Now I know I’m worthy of you (Can’t you see you could be with me) With every smile you told me (I am your dream) I love you

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@moonsandstar-s
Now I know I’m worthy of you (Can’t you see you could be with me) With every smile you told me (I am your dream) I love you
MY NAME, IS FRICKIN MOON MOON. I’D BE THE MOST IDIOTIC WOLF. ‘OH SHIT WHO BROUGHT FUCKING MOON MOON ALONG?’
one million moon moon approaches
on “the blond,” “the older man,” and other crimes against third-person limited
You know that thing where a story is written in tight third person limited — we’re meant to be inside someone’s head, seeing the world through their thoughts — and then suddenly the narration says “the blond frowned” or “the shorter woman sighed” about a person the POV character knows really well?
That’s called antonomasia — using a descriptive label instead of a name. And it’s fine when we’re talking about strangers: “the cashier handed her the receipt,” “the tall guy blocked the door.” The POV character doesn’t know their names, and we just need a quick way to tell people apart.
But the moment it’s used for someone the POV character already knows, it breaks immersion. Because that’s not how our minds work. We don’t think “the older man smiled at me.” We think “Mark smiled.” Or maybe “my boss” if that relationship matters in the moment.
Third person limited means the narration sits inside someone’s perception. Their inner monologue is the story’s voice. So when you switch from “Mark smiled” to “the blond smiled,” you’ve pulled the camera away from their mind and turned it into an outside shot.
If you want to create distance or irritation, you can do it on purpose —
“The idiot from accounting emailed again.”
That’s character voice. That’s judgment. That works.
But otherwise?
As soon as your POV character knows someone’s name, use it. While we do tend to worry about repetitions, names rarely register as such to the readers.
If you need variety for rhythm, use relational or emotional identifiers that make sense in their head: her friend, his partner, their teacher, the person they loved.
Because inside someone’s thoughts, there are no “blonds” or “brunettes.”
There are only people they know.
People worry about "the gay fanfic pronoun problem", but if you do your job correctly, it's always apparent which person you're talking about. The "rule" about he or she or they always applying to the previously referenced person is outdated, and incorrect anyway. "He reached for his trousers" will be perfectly clear in context, so if you feel like you're overusing names, I promise you that using pronouns the way you would writing straight is fine.
Hey, no homo, but I am sitting on the broken swing set out back in the perfect, quiet, 2:00am blackness and picturing the softness of your voice and the darkness of your eyes with such perfect and terrible clarity that it feels like I'm choking on my own heartbeat.
Now I'm eating croutons straight out of the bag.
Still no homo ?
I'm gonna level with you, friend: I am eating these croutons gay style.
pisses me off when i see people on other platforms talk about "everyone" abandoning tumblr after the sex ban and what a big impact that had. THE WEAK LEFT THE STRONG SURVIVED. REAL TUMBLR USERS WILL NEVER STOP. they could make a new update where you can only post 3 words at a time and id still be on here like "hey guys whats"
tumblr users love reading. you literally stopped for this post just because it has words in it
this is one of my favorite bits about tumblr
the users seem to actually prefer text posts to anything else, and treat it as a chore to play a video especially with sound
(cant remember the expression "bit off more than i could chew") guess i really sucked off more than i could swallow huh
i am massively overdue for a very very good week where not a single bad thing happens and everything is easy
Reblog to cast.
Imagine being on the Teams team and getting a team Teams call that your team needs to work on Teams onsite because working on Teams on Teams isn’t a good way to work in teams
i love the phrase "sex pervert" like. as opposed to what? abstinence pervert?
i think they're called catholics
Have you ever been in a book
not knowingly
acknowledgements
character based on you
someone's biography references you
artist/photography
master's publication
local newspaper
public figure/known celebrity
scientific journal
co-authorship
your own book/autobiography
telephone book
addicted to sending this clip from twilight to my friends whenever they are in a situation where i think they should lie
i think i love you better now
earlier today i told an acquaintance in passing that i'll often be in the middle of a novel and think "man i wish this shit were more ambiguous" and had to reiterate twice that i wasn't being sarcastic before they believed me, so this post is to say: i love when writers don't bother to explain everything, i love when stories end uncertain and unsettling, i love being required to think as a reader, i love when stuff makes no damn sense, no i'm not kidding
fuck it, i'm curious. reblog and tag with the first fictional death to ever rewrite your brain chemistry and/or make you cry like a baby. mine was ares from the underland chronicles (who, for context, was a giant bat.) to this day i will weep if i think too hard about it. okay, go.
you cannot save me!! i am unsaveable!!! i have never been saved!!!!!!!!
what the hell are you doing. stop that.