That’s why they suck.
Wonder Woman and Wonder girl: *fly there*
Aquaman and Aqualad: *swim there*
Flash and Kid Flash: *run there*
Batman and Robin:
A controversial take but as a woman who’s been wronged by men several times before, I genuinely find all those “men bad” and “men should die” posts in poor taste and an opposite of what feminism is.
I know we all say “not all men”—because it’s really is not all men—but how would you feel if you saw a “women bad” or “women should die” post made by a man and then he said “well it’s not All Women so if you’re not xyz then this post isn’t about You”?
So I don’t know. I think instead of a vague “men bad” or “men should die” post and “well if you’re a good man then this post isn’t about you” we should call out specific harmful behaviors without grouping All Men together and expecting good men to 1.) know this post isn’t about them 2.) not feel Bad about / unsafe for being a man whose only crime is being a man.
And if you genuinely think innocent men are bad and deserving of mistreatment and bad things just because they’re men then please block me because you’re the type of person I want to stay as far away from as I can and you do not represent feminism.
The belief that all women are angels and all men are demons is still a form of sexism. We’re all human beings, and as such we are all capable of more good and more bad than we give ourselves credit for.
Our cats never attempt to escape or go outside. We yoinked them from out there. They know the struggle.
Out there they would be dodging cars and coyotes. In here they get free food and belly rubs. Fair trade for not being allowed to eat bees anymore.
One terrifying day I accidentally left a door open and when I remembered and ran back to close it they were both just staring at the door and they looked back at me like why is the portal to the badlands open? Close this immediately.
My former street cat actively runs away from the door whenever it opens and hides until it’s closed again.
if anyone has recommendations for how to get into comics as a new (fan? interested person?) (specifically with dc) please let me know!
i started really loving superman from the new movie and recently finished all star superman and from there read superman for all seasons and batman: year one. i’m currently simultaneously reading batman and robin year one and am almost done with the compact for leaping into the light bc im interested in learning more about the bat fam and i figured getting some background for past and current dick was a good starting place?
i’ve gotten some recs from friends and have kind of just been approaching it with “pick up a comic and google to fill in context gaps as i go”. but it’s intimidating bc there’s 10 million years of background for every character and everything has been retconned to hell and back so. if anyone also has recs for good origin story points or like essential reads/watches i will take them!
A few comics I would definitely recommend are:
Absolute Wonder Woman. It’s part of the Absolute universe, which was designed as a jumping on point for new fans, but I especially recommend it because of how true it is to the character. There’s been a lot of comics lately that really mischaracterize Diana (Injustice being perhaps the most egregious), and the Absolute comics are very true to the real core of who she is, and they’ve made me fall back in love with Wonder Woman.
Batman: The Long Halloween. It continues the story of Batman: Year One (which is also excellent), and it explores the shift in Gotham from the more traditional organized crime of Carmine Falcone and the mob to the costumed craziness of supervillains. The basic premise of the story has been adapted into many of the Batman film adaptations like Batman Begins, The Dark Knight, and The Batman.
What’s So Funny About Truth, Justice & the American Way?, or as its movie adaptation is called, Superman vs The Elite. Like Absolute Wonder Woman, this is a comic that really gets across the heart of its main character, as Superman opposes the much more violent methods of a group of vigilantes. On top of being a thoughtful entry into the real-world conversation being had at the time it was published (which is still relevant) about violence in comics, it’s a perfect example of why some of Superman’s most memorable villains are the ones who can’t challenge him physically, but challenge him mentally and emotionally.
Superman: Speeding Bullets. I’ve always had a fondness for the Elseworlds comics, and this is one of my favorites. It’s fun to explore different possibilities within the DC universe, and this one takes a pretty simple idea and builds an interesting story out of it. I know some people were a little unimpressed by how this one ended, but I thought it was exactly the kind of finish a concept like this should have. It’s a simple but fun what if story idea executed well, and I especially enjoyed it.
Superman/Batman: Public Enemies. Bruce and Clark have one of my favorite friendships in all of fiction, and this comic is one of the best at showing the rapport they have. They’re different people, but they know and trust each other, and when they team up there’s nothing they can’t handle. You’ve also got Lex Luthor doing what he does best, opposing Superman with his wits rather than his strength.
DC: The New Frontier. A love letter to the Gold and Silver ages of DC comics, if you enjoyed Superman 2025 or The Incredibles, I think you’ll like this one. It leans into the sci-fi zaniness of the eras it’s referencing, while also telling an interesting and thoughtful story about people trying to do the right thing in an increasingly complicated world.
Green Arrow: Year One. I’ve suggested a lot of stuff about the Trinity, so I thought I’d end with a different character, and I’ve had a soft spot for Ollie since his appearance in the Justice League cartoon. It’s a much more grounded story than everything else I’ve mentioned, but like Batman Year One it’s about getting you familiar with the character himself so that you know exactly what kind of person he is when the bigger and weirder stuff comes around.
Members of the Church of Jesus Christ of Latter-Day Saints…how does your ward sing in sacrament?
First Verse Only
First and Second Verses
First and Third Verses
Every Verse
Whatever verse the music director/bishop wants to sing
Some other option (please elaborate)
Just want to see the results
It’s always fun to move to a new ward and see how they sing the hymns.
Same goes for the drink
you are a bender in the avatar (the last airbender) universe! Spin this wheel to find out what you bend!
Are you happy with it
yes!!
yes
eh it's okay
no
MY PEOPLE ARE DEAD. THEY'RE GONE.
results/other
I’m the avatar….this is either gonna be really good or really bad
Once again Avatar posting because I've never seen it pointed out how in S1E15 when they go ice dodging and they're going up against some rocks that they can't sail through (not without difficulty), Bato tells them to turn around and find another way, that Sokka (and the rest) have already proven themselves, that due to the attempted genocide (and successful cultural genocide) of the south Bato has likely never seen their ships how they could have traditionally been.
Noone can remember a time where the southern tribe had benders, where they had an actual bending culture. Where the hunts and the fishing trips and the foraging in the tundra and literally everything was accompanied by waterbenders. Throwing up snow or ice to block the route of an animal, gathering up fish and safely navigating sudden rapids, clearing and creating paths to local flora and strengthening ice sheets so noone fell in.
Sokka is the first of the Southern Water Tribe to relearn how to sail with a bender, to trust that they can navigate far beyond the capabilities of a rudder should they need to.
Katara brought bending back to the South, and Sokka matched it every step of the way (well,,,,, every step of the way post Kyoshi lmao) and I'm so,,,
I forgot just how autistic I am about this damn show
Posts like this make me so genuinely glad I’m on Tumblr.
Interesting to compare the three different throne rooms for the Fire Lord's palace now that we've gotten the movie's depiction of what it looked like under Zuko's reign.
The earliest depiction we have is what the throne room looked like under Sozin's rule, with open windows, ornamented pillars, a golden relief of a dragon behind the throne with steps leading up to it, a flat ceiling, and a patterned carpet along the walkway towards the throne. This is likely what the throne room looked like before the 100 Years' War, an architecture inherited by Sozin prioritizing the impression of regal stature and power to those who visited the Fire Lord through dedicated artistic decoration and grandiosity.
The second depiction is what we have during the original series, the throne room of Azulon and Ozai, the room of a monarch overseeing the longest imperial project in world history. A number of differences appear immediately: the replacement of the decorated carpet with a war table and the utilitarian ornamentation on the pillars now more numerous in amount, the lack of open windows, hardwood floors below a vaulted ceiling, the dragon now rendered as only a face behind the throne itself, a pagoda behind a walk of flames separating the Fire Lord from those below him. This is a room designed to intimidate, to impress upon visitors that the Fire Lord is a god among man overseeing an empire unlike any seen on this earth before, the pillars confining you within his presence such that you dare not to look away lest you feel his wrath.
The third depiction is that of Zuko, having rebuilt the palace into something prioritizing scale above all else. The full-body dragon relief sculpture and the ornamental decorations on the pillars return, alongside steps and carpet leading up to the throne and open windows to let sunlight in. Zuko's reign is characterized by a restoration to the design principles of previous Fire Lord, supplemented by monumental architecture reminding me of projects such as Versailles Palace or Taj Mahal dedicated to legitimizing an absolutist monarch's rule through a demonstration of architectural might. However, the elimination of elements designed to intimidate emphasizes Zuko's desire to position himself as a more approachable and benevolent ruler, lacking the utilitarian dedication to warmongering shared by his predecessors and the greater open windows literally demonstrating a willingness for transparency.
Overall, I find these difference quite fascinating in how it communicating the changes made between Fire Lords prior to, during, and after the Hundred Years' War. But also, it makes one wonder how Zuko managed to acquire the funds to support this reconstruction of the palace given the controversy his reforms received early on from more conservative members of the government and nobility as depicted in the comics. My guess is that Zuko levied taxes against those in the upper class who refused to contribute to international reparations and reconstruction initiatives, because I don't think using the capital accrued from the Fire Nation's past colonial projects for his new palace would be something that Zuko would do. Or maybe the Fire Nation just has that kind of wealth to spare, being the foremost industrialized state in the world with a dedicated middle class that would naturally experience greater trade and economic growth from the supported development of Republic City and the Southern Water Tribe in a similar situation to the Marshall Plan. It's a weird sort of situation where this kind of architecture usually coincides with the solidification of imperial stature and centralized absolutist governance, and yet Zuko's reign has been explicitly portrayed as attempting greater political egalitarianism through mass reforms and deconstructing the imperial mechanisms of the Fire Nation, and we know this expansion didn't happen under Ozai. Just something to think about regarding the unintentional implications spawned by the art design, I guess.
It’s also entirely possible that without the massive amount of resources and manpower being dedicated to an ongoing war effort, the Fire Nation underwent something of a renaissance after Zuko took the throne.
Historically, the period of time following a war sees major shifts in technology and economics, as those who’d previously been soldiers seek out other work and any new technologies developed for the war enter the public market. Sozin started the war because the Fire Nation was prospering, and the fact that they could even maintain the war effort for so long is an indicator of just how well off the country was. In Season 3, the ongoing war didn’t even seem to put discernible strain on the civilian population (although how much of that is from the Fire Nation having effectively won the war already by taking Ba Sing Se isn’t clear). With the war over, all the materials used for things like soldiers’ weapons, warships, and projects like the drill can be committed to infrastructure and the arts, and people who might’ve been soldiers can become artists or tradesmen instead.
Something I really enjoy as a story lover is when two pieces of fiction take the same basic concept in drastically different directions.
For example, both Steven Universe and the Disney Fairies franchise said “Here’s a race of people who’re divided into jobs all their lives. They materialize into existence fully developed, and from the moment they’re born, they know what their role is in life, and they spend the rest of their existence doing that one thing.”
In the Disney Fairies franchise, this is treated as normal, and it’s presented as a system that functions perfectly well. The only kind of negative consequence that the fairies can experience from this system is a feeling of isolation if a fairy doesn’t have someone with the same talent (like Clarion only having Elvina or Prilla being the only Clapping-talent) or outside factors separate them from their peers (like Rani sacrificing her wings or Tinker Bell feeling confined to Tinker’s Nook).
Meanwhile, in Steven Universe, this is treated as a repressive caste system that restricts the individual freedom of each gem in service of an expansionist colonial empire. The negative consequences are shown to include the genocide of gems who refuse to adhere to the system or naturally fall outside of it’s standards (like the Cluster and the Off Colors), the suppression of any kind of formal resistance to the authority of those in charge of the castes (like the Crystal Gems), and the exploitation of resources and people to further fuel the conquest.
Big fan of when a fantasy piece of media contains a fictional race and also a character from that race who is disable but in way only that fiction race can be disable.
Claudia from IWTV being a child vampire so she isn't as strong as other vampires and she can't turn human into vampires
Transmuted being a Transformer unable to transform
Master Viper from Kung Fu Panda being born without fangs so she can't defeat her enemies with venom, a prefere way for vipes to fight
Kitty Softpaws not having claws so she can't scratch or hook herself the way regular cat do
Rani and Lord Milori, fairies that lost their wings so now they rely on doves to fly them around
This is like peak of creativity for me
Toothless losing a tail fin and needing a prosthetic one to be able to fly again
Elina being born without wings and having to walk everywhere before the Enchantress creates some wings for her
Ardat-Yakshi who choose to live in the monastery being cut off from the rest of the galaxy for the rest of their centuries-long lives
Tempest Shadow having a broken horn and losing the ability to control or use her magic
Eda’s curse requiring her to be magically medicated for the rest of her life
Amethyst being “overcooked” and so is only half as tall as other Quartz gems, while Peridot can’t shapeshift or use super strength because of the subpar resources used to make her
One random comic book hill that I am FULLY prepared to die on is that you should never, under any circumstances, make Superman’s S look less like an S.
“It’s supposed to be an alien symbol” it was an S long before writers worked in that explanation.
“It looks better this way” no it fucking doesn’t.
“The S is too silly” IT’S A COMIC BOOK.
I am fully convinced that modern media’s insistence on making superheroes more “practical” is yet another side effect of the unimaginative, tired cynicism that’s infected so much of the creative sphere. It’s like they’re embarrassed to be telling stories about superheroes.
If you’re telling stories about people who dress up in brightly colored outfits with superpowers, you don’t have time to be embarrassed about it. You have to do it with complete sincerity, because if YOU don’t embrace it, there’s absolutely no way your audience will. You don’t have the luxury of embarrassment.
So after reading Wings of Starlight, am I the only one re-analyzing all the Tinkerbell movies?
Like OF COURSE Queen Clarion was so gentle and sweet with Tinkerbell when Tink wanted to go to the mainland because she definitely saw herself in her, and when Tink fucks up and destroys MONTHS of work for spring she isn't furious, she clearly see herself as a young governing fairy failing to accept her role and deal with the task at hand and of course, she believes in Tink when she comes up with a solution to get spring on time to the mainland because Elvina didn't believe in her to deal with the nightmares.
Also! I am absolutely sure that the minister of Spring is different from the one from WoSL, like there is no way they are the same minister which makes me SOOO sad thinking that her good friend is no longer there, like the way the minister od spring is all skittish makes me believe he is only been doing this for a year or two max, however, I DO think that the minister of autumn is the same, like for sure! their conversations in The Lost Treasure are so old friends, the way he probably tells her how Tink reminds him of her, ILL CRY
DO we think that any of the ministers of the other seasons are aware of the relationship between Milori and her???
The Minister of Summer is different too.
I’d like to assume this isn’t yet another case of a ginger character being changed to be black, and this description is definitely NOT what the Minister of Summer in the movies looks like:
You ever have those random household objects that you can’t stand to part with? It’s not even something you have a lot of fond memories of, but it’s just been a constant presence in your life for so long that it feels weird to not have it?
I’m getting rid of these plastic cups and bowls that I’ve had since I was a little kid, and it legit feels like letting go of the last pieces of my childhood. I hardly ever use them anymore, but now I’m remembering how my biological father always used the cup with the stripes because it was the biggest, and he always used the lid that came with it. I remember my siblings and I fighting over who got the red bowl and who got the blue one, and who got stuck with the yellow one. I remember putting a tooth that fell out into the light blue cup (we never put baby teeth under our pillows) and finding a few dollars inside in the morning. I remember my little sister using the little orange cup because it was the smallest and she was still just a toddler and couldn’t hold the bigger ones steady yet.
So many memories…and they’re all tied to plastic cups and bowls with built in straws.
Should I be saving my money for a down payment on a house and getting rid of furniture so I have less to move? Yes. And also yes.
But consider:
She's $300 and I need her
She's here!!
This side-by-side was built by the Rockford Desk and Furniture Co., which only existed from 1891-1895. I've found one singular other example of this cabinet, which was auctioned over a decade ago, and was stained a dark cherry color. I personally like the color of the quartersawn oak as it is, so I'm not planning a full restoration.
Wait I just realized this puts her in line of sight with my favorite chifforobe and I love how they look together. Very different periods and styles but I feel like there's a dialogue there.
We are not judging the mess in my drawing room, that's a later problem. Work table all covered in nonsense...
OP the vibes in your home are incredible