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Over 21, still gay, still they, still garbage

#just your friendly neighborhood Black Indigenous cryptid disaster

In Plagiarism and You(Tube), Hbomb says "If you consider something so obscure you can get away with stealing it, you do not respect it." Save that line for the next time someone tries to tell you that Roy Lichtenstein brought respect to comics as art.

It's since been pointed out that while Lichtenstein did copy one of Russ Heath's drawings of an airplane getting hit, the painting depicted above was actually copied off Irv Norvick, because Lichtenstein did this so many times to so many comic artists.

In Lichtenstein's defense, he was doing this in a time when comic artists frequently weren't even credited in the issues themselves. In his condemnation, he never even tried to check, nor has he made any move to pay or credit any of the comic artists who recognized their own work later on. Rather than elevating the "low art" of comics, he was widening the gap of financial success and respect even further.

The Hbomberguy of this story is art historian David Barsalou, who has now spent decades tracking down the original art and the names of the original artists used in Lichtenstein's most famous output. Here's the full flickr gallery for the Deconstructing Roy Lichtenstein project. Frequently copied were Tony Abruzzo, Ted Galindo, Mike Sekowsky, Joe Kubert, Jerry Grandenetti, and dozens more Golden Age artists who aren't very well known in comics circles, let alone art history books. Many of them died in poverty. That's something that the Hero Initiative, mentioned in Russ Heath's comic above, aims to prevent.

Also, Lichtenstein didn't even paint Ben-Day dots. That's a specific thing.

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Another throughline here: Plagarized work is lazy work, and lazy work shows through in the final product.

In a massive stroke of irony, the commercial artists he copied from display much higher classical technical skill than his enormous-scale paintings. There's a delicacy to the brushstrokes, a level of expressiveness, and a clear understanding of form and shadow in those tiny newsprint originals.

The changes Lichtenstein made often omitted or simplified backgrounds and text, used garish primary colors, and—later in his work—undressed the women in the panels. Central to his "iconoclasm" was depicting comic art as even more simplistic and culturally shallow than it already was.

Copyright law offers no help to the original creatives, freelancers on exploitative short-term contracts. Russ Heath explains, “I couldn’t do anything because all the characters that I did draw for comic books were, at that time, owned by the comic book company. So, if they want to sue, they could sue and have a legitimate reason to sue. But they wouldn’t make enough to bother having a suit.” Most of the writers ripped off by Somerton, too, were on contracts which meant they do not have the rights to their own work.

Art historians are correct that Roy Lichtenstein's work raises interesting questions about mass reproduction, parody, and the border between "commercial" and "high" art. The answers to those questions, however, are not flattering to the art world at all.

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It is really important to me that all of you learn about Al Bean, astronaut on Apollo 12 and the fourth man to walk on the moon, who after 20 years in the US Navy and 18 years with NASA during which he spent 69 days in space and more than 10 hours doing EVAs on the moon , retired to become a painter.

He is my favorite astronaut for any number of reasons, but he’s also one of my favorite visual artists.

Like, look at this stuff????

It’s all so expressive and textured and colorful! He literally painted his own experience on the moon! And that's just really fucking cool to me!

Just look at this! This is one of my absolute favorite emotions of all time. Is Anyone Out There? is like the ultimate reaction image. Any time I have an existential crisis, this is how I picture myself.

And then there's this one:

The Fantasy

For all of the six Apollo missions to land on the moon, there was no spare time. Every second of their time on the surface was budgeted to perfection: sleeping, eating, putting on the suits, entering and exiting the LEM, rock collection, setting up longterm experiments to transmit data back to Earth, everything. These timetables usually got screwed over by something, but for the most part the astronauts stuck to them.

The crew of Apollo 12 (Pete Conrad, Al Bean, and Dick Gordon) had other plans. Conrad and Bean had snuck a small camera with a timer into the LEM to take a couple pictures together on the moon throughout the mission. They had hidden the key for the timer in one of the rock collection bags, with the idea being to grab the key soon after landing, take some fun photos here and there, and then sneak the camera back to Earth to develop them. They had practiced where they would hide the key and how to get it out from under the collected rocks back on Earth dozens of times.

But when they got to the moon, the key was nowhere to be found. Al Bean spent precious time digging through the collection bags before he called it off. The camera had been pushing their luck anyways, he couldn't afford to spend anymore time not on the mission objectives. Conrad and Bean continued the mission as per the NASA plan while Dick Gordon orbited overhead.

Fast forward to the very end of the mission. Bean and Conrad are doing last checks of the LEM before they enter for the last time and depart from the moon. As Bean is stowing one of the collection bags, the camera key falls out. The unofficially planned photo time has come and gone, and he tosses the key over his shoulder to rest forever on the surface of the moon.

This painting, The Fantasy, is that moment. There have never been three people on the moon at the same time, there was never an unofficial photo shoot on the moon, this picture could never have happened.

"The most experienced astronaut was designated commander, in charge of all aspects of the mission, including flying the lunar module. Prudent thinking suggested that the next-most-experienced crew member be assigned to take care of the command module, since it was our only way back home. Pete had flown two Gemini flights, the second with Dick as his crewmate. This left the least experienced - me - to accompany the commander on the lunar surface.

"I was the rookie. I had not flown at all; yet I got the prize assignment. But not once during the three years of training which preceded our mission did Dick say that it wasn't fair and that he wished he could walk on the moon, too. I do not have his unwavering discipline or strength of character.

"We often fantasized about Dick's joining us on the moon but we never found a way. In my paintings, though, I can have it my way. Now, at last, our best friend has come the last sixty miles." - Al Bean, about The Fantasy.

cosmeretrek

Above image is a pride flag with every color band represented by a NASA image. White is Earth clouds, pink is aurora, blue is the Sun in a specific wavelength, brown is Jupiter clouds, black is the Hubble deep field, red is the top of sprites, orange is a Mars crater, yellow is the surface of Io, green is a lake with algae, blue is Neptune, and purple is the Crab Nebula in a specific wavelength.

thememedaddy

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Tell me more about NASA's scientific accuracy ratings for movies.

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For those who are curious...

The Worst:

1) 2012 (2009): Neutrinos from a solar flare heat up the Earth's core, setting off the end of life as we know it. The plot conveniently ignores the fact that neutrinos pass straight through matter—even us—without doing much of anything.

2) The Core (2003): The Earth's core has stopped rotating and scientists have to drill into it to start it back up. The moviemakers go nuts with basic geology, ending up with something the New York Times called “monumentally dumb.”

3) Armageddon (1998): A team of drillers is sent to an asteroid on its way to strike Earth to split it into two parts they say will fly safely past the planet, completely ignoring Newton's First Law of Motion ("an object will remain at rest or in uniform motion in a straight line unless acted upon by an external force"), which says that all they did was make two asteroids that would hit the Earth.

4) Volcano (1997): Los Angeles is destroyed by a volcano that springs up in the city. Bad science mingling with cheesy dialogue and effects.

5) Chain Reaction (1996): Keanu Reeves. Bubble fusion. A government plot to prevent the spread of the technology. The perfect recipe for bad.

6) The 6th Day (2000): Arnold Schwarzenegger is cloned. Because one of him just wasn't enough?

7) What the #$*! Do We Know? (2004): Read the synopsis on Wikipedia. It'll make your head hurt.

And the Best:

1) Gattaca (1997)

2) Contact (1997)

3) Metropolis (1927)

4) The Day the Earth Stood Still (1951)

5) Woman in the Moon (1929)

6) The Thing From Another World (1951)

7) Jurassic Park (1993)

The space agency lists their favorite flicks

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look in this little man's eyes you know he's earned it

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i really want one of these as a pet or a plush

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How about a beanbag chair?

peachdoxie

I love talking with neurotypical people about my executive dysfunction because I'm like "yeah there's this invisible wall in my head that I'm incapable of getting past no matter what I do and it stops me from doing things" and they're like what the actual fuck

Meanwhile other neurodivergents are like