99% of all murders committed by women in ancient greek plays are completely justified
Clytemnestra: crack? Is it crack you smoke?
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almost home
Mike Driver
Jules of Nature

if i look back, i am lost
macklin celebrini has autism
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Not today Justin
Alisa U Zemlji Chuda
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JBB: An Artblog!
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99% of all murders committed by women in ancient greek plays are completely justified
Clytemnestra: crack? Is it crack you smoke?
do you guys even know what anne carson is like. you reblog her quotes all the time but are you aware that seeing her in person is a spiritual experience
she came to my college in the spring of 2019. she was wearing a flannel under a pinstripe suit, cuffed trousers and bright red sneakers, and she had her hair up in a messy bun. I didn’t take a picture but here’s my artist’s rendition
the whole room was full of Classics wlwTM and we Absolutely Could Not Handle This Like Even a Little Bit. I got so distracted thinking about her during my workout today that I accidentally did 15 more jumping jacks than I was supposed to, which I think is the gayest sentence I’ve ever written.
how do I describe the way she speaks? it’s this very floaty, dignified, vaguely curious, uncompelled, but very intentional style of diction, like if you met god at a garden party and she handed you a pitcher of cream and asked you why you think you should get into heaven. I wrote down the phrase “Your ridiculous little glasslike soul” and I don’t remember in what context she said it, but THAT’S the vibe.
she is screamingly funny but relentlessly deadpan. “You know Oscar Wilde was imprisoned for—” she pulls down her glasses and looks at us, like a librarian who moonlights writing erotica – “sodomy.” She had us do an “interactive portion” during one of her poems, instructing the right side of the audience: “Your part is simply the word Deciduous? With a question mark at the end.”
She has flawless comedic timing, and she does not use filler words. Remember this line from Elektra? it sums up her sense of humor PERFECTLY:
She spices up her wit by dropping in the occasional mind-blowing quote like “Tears are all about the weeper, aren’t they?” and “Roses and hurricanes are too much as they are to be anything else, to be damaged by metaphor.” and “Do I frighten people, saying there’s no back wall? Nothing between you and your heart of darkness?”
like. she is an incredible writer and I’m not about to denigrate her translations by saying she didn’t put work into them, but I honest to god think that is just How This Woman’s Mind Works. she is on “not to me, not if it’s you” and “someone will remember us I say even in another time” levels of galaxy brain wordcraft, but IN REAL LIFE.
I came up to her after the reading and asked her to sign my Bacchae copy. I did not say much to her besides that I was a fan, because I got the sense that if I formed a complete sentence in her presence she would see directly through me and reach into my body and swallow my entire ribcage like a snake.
she signed my book “regards, A.C.” I’ll never forget her.
Sometimes reminiscing about pre-quarantine I feel like minor Russian royalty reminiscing about pre-communist revolution times. I’m like…ah yes I used to wear different beautiful outfits to work every day and shake the hands of many people without fear. I would simply leave my house and stroll into a bar for a last-minute cocktail with a friend. I would knock back oysters, sitting elbow-to-elbow with others at the counter. there were plays and concerts I never went to. The tzar invited us over often and had a GIANT chandelier
Northanger Abbey is so underrated like no offense but the heroine of that book is into sports and shenanigans growing up and doesn’t learn anything in school or have any accomplishments or interests until she has a growth spurt, gets hot, and reads so many gothic novels that she almost ruins her relationship w her love interest bc she convinces herself his house is haunted and does an inappropriate ghost hunt.
For many, Elizabeth Bennet (Pride and Prejudice, 1812) and Emma Woodhouse (Emma, 1815) represent two opposing ideals of performative femininity. Elizabeth represents the woman who acts in opposition to society’s surface level expectations of women (e.g. talking long, muddy walks), while Emma represents the woman who conforms to the trappings of traditional womanhood (e.g. wearing pretty dresses and matchmaking). However, both women staunchly refuse to marry for the majority of their novels, and both are, more or less, the masters of their own fates. Despite these similarities, Emma is often codified as a bitch, and Elizabeth is given the “not like other girls” treatment in modern culture. These surface-level characterizations derail Jane Austen’s careful portrayal of multi-faceted women and play into the patriarchal pressure for women to be in competition with each other and to appeal to expectations of acceptable womanhood. I firmly believe if Elizabeth and Emma were to meet in 2020, they would drunkenly run into each other in a bathroom at a downtown bar. Emma would sincerely compliment Elizabeth’s outfit, and Elizabeth would use her impeccable character judgement to help Emma swipe through Harriet’s Bumble matches. In this essay, I will—
Italy couldn’t win Eurovision so it found a way to have it cancelled.
a year without eurovision,,,,, the worst possible timeline
Mary Oliver, Worm Moon
“I don’t care, I love you anyhow. It is too late to turn you out of my heart. Part of you lives here.”
— Anne Sexton, A Self-Portrait in Letters (via minuty)
the pride and prejudice musical we deserve:
darcy doesn’t sing a single note even during conversations where everyone else is singing at him that is until the argument following his first attempt at proposing to lizzy where you can see his restraint fall away
his first big solo is the letter he writes her
gelsey bell is mary and the unofficial narrator and she sits down at her piano to describe whats going on but before she can ever reveal her feelings on the matter, starting with that gelsey bell scream, mr bennet comes over and does the whole ‘that’s nice dear but give someone else a turn’
mr wickham has this huge ballad about how darcy ruined his life and its super melodramatic and touching
mr collins proposal to lizzy is an absolute bop that he gets so into he forgets for a moment what he’s doing he’s just owning the stage
wickham has a song where he’s trying to seduce lydia but she’s not even listening she’s just monologuing about how excited she is to get laid
during darcy’s second proposal he keeps hesitating waiting for lizzy to interrupt him like she has done every time before but she doesn’t say anything until he’s finished
at the end mary sits down at the piano and right where she’d usually be interrupted, kitty joins her and harmonises
jane and bingley have the adorable upbeat romantic duet which is just them being super polite like ‘oh so nice to have you here’ ‘so nice to be here’ interspersed with their inner monologue which is just them being like fucking jesus I’m so in love
the bingley sisters probably have a really cool mean solo
lady catherine has this terrifying disney villain song in the garden
there’s for sure a song about ribbon shopping
the reason i secretly like holiday meet-cute movies is not because they're romantic. it's because of their ludicrous, BALLS TO THE WALL insistence that there are VERY REAL and VERY POWERFUL SUPERNATURAL FORCES that will go to ANY McFUCKIN LENGTH to make wishes come true. like i have seen less commitment to magic as a plot device in actual genre fantasy media. almost literally every holiday movie is like:
secretly tenderhearted heroine who puts on a chilly facade because of her previous Disappointments: oh well. i know it's silly to dream, because.... because holiday magic isn't... real
holiday magic, bolting upright in rage: the FUCK i AIN'T
secretly tenderhearted heroine who used to love christmas but hasn't been back to the farmhouse for years: i just don't have time to fall in love, especially not... at this time of year...
holiday magic, flinging her soulmate from a whole other century bodily over the windshield of her car: INCOMING, BITCH
me, reading about women in Ancient Greece who could devote their entire lives to being a virgin priestess of hallucinogenic honey: god I wish that was me
There’s a thunderstorm going on outside and every Romantic bone in my frantic little body wants to go outside and get soaked to the skin, there’s something so enormous and vital about being wet through with rain, or swimming in the sea, or leaning against a high wind. I was definitely put on this earth to die of consumption before the age of 25
attention!!! i am currently seeking employment!!! i will accept any of the following offers:
governess for an intelligent child in an old, decaying mansion in the english/scottish countryside (MAYBE american, but it has to be a part of the country where it rains a lot) (note: the house must host at LEAST one ghost) (second note: if the child’s parent is single, good-looking, brooding, moody, and compatible with my sexual orientation, even better)
handmaiden for the Lady Of the House in a mansion, castle, or sprawling country estate (note: the Lady Of the House must avoid questions, give vague answers about her history, have a fondness for red wine, and avoid venturing outside during daylight hours. a fondness for masquerade balls is not required but HIGHLY preferred)
personal tutor for the Young Lady Of the House whose father will not allow her to see any men, but feels he can trust me, another young woman, to keep his daughter out of trouble (note: in this scenario i can play piano so we can play together and “accidentally” brush hands)
assistant to a private investigator in a city where it always rains and always seems to be night, with vaguely humanoid clientele (note: the investigator must wear a long, black coat. after i’ve solved a case all my own – probably around book 4 or 5 – i get one too.)
secretary or assistant to a friendly, wealthy, but suspiciously evasive businessman, who i have an awkward friendship with (note: the businessman must secretly be a thief but he doesn’t tell me at first because he wants to protect me) (second note: he must also be in love with me) (third note: after a few months of this i become a thief too)
older sisters are the backbone of society and deserve financial compensation