occasionally subtle

titsay
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TVSTRANGERTHINGS
NASA
Stranger Things
Noah Kahan

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Discoholic 🪩
KIROKAZE

shark vs the universe
macklin celebrini has autism
YOU ARE THE REASON
h
wallacepolsom

bliss lane
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roma★
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@mitresquaremurdre
i think one of the worst things about abandonment issues is that you spend your life in a constant cycle of expecting someone to leave, consequently doing shit that’ll make them leave, and then affirming to yourself that they were gonna leave the whole time because of who you are as a person
Art by Larry Southberg
‘Midsummer night’s dream’ “Every year, on the Midsummer Night, Magdalena came alone to the river, in a place where a few years ago the fragments of clothes of her beloved Johan, were found. That night, he disappeared without a trace. She still has hope that maybe someday she would meet him there. Johan always observes her from a distance, afraid to show her his true nature… He still loves her but knows that they can not be together… ” Work process: https://www.artstation.com/artwork/8elzGx
I ever tell you guys about my ethically dubious radio show back in college? The Mad Dad Hour?
it was an entire radio show built around perpetuating a very simple joke, but it was uniquely powerful in its capacity to prompt the reaction I was looking for.
so my slot was at the tail end of rush hour, and i got a fair number of listeners/callers who were on the way home from the office. And like, I had a lot of callers, who almost all wanted to request songs that really didn’t fit with the aesthetic. I had pitched a power pop show when i got my slot, but the callers were not having it; they invariably wanted classic rock.
this made sense in a way. if you think about the demographics of the people who listened to the radio for music in 2010 instead of their ipods or cds or whatever, you’d expect them to skew older right? accordingly, i quickly realized that almost all of the people who called to request songs were Dads of a Certain Age. It was honestly annoying at first - I’m all for most classic rock, but that wasn’t what the show was supposed to be.
And so one day, when i was feeling particularly annoyed with requests that just didn’t fit thematically, i came up with the joke that rapidly became the only reason I kept the show going. Per station rules, I had to play a certain number of pre-recorded PSAs during my show, and before I cut to one I was supposed to read out the song titles and artists for all the music i had played before the break. So this one day when i had to inform the world before the break that the song they just heard was, per a listener’s request, Hey Jude by the Beatles, I decided to do a goof. I said:
“and finally, that last song you heard was Hey Jude, which was of course written and performed by the Rolling Stones.”
I barely had time to get the ads going before the phone started ringing. See, I had been assuming people would realize i was making an obvious joke by claiming one of the most well-known Beatles tracks was a Stones song, but i had failed to consider that my listeners were mostly 55-70 year old dads who were irritated from a long day in the office.
And when those dads heard me, a millennial woman, get the artist of an extremely well-known beatles song WRONG???!
they HAD to call in to correct my ignorance. never in a polite way either, it was condescending and annoyed or nothing. and like, they were just SO personally insulted by my inaccurate reporting that it took a massive amount of effort for me to avoid cracking up during the call. I had never understood why some people would enjoy trolling random strangers on the internet before, but in that moment, I understood the appeal entirely.
obviously i did it again right before the next commercial break, immediately after playing Don’t Stop Me Now by Queen David Bowie.
the phone immediately began to ring.
“ARE YOU AN IDIOT?” one of the callers began, “DAVID BOWIE???? THAT WAS QUEEN!”
“I thought David Bowie was the lead singer of Queen though?” I replied with as much innocent earnestness as i could conjure.
I could hear an intake of breath as the infuriated boomer on the other end of the line struggled to figure out where to even start.
And thus, the Mad Dad Hour was born.
@eduards-stuff I kept doing the same joke for an hour a week for an entire year, and the dads NEVER caught on. After episode 1 of the new format I started taking the angry dad calls on air, which added another layer of hilarity to the whole concept.
My friends on campus knew that hay I was doing and enjoyed tuning in, but only one actual listener ever figured out what I was doing, and he was literally a random 30 year old guy from the netherlands with access to an early internet connection radio service. He was possibly my only actual fan. I only know about him because he went to the effort of making a skype and paying for international service so he could call in, and while I got a few calls from him, the first remains my favorite:
me: hi there, you’ve got TST-
him: *strained, wheezing dutch laughter*
me: hey, is everything o-
him: pfffHAHAHAAH YOU MAKE THEM SO MAD. THEY THINK SO LITTLE OF YOUUUUUUUU BUT THE MEN ARE THE ONES WHO ARE FOOLISH! HA! HA! HA! YOU HAVE DUPED THEM!
me: sir i do not know you and i have never even seen you but i am in romantic love with you.
Death
The Nine of Cups
Justice
The Nine of Swords
The King of Swords
The Hanged Man
The Hermit
The Six of Swords
The Eight of Cups
The Five of Cups
The Sun
The Three of Swords
‘The Ghetto Tarot’: Haitian artists transform classic tarot deck into stunning real life scenes:
Welcome to the Ghetto Tarot, a project from award-winning documentary photographer Alice Smeets and a group of Haitian artists known as Atis Rezistans. The idea was to take the classic Rider-Waite tarot deck of 78 cards and create a photographic version of each card using settings and objects in the vibrant ghetto of Haiti.
As Smeets says, “The spirit of the Ghetto Tarot project is the inspiration to turn negative into positive while playing. The group of artists ‘Atiz Rezistans’ use trash to create art with their own visions that are a reflection of the beauty they see hidden within the waste. They are claiming the word ‘Ghetto,’ thus freeing themselves of its depreciating undertone and turning it into something beautiful.”
i’ve got all this rage in me and i don’t know where to put it
@rbhvleo // paul miller “utopia” // “the book of promothea” hélène cixous tr. betsy wing // gillian flynn “dark places” // ginger snaps // @heavensghost // @vawium // @traumathoughts // lucille clifton “leukemia as white rabbits” // ahamkara lustre print @artofmaquenda // audre lorde
christmas hymns, rated.
carol of the bells: ₘₑᵣᵣᵧᴍᴇʀʀʏᵐᵉʳʳʸchristmasₘₑᵣᵣᵧᴍᴇʀʀʏᵐᵉʳʳʸchristmas. creepy as shit and loving every moment of it. perfect for holiday-themed vampire lurking outside the gothic cathedral of your choice. just enough of a frantic tone to keep you on your toes. and sung with a child choir? you’ve knocked it outta the park, bud. 10/10.
hark, the herald angels sing!: not the best. a bit dry. can lose you if you’re not paying attention. points for being easy for kiddies to sing at church though! we froth accessibility. 5/10.
good king wencelas: thin 👏 and 👏 crisp 👏 and 👏 even 👏 6/10.
o come, all ye faithful/adeste fideles: sex symbol. inventor of the crescendo. the absolute vibes this thing has are haunting, especially under and good church roof. smack an over confident leading tenor in the mix and you have a winner. 10/10.
ding dong! merrily on high: makes me feel like i’m a young peasant girl running through the streets of a quaint european village in the wintertime with no cares save what father christmas shall deliver to my stocking this eve. would definitely ₒₒᴼooᴼᴼᴼᵒᵒᵒᵒᵒᴼᴼₒₒₒₒₒoooₒₒʰᵒˢᵃⁿⁿᵃ ᶦⁿ ᵉˣᶜᵉˡˢᶦˢ again. 9/10.
o holy night: the shift from relatively normal sounding verses to 𝖋𝖆𝖑𝖑 𝖔𝖓 𝖞𝖔𝖚𝖗 𝖐𝖓𝖊𝖊𝖘, 𝖔𝖍 𝖍𝖊𝖆𝖗 𝖙𝖍𝖊 𝖆𝖓𝖌𝖊𝖑 𝖛𝖔𝖎𝖈𝖊𝖘 will never fail to shatter me like glass. 11/10
away in a manger: like hark, the herald angels sing! this one is pretty simple. easy for the whole family to sing which makes it an ideal church song! but lacks energy. a good wind down, but that’s about it. 5/10.
we three kings of orient: i always thought the “three kings” were sorta stupid and unnecessary. like, the shepherds i understand, but three randos from “the east”? seems shoehorned in honestly. kinda feels like whichever apostle (matthew?) wrote that in somehow knew that, years in the future, groups of unenthusiastic children were gonna have to be assigned roles in nativity plays and added three more possible characters just to stop half the kids from having to play sheep and grass so they could be “included”. cheers matt. song is okay i guess. 6/10.
once in royal david’s city: pretty inconsequential hymn, but the Choir of King’s College Cambridge do an arrangement that makes me believe in God for approx. four and a half minutes every time I listen to it. 8.5/10, bonus points for the king’s col. boys. ur doing so good lads. big love.
the first noël: a true banger and a great song to sing in church because there’s always some lady in the front pews who tries really hard to do all those killer soprano parts by herself. absolutely magical when sung right and absolutely magical when sung wrong. 10/10.
1) the assessment of “o come all ye faithful” (my favorite carol ever) is 100% accurate
2) it’s missing some of my other favorites so:
silent night: ~controversial opinion~ but this song only works if you’re doing it as minimalist as possible. no fancy orchestras, no belting, no vibrato. IF YOU’RE NOT DOING IT WITH A SINGLE GUITAR BECAUSE YOUR ORGAN IS BROKEN THEN YOU’RE NOT DOING IT RIGHT. 6/10 (the Austrian version is 10/10 because everything sounds better in German and that’s that about that)
god rest ye merry, gentlemen: super spooky. has satan in it. sounds like a threat. subsequent verses are kind of boring, though. 7/10.
coventry carol: ALSO super spooky. literally just about dead babies. there’s a reason it’s in the soundtrack to a vampire movie which otherwise has zero connection to christmas. 7.5/10
lo how a rose e’re blooming: love the visuals. again, is best in german because the german language just produces the best carols, sorry, I don’t make the rules. 8/10
Modern Christmas music sucks but these? These slap. Good shit, atheist approved.
The Holly and the Ivy (Gardner’s version) - Perfectly encapsulates that manic buzz of having scoffed way too much Christmas chocolate. Got an adrenaline rush just thinking about it. Makes me jitter in place like I’m about to vibrate through the cracks between dimensions. 9.8/10
I do just want to say that we three kings deserves an extra point or two if you sing all the verses. There are five verses, traditionally the first and the fifth are sung because those are general and easy. The second, third, and fourth are NOT usually sung because they are about the individual gifts the kings were bringing, and two of them (gold and frankincense) are fine but myrrh…..
Myrrh is mine; its bitter perfume Breathes a life of gathering gloom;— Sorrowing, sighing, Bleeding, dying, Sealed in the stone-cold tomb.
Myrrh SLAPS and we are too cowardly to sing it and because we cant sing about two of the three gifts, we don’t use any of the middle verses.
Oh come oh come emmanuel: Haunting. Isolating. The weight of the world on your very young shoulders (no matter your age). Reckoning with your sin, mortality, and imperfections for four very intense minutes. 15/10.
It came upon a midnight clear: A lullaby or a lover’s song. Fun to sing, stunning to listen to. Makes you believe in angels. 8/10.
What child is this: wonder. Mystery. The glory and majesty of God in the humblest form. Feels like something Bach would write. More moving the older you get. Singable! 7/10
I was gonna say, anyone who thinks ‘we three kings’ is meh has clearly not heard the bit about ‘sorrowing sighing bleeding dying’ sung by men with extremely deep voices.
O DEATHLESS SEA / irene by simon harsent / the invading surf by frederick judd waugh / the mediterranean in the ancient world by fernand braudel (trans. siân reynolds) / stormy sea by ivan konstantinovich aivazovsky / dancing in odessa by ilya kaminsky / i lived the beloved name by odysseus elytis (trans. olga broumas & t. begley) / strong winds and high tides battered a coastal road close to newtownards, northern ireland by peter morrison / shipwreck off the cliffs of dover at night with dover castle in the distance by eugène lepoittevin / the odyssey, book 13 by homer (trans. emily wilson) / seebild by ingo kühl
Come on founder/king of Athens, aren’t u gonna slay the Bull of Minos or not?
Huh...
Huh...
Sorry driscolii, the Greeks beat you to it and they got even dirtier with it.
Unless you’re from the right angle, you can’t even tell the minotaur has a bull’s head, not to mention the shape and position of that club, the arched hips and, dear lord, the hand on the knee...?
enamel pin by Seventh Ink
Poems stirred into paper coffee-cups, eaten with petals on rye in the sun--the cold shadows in back, and the traffic grinding the borders of spring.
d.l