LA HAINE (2025)
“The system breathes tension.”
My take on La Haine — reduced to contrast and texture.
A monochrome elegy for class, race, and the city.
The eye sees what the streets remember.
Claire Keane
we're not kids anymore.
ojovivo
Jules of Nature
No title available
PUT YOUR BEARD IN MY MOUTH
taylor price
I'd rather be in outer space 🛸

Origami Around
hello vonnie
Misplaced Lens Cap
sheepfilms

roma★

★
h
One Nice Bug Per Day

Kaledo Art

oozey mess

pixel skylines

ellievsbear

seen from Malaysia

seen from Türkiye
seen from United Kingdom
seen from United States

seen from Malaysia

seen from Germany
seen from Belgium

seen from Germany

seen from United Kingdom
seen from Denmark

seen from Malaysia
seen from Netherlands
seen from Germany
seen from Canada

seen from United States

seen from Germany
seen from Spain

seen from Germany

seen from Germany
seen from Singapore
LA HAINE (2025)
“The system breathes tension.”
My take on La Haine — reduced to contrast and texture.
A monochrome elegy for class, race, and the city.
The eye sees what the streets remember.
AMERICAN PSYCHO (2025)
A reinterpretation of American Psycho — a mirror between success and hollowness.
Brutal, grainy, unresolved.
The emptiness speaks louder than the wealth.
JADEN SMITH × LOUBOUTIN (2025)
“The future wears rebellion.”
This piece reimagines Jaden Smith’s new role through brutalist elegance — monochrome texture, red as spirit, minimalism as defiance.
Fashion becomes language. Creation becomes revolt.
(Muvva Fudge Universe – 2025)
Armani White — Billie Eilish and Beyond (2025)
A zine-style poster bridging underground hustle and global recognition.
Combining 90s print textures with futuristic restraint, this design celebrates Armani White’s journey — from DIY icon to chart presence.
It’s both tribute and time capsule: a dialogue between friendship, independence, and the machinery of music.
(© Muvva Fudge — Kay Ibrahim)
Nothing Lasts Forever: High Street (2025)
A typographic requiem for Britain’s vanished retail landscape.
“Nothing Lasts Forever” archives the logos of fallen high-street brands — Adams, Woolworths, Zavvi — transforming nostalgia into architectural mourning.
Designed in Photoshop, it fuses brutalist minimalism with archival precision, reading like an urban obituary.
(© Muvva Fudge — Kay Ibrahim)
Jim Legxacy — Black British Music (2025)
A visual chronicle of Jim Legxacy’s creative journey — from South London grit to the 2020s avant-rap renaissance.
Designed in Photoshop, this poster merges nostalgic textures with philosophical undertones, exploring the tension between artistic ambition and cultural belonging.
The piece celebrates a generation redefining what “Black British Music” means — emotional, experimental, self-documented.
(© Muvva Fudge — Kay Ibrahim)
The Possession of a Language (2025)
An AI-generated short film inspired by Frantz Fanon’s “Black Skin, White Masks.”
Set in a dystopian London where humans, aliens, and cyborgs coexist, this piece explores alienation and identity through a retrofuturist lens.
Merging Midjourney and DaVinci Resolve, it visualises the psychological weight of language, otherness, and belonging.
(© Muvva Fudge — Kay Ibrahim)
Black Britons (2025)
A brutalist reconfiguration of the UK traffic light system — reimagined as social critique.
“Black Britons” exposes the bureaucratic theatre of injustice: report, wait, and remain unheard.
Using stark typography, public signage, and retro-futurist form, it visualises systemic silencing within institutions.
(© Muvva Fudge — Kay Ibrahim)
Dreamwake (2025)
A retro-futurist reflection on the evolution of technology and the dream of progress.
Combining art deco typography, metallic texture, and cinematic symmetry, “Dreamwake” visualises the tension between human emotion and machine precision.
Created in Photoshop, this poster merges nostalgia and futurism — past dreams refracted through digital glass.
(© Muvva Fudge — Kay Ibrahim)
Kingdom Hearts (2025)
A visual ode to Kingdom Hearts — the intersection of friendship, memory, and dreams.
This design evokes the melancholic magic of early 2000s gaming culture, where innocence met cosmic philosophy.
Created in Illustrator and Photoshop, it blends Disney’s whimsy with Final Fantasy’s melancholy — a symbol of emotional synthesis.
(© Muvva Fudge — Kay Ibrahim)
Pokémon Generations (2025)
A celebration of nostalgia and wonder.
“Pokémon Generations” revisits the world that shaped my imagination — a tribute to shared memory and cross-generational joy.
Designed in Photoshop, it balances playfulness with timeless structure, transforming childhood icons into contemporary design relics.
(© Muvva Fudge — Kay Ibrahim)
2024: A Case Study (2025)
A poster exploring Jaden’s “2024: A Case Study of the Long-Term Effects of Young Love 0.01.”
This design channels the raw intimacy and philosophical tone of the MSFTSRep universe — themes of love, growth, and generational reflection.
Built in Photoshop, it mirrors the fractured feeling of young adulthood: black-and-white textures, vulnerability, and deconstructed symmetry.
(© Muvva Fudge — Kay Ibrahim)
N.E.R.D.: The Brainchild of Innovation (2025)
A visual ode to the philosophy of “No One Ever Really Dies.”
Centred on a symbolic brain motif, this poster represents the evolution of consciousness and collaboration — the unity of art, science, and soul.
Designed in Photoshop, it echoes N.E.R.D.’s boundary-pushing legacy and the optimism of creative intellect.
(© Muvva Fudge — Kay Ibrahim)
The Weeknd — Hurry Up Tomorrow (2025)
A brutalist reimagining of The Weeknd’s “Hurry Up Tomorrow.”
Built around geometric order and deep blacks, the poster captures the artist’s blend of luxury, pain, and futurist melancholy.
Designed in Photoshop, the piece channels post-industrial iconography — where architecture meets emotion.
(© Muvva Fudge — Kay Ibrahim)
Bakar (2025)
A photographic homage to Bakar.
Using a portrait shot on a Yashica T4 and cross-processed film, this design merges analogue imperfection with retro-futurist restraint.
It celebrates the tactile intimacy of physical photography — the moment when sound, texture, and time intersect.
(© Muvva Fudge — Kay Ibrahim)
Resonance (2025)
A retro-futurist study in identity and connection.
“Resonance” explores what lingers within us — the frequencies between nostalgia and the future.
Combining MidJourney generation with Photoshop, the piece channels the energy of retro magazine covers, Afrofuturist portraiture, and cybernetic symbolism.
(© Muvva Fudge — Kay Ibrahim)
Dissolution: Ego Death (2025)
A minimalistic poster about creative rebirth and ego death.
Designed during a period of introspection, this piece visualises the process of shedding expectations and rediscovering authenticity.
Using Illustrator and Photoshop, I translated internal stillness into geometric form — where simplicity becomes liberation.
(© Muvva Fudge — Kay Ibrahim)