for people that don't live near St. Louis, which is where The C&A offices are, y'all don't know how many abandoned buildings there are in the city. it is a Urbex wet dream.
Sade Olutola
Claire Keane
Today's Document
TVSTRANGERTHINGS
Jules of Nature
2025 on Tumblr: Trends That Defined the Year

titsay

❣ Chile in a Photography ❣
d e v o n

shark vs the universe

tannertan36

if i look back, i am lost
Mike Driver
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Misplaced Lens Cap
$LAYYYTER
DEAR READER

祝日 / Permanent Vacation
Alisa U Zemlji Chuda
we're not kids anymore.
seen from South Africa

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@myupostsheadcanons
for people that don't live near St. Louis, which is where The C&A offices are, y'all don't know how many abandoned buildings there are in the city. it is a Urbex wet dream.
can you imagine how good shows would be if writers thought of women as human beings
the thing about art is that sometimes you'll be moved to tears by stuff that is not very good
Hiromu Arakawa’s genius is obvious throughout all of FMA but her first and biggest leap of genius was in how she crafted her protagonist.
Arakawa realized the burgeoning youth of the early 2000s wasnt interested in another plucky spry optimistic young shonen protag. Instead she gave us a short ugly egotistical asshole smarter-than-you atheist with so much money and power that people could no longer best him in arguments by telling him “dude shut up ur literally like 12″
Five pages in we’re told Edward’s famous and rich and powerful. Five more pages and he’s calling some girl stupid for thinking God exists. Five more pages and he’s proven right. Five more and he’s kicked an evil priest’s teeth in. And no one can tell his mom on him.
Hiromu Arakawa figured out the dream of every edgy young weeb discovering internet arguments for the first time and she cast them an idol made of gold.
I try not to fall into the "I never liked their work anyway" ditch when an artist/creator reveals themself to be a terrible person
BUT
a feeling I do have and will stand by is "While I enjoyed their work overall I did have some gripes that I overlooked out of affection and whimsy, but now that my loyalty is gone and my affection tainted there is nothing holding me back from enumerating my many grievances, to which the revelations of the creator's shittiness may or may not provide a new and infuriating context."
"it would be so good if it was good" will haunt you but "it's extremely good, except for the one or two parts which are so bad it's genuinely kind of insulting" will straight up drive you insane
one has you making posts like "okay but if the author UNDERSTOOD the POLITICAL IMPLICATIONS of the story they were telling, and leaned into it, it would actually be a really interesting exploration of..."
the other has you pacing your bedroom at one in the morning going "why. why would you ever in a million years do it like that. genuinely what possible thought process was involved. was the writer possessed by a fucking ghost or something."
Unused title screen cutscene found in the SNES version of Yoshi's Cookie. This is actually an adaptation of the title screen from the NES version of the game, remade with 16-bit graphics; while the final SNES version simply does not have a cutscene and all and merely displays Yoshi being surrounded by cookies.
Please note that the cutscene is rather lengthy; the loop starts with Mario walking in from the left with a cookie tin and ends with Mario and Yoshi performing a victory sign in the center of the screen.
Main Blog | Patreon | Twitter | Bluesky | Small Findings | Source: Mattrizzle
what i find interesting is that they used the Super Mario World sprite for Mario and the setting, but used the Yoshi's Island sprite for Yoshi.... which are two totally different art styles, so Yoshi stands out more.
THE BOOTS IM GONNA SCREAM THEYRE SO GOOD
Wizards (1977)
Oh are there people who don't know this mess of a movie has the all time most spectacular final wizard battle in the fantasy genre??
another one of my favorite Wizards memes (frequently used on YTMND)
Hey so I'm gonna be very very honest here.
And this is going to make a lot of people very angry to hear.
But a lot of y'all on this website are truly deeply genuinely never going to be capable of any kind of real narrative analysis--and I don't mean 'being right all the time' I mean 'meaningfully engaging with the text in any way'--
Because you are, fundamentally, incapable of comprehending that writers usually do things on purpose.
The themes are there on...purpose.
The match cuts were meticulously designed and put there to communicate something.
The VA's delivery of a line was being directed. Inflection and tone change the meaning of dialogue. This is intentional. There are entire teams of people shaping those choices and deciding which take to use based on what works best for the story.
Information is being revealed in a specific order, on purpose, to craft an emotional arc and guide the audience's understanding.
A character's romantic preferences are only, and SHOULD only be, their primary motivation if the genre is romance. That is why there is a genre called that. Most stories are other genres.
Creators who dislike a character generally give them LESS attention, MORE boring storylines, and LESS screentime.
Sometimes curtains are just blue. But if the shot composition or written narration takes time to HIGHLIGHT, especially more than once, that the curtains are blue, then the blueness of the curtains is by definition narratively important.
"Cite your sources" is not a witch's curse that banishes People With Different Opinions to the shadowrealm of Being Wrong. Someone making points that challenge your perceptions, while including screenshots and explicit examples, cannot be dismissed with "cite your sources" because they are literally doing that. Don't @ me on this one I've seen shit in the wars, y'all.
Failing to understand these things WILL bar you from ever really engaging with or understanding any narrative more complicated than Paw Patrol for the rest of your life.
I am very sorry if that makes you angry.
A HANDY CHART FOR THOSE OF YOU WONDERING WHAT THE FUCK IS UP WITH THESE. NOTE THAT THESE ARE ALL THE INFORMAL AND YOU IS THE FORMAL SO LIKE YOU WOULD ALWAYS ADDRESS YOUR SUPERIOR/ OLDER PERSON/ SOCIAL BETTER WITH YOU BUT WITH YOUR BUDS YOU CAN USE THESE.
I should be doing more to appreciate the lack of marvel movies in today's popular culture. I once yearned for marvel movies to have this level of irrelevance. They used to feel almost ozymandian, like an empire that had no beginning and no end. and now tony stark iron man is naught but two vast and trunkless legs of stone.
"who do you self insert as when you read?"
This is me when I read:
dude star wars is so good and/or bad and/or mediocre sometimes, depending
Ohh so that's why they called that one show Andor
Analyzing the politics of a work that's meant to be apolitical is actually a really interesting exercise because it asks you to critically examine what the creator considers to be "political" in the first place. Which ideas are just How Things Are, and which ones are Political, and how is that influenced by the creator's beliefs?
The way adult fandom people hold indie online creators and cartoons to a much higher standard than their actual local politicians. You could be putting that energy into terrorizing and protesting conservatives at your town hall and actually make a good material impact on the world but instead you're background checking everything the trans woman who made the amazing digital circus has ever said
The point isn't "stop criticizing indie artists" or "defend your favorite show under this post". I don't even watch Digital Circus and no one is above criticism. Literally every indie show is getting torn to shreds on twitter right now and I'm not saying this to defend anyone I don't know. The point is "someone who actually has the power to kill us all and get away with it deserves way more ire and accountability than a cartoonist and I expect grown adults to understand this"