Prequel Appreciation @prequelappreciation - Tumblr Blog

Hi. This blog has become a bit of a jumbled mess of everything that canonically takes place before the Original Trilogy. Enjoy.

Old Republic

Tales of the Jedi

The Phantom Menace

Attack of the Clones

The Clone Wars

Revenge of the Sith

The Bad Batch

Jedi: Fallen Order

Solo

Jedi: Survivor

Obi-Wan Kenobi

Andor

Rebels

Rogue One

Original Trilogy

Sequel Trilogy

Expanded Universe/Legends

Behind The Scenes

Fanart

Random

My Spotify playlist:

#Spotify

evenst4rsburnout

the way anakin looks at padmé when he realizes she loves him back 🥹

#anakin skywalker #padme amidala #aotc

gloriousclio

Luke Skywalker put away his targeting computer to destroy the Death Star so I don't need AI to help me write an email.

#ot #random

tatooineknights

Academy Award winner Marcia Lucas has died. While winning major awards for her work as an editor for Star Wars (alongside a team of editors, including Paul Hirsch and Richard Chew; some of her contributions outside of her work with George Lucas include Alice Doesn't Live Here Anymore, Taxi Driver, and New York, New York), she mostly disappeared from the public eye following her divorce and essentially retired.

While Marcia dispelled the belief that she singlehandedly saved Star Wars in the edit (and very passionately defended George's craftmanship and ideas, which she felt were undercredited, as well as the work of their team in general), there was a lot of work she specifically did and I thought it would be good to highlight just how much she did and give her credit where it is due. There is a lot that came from her that most don't know about. Most of those examples are from Howard Kazanjian's biography, A Producer's Life, published in 2021.

On some of the uncredited dialogue and story revisions for Star Wars:

On some of her work in Star Wars:

On having the iconic trench run on the Death Star as her biggest work while working on Star Wars:

On her uncredited work in The Empire Strikes Back:

On how her input changed the ending of Raiders of the Lost Ark:

On her joining the Return of the Jedi crew, an emphasis in finding the right cut for actors, cutting together footage of Luke in ROTJ after she and George disagreed with the characterization the director had given to Mark Hamill and unable to reshoot footage:

On editing the climactic ending in the Throne Room in ROTJ:

#marcia lucas #bts

mandolare

Hayden Christensen as Anakin Skywalker Star Wars: Episode III – Revenge of the Sith (2005)

#anakin skywalker #rots

zandiiangelspit

My favourite emotional support~ 💕

#bd 1 #fanart

1ittlemissvixen

oh my goodness bro

(@foreigncarlyk on twitter)

#anakin skywalker #padme amidala #fanart

prequelappreciation

Allow me to introduce you to my all-time favorite hidden gem of any Star Wars soundtrack. One that is rarely ever mentioned or noticed because it resides at the very end of the end credits of Attack of the Clones.

Don’t worry, you don’t have to listen to the entire 6-minute masterpiece. Most of you already know how the end credits typically go in a Star Wars film. The Rebel Alliance fanfare is played before John Williams delves into what he most likely considers to be the most important theme of the film. In this case, it was Across the Stars because…love story.

Now…just for reference, I need to make sure you know some themes in order for this to be as powerful as it can be. Those being:

The Imperial March which I’m sure all of you are quite familiar with. If you are new here or confused by the name, it is also commonly referred to as “Darth Vader’s Theme”.

Across the Stars is Anakin and Padme’s love theme throughout the Prequel Trilogy. If you can’t seem to remember or haven’t listened to it in a while but want to, just start the video from the 0:50 mark.

Anakin’s Theme is lesser known and also harder for people to remember since it’s not played very often. Don’t worry, I’ll let you know when it happens so you know you’re hearing it.

Now…onto the reason I’m here…

https://youtu.be/1bfeiggOubY

If you skip to 4:25, you will hear a breathtaking rendition of the spectacular love theme played on a harp.

What happens after that is pure magic and pure genius on John Williams part.

At 4:55, we hear Anakin’s Theme. Though it doesn’t quite evoke childhood innocence as much as it did in the orchestral recording for The Phantom Menace. Now, it’s more distraught, more disjointed, more melancholy, and overall much more haunting.

At 5:13, we hear Across the Stars, a theme that is nothing short of beautiful every time it’s played…but listen to what’s happening underneath it.

At 5:18, while Across the Stars is still heard, we hear an undertone of The Imperial March. It interrupts the beauty of the love theme and lets you know of the darkness that surrounds that love.

At 5:25, John Williams takes that love theme to incredibly chilling heights.

At 5:35, the end credits close with a very foreboding rendition of The Imperial March. A rendition that is so gut-wrenching and stomach-churning even for the short 10-seconds that it plays and you’re almost begging the music to return to it’s happier, higher tone…but it doesn’t. That’s how it ends.

The end credits of The Phantom Menace ended with Vader too but that was only because Anakin’s Theme actually ends with a small snippet of it. This particular piece of music heard at the very, very end of Attack of the Clones is not featured anywhere else in any other Prequel Film as it’s written here. John Williams didn’t have to do that, he didn’t have to go that hard when it was the last few minutes of, not just the film, but the end credits. But…he did and I am oh, so glad he did because it gives me chills and makes me want to cry every time I hear it.

In short, that small piece of music magic, starting from Anakin’s Theme, manages to tell you the entire story of the Prequel Trilogy in less than 2-minutes and all through the power of music.

#aotc #john williams #mine