Behind the Scenes of The Empire Strikes Back
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Behind the Scenes of The Empire Strikes Back
STAR WARS (1977)
this is the most underrated part of rockinâ and rollinâ yoda
Lukeâs face is what makes this.
For todayâs lucky 10k who have not seen the sacred texts â enjoy. It will be stuck in your head for a while.
dude star wars is so good and/or bad and/or mediocre sometimes, depending
#same
Did some practice sketches of Luke and Leia at work today.
on a side note, Leia looks more dominant and headstrong than Luke..imo..
Academy Award winner Marcia Lucas has died. While winning major awards for her work as an editor for Star Wars (alongside a team of editors, including Paul Hirsch and Richard Chew; some of her contributions outside of her work with George Lucas include Alice Doesn't Live Here Anymore, Taxi Driver, and New York, New York), she mostly disappeared from the public eye following her divorce and essentially retired.
While Marcia dispelled the belief that she singlehandedly saved Star Wars in the edit (and very passionately defended George's craftmanship and ideas, which she felt were undercredited, as well as the work of their team in general), there was a lot of work she specifically did and I thought it would be good to highlight just how much she did and give her credit where it is due. There is a lot that came from her that most don't know about. Most of those examples are from Howard Kazanjian's biography, A Producer's Life, published in 2021.
On some of the uncredited dialogue and story revisions for Star Wars:
On some of her work in Star Wars:
On having the iconic trench run on the Death Star as her biggest work while working on Star Wars:
On her uncredited work in The Empire Strikes Back:
On how her input changed the ending of Raiders of the Lost Ark:
On her joining the Return of the Jedi crew, an emphasis in finding the right cut for actors, cutting together footage of Luke in ROTJ after she and George disagreed with the characterization the director had given to Mark Hamill and unable to reshoot footage:
On editing the climactic ending in the Throne Room in ROTJ:
Luke is so polite. The psychopathic tyrant is trying to lure him into the Dark Side and has ordered him to kill his father but Luke still calls him "Your Highness". Uncle and aunt raised him well đ
i think the key difference between george lucasâs star wars and disneyâs star wars is that lucas is a man with an ideology. someone with a point of view, and all that entails. which comes with ideas of revolution, anti-imperialism, challenging the status quo, cultural appropriation and racist stereotypes. complex and contradictory ideas because thatâs how artists are: complex and complicated people. disney is not. disney is a corporation. a corporation canât have ideology, because ideology defeats the purpose of profit. and when the only thing you do is to turn on the movie manufacturing machine before you sit down and plan what ideas are you trying to convey to the audience, then your results are going to be washed out corporate garbage. and because when youâre a giant corporation who only cares about selling to the widest audience possible, you canât take sides. you canât decide on an idea. because you want to sell your product to people who are on the entire political spectrum. which results in movies without ideology, without purpose, without soul.
I have been looking for this post for years after I came across it and itâs finally here and I need to reblog this because it is absolutely and entirely accurate.
#as I always say: lucas was making a samurai film and a ww2 flying ace film and a western film and adding laser swords#because he fundamentally LIKED samurai films and dambusters films and westerns and 40âs adventure serials#but disney are making a âstar wars filmâ and adding nothing because it already had laser swords and they have nothing else to say#xerox of a xerox baybeeeee (via harrietvane)
CLONE WARS GAMBIT: SIEGE | Karen Miller
C-3PO makes me laugh because you have to remember he was assembled by a child out of things from a scrap heap. Everything about him makes sense if you bear that in mind. Anakin wanted a droid who could help his mother, but the only AI package he could find was one somebody threw out for being too fussy. The combination of tweaking to give him a worried/caring personality makes him constantly anxious. A protocol droid comes with a fair amount of language packages, but why stop there? Somebody threw out like, three different galactic language dictionaries because they werenât the recent edition. Just load âem all up. all of them, even the packs that contain things like ewok and a thousand variants of different manufacturersâ droid codecs. donât add half the other requirements most legal protocol droids have included at the factory like emergency wipe protocols or shutdown failsafes, or programmed obsolescence. Build that sucker out of non-commercial materials that are already over a hundred years old and still good, tweak it to withstand tatooine of all places.
so now you have this droid that is over thirty years old and it could never be obsolete because it was never manufactured by anybody but a kid on a sand ball somewhere, itâs never running down because it was built to last on tatooine and thereâs nothing programmed in to try and urge you to buy the latest model because there is no latest model. 3P0 is simultaneously totally useless yet hyper functional because he was not made according to any specs except âthe best most toughest things possible to help my mom for a long long time on a hot desert planetâ
Obi-Wan KenobiÂ
Star Wars: Episode lI â Attack of the Clones Dir. George Lucas ⟠24th Anniversary