I wanted to share some more of these, specifically trans women of color. The images I'm posting are from a project called To Survive On This Shore and it's an interview project. I am only posting a handful so it's so worth checking out!
This is Linda, 60
Alexis, 64
Helena, 63
Kendrah, 72 (!!)
Tasha, 65
It was deeply healing to me to discover this project. The site has selected photos and attached interviews and it's definitely worth your time. I didn't include any because the focus of this post imo is transfems but there are a lot of beautiful interviews with transmasc people too if you're interested! But that'll have to be another post 💖
'interview with a butch' - a fake interview reflecting on butch-femme dynamics! inspired by the amazing piece by @llovely, which you can read here :)
(ID below read more)
[an original, interview-style poem called 'interview with a butch':
when did you know you were butch?
I knew by the time I was sixteen, but that’s only when I found the word. I’ve been butch since the day I was born, at least since I was just a few months old and threw an earth-shattering tantrum whenever my mum tried to put me in a dress. (both laugh) your poor mum!
I remember being a little butch knight, chivalrous even before I was double digits. my best friend only lived up the road from school, but her parents were running late and she was scared to do it herself. so I walked her up the hill, her arm linked in mine, pride balancing on my chest. and when I got her to her door, I said that we should kiss like adults do when they say goodbye, and we took it in turns to kiss each other on each cheek. when I walked home I felt something the size of a boulder in my stomach, but I didn’t know what it meant yet, just that there was something about myself that set me apart.
how did you feel with your first femme?
oh, man, even for a writer that’s hard to find the words for. (laugh) let’s put it this way: before I had my first femme, I always felt like something was missing in my relationships – not just in the relationship itself, but in me. I felt broken and wrong, unsatisfied and selfish. I thought that maybe I just had too high expectations or something. hell, even with sex I felt like something was missing, like I couldn’t find my own desire.
But then, then I had my first femme. How graphic can I be here? (laugh) as graphic as you want! okay, good!
watching my stomach hang over my harness, long nails in my hips, I felt like I had a second sexual awakening. I felt the most present in my body I’d ever been, and like I could be in them forever. I didn’t feel dissatisfied, or wrong. when their hand held mine and played with my fingers I felt lightning shoot through me. it was like realising I was a lesbian all over again.
but even outside of romance, femmes are my friends, my family, my community. talking to femmes, being around femmes, I’ve never felt so seen and loved. I can handle every sharp look, every slur thrown my way, just because my armour was polished by femmes.
do you find your roles restrictive?
they’re liberating. I think sometimes people see me and think that I had to fit into this constrictive box, that I disallowed myself to enjoy anything feminine. the reality is that for butches, we find the word we’ve been searching for our whole lives. I can’t even remember finding the word, isn’t that crazy? it felt second nature. it somehow perfectly described everything I’d ever felt, exposed me to a community of people who were just like me outside of my Tory town! (pause)
I think there’s a tendency even in leftist, LGBT spaces to think that masculinity is oppressive, and femininity is liberating and oppressed. but it’s really not like that. we’re punished for deviating from our assigned gender, whether you’re a masculine woman, or a feminine man, or something in between the two. I’ve had gay men try to convince me to let them do my makeup, I’ve had gay women tell me that they’re “so glad” I don’t have ‘toxic masculinity’ like “other butches”. femininity was a cage for me, something I had to imitate to survive the perils of high school, but it was never me. masculinity liberated me, and it’s not inherently toxic. I love to carry the bags, hold open the doors, cry in pride, protect those I love. and there’s nothing like coming home at the end of the day to a sweet femme, ready to rub my tired muscles. man, I’m not good at concise answers, am I? (both laugh) no, but I love it!
what do you think of people who see your relationship as heteronormative?
they’re twats! (both laugh) now, that’s a concise answer! no, no that’s not fair. here’s what I’d say to them:
I see it as…a complex gender performance. no, that makes it sound like it’s play pretend. they’re complex gender…expressions, dynamics, play, desire, euphoria. a butch and a femme together is no more heterosexual than a bear and a twink, a top and a bottom. it’s a dance that we know in our bones, like we knew each other in a previous lifetime and we’re just falling back into our favoured rhythm. even every fumble and awkward gesture is a part of it. we fall into sync and into each other, we tenderise each other’s gender, affirm it, and love every minute of it. we’re not two sides of the same coin, you talk to any butch-femme couple and chances are our priori (edit: interviewee meant propositions) are the same but our conclusions are not; we’re the same side of the same coin, just one is the top of the tail and the other is the bottom of it. is that a euphemism? (laugh) take it as you will!
I’m no man, my femme is no woman, and I’m no less butch when I’m wearing a kiss-the-cook apron and cleaning their kitchen, and they’re no less femme when they’re putting together a shelf or driving me to work. To look at us and see a heteronormative imitation of cisgender predetermination is proof of their own lack of nuance – do you think all dogs are boys and all cats are girls, too? (both laugh)
I think in a lot of ways, butch-femme dynamics are inherently transsexual. or, in the very least, good friends of transgenderism. If you can’t see us for what we are then chances are you’ve got your own internalised gender biases to unlearn.
I’ve always been butch to my bones, but when I’m with my baby I’m on cloud nine. I feel desired, my gender revered and loved.
so, what you’re saying is, you feel seen?
I do. we see each other and nurture each other. I’ve never really liked being called ‘beautiful’, but when it falls from the lips of a femme, I know that they’re not seeing me as feminine. I feel most comfortable to explore the depths of both my femininity and masculinity with them; I don’t feel restricted to a role.
maybe that’s what people are missing about it: our homes are temples of gender exploration and devotion.
literally can't relate to the stereotype that lesbians always fall for straight girls. at all. terminally attracted to butches and mascs through and through . praying for all of you though
free online james baldwin stories, essays, videos, and other resources
(i believe he currently has no estate or family that can profit from his works, as the last owner of the estate was his landlady who recently died.)
James baldwin online archive with his articles and photo archives.
---NOVELS---
Giovanni's room"When David meets the sensual Giovanni in a bohemian bar, he is swept into a passionate love affair. But his girlfriend's return to Paris destroys everything. Unable to admit to the truth, David pretends the liaison never happened - while Giovanni's life descends into tragedy. This book introduces love's fascinating possibilities and extremities."
Go Tell It On The Mountain"(...)Baldwin's first major work, a semi-autobiographical novel that has established itself as an American classic. With lyrical precision, psychological directness, resonating symbolic power, and a rage that is at once unrelenting and compassionate, Baldwin chronicles a fourteen-year-old boy's discovery of the terms of his identity as the stepson of the minister of a storefront Pentecostal church in Harlem one Saturday in March of 1935. Baldwin's rendering of his protagonist's spiritual, sexual, and moral struggle of self-invention opened new possibilities in the American language and in the way Americans understand themselves."
+bonus: film adaptation on youtube. (if you’re a giancarlo esposito fan, you’ll be delighted to see him in an early preacher role)
Another Country and Going to Meet the Man Another country: "James Baldwin's masterly story of desire, hatred and violence opens with the unforgettable character of Rufus Scott, a scavenging Harlem jazz musician adrift in New York. Self-destructive, bad and brilliant, he draws us into a Bohemian underworld pulsing with heat, music and sex, where desperate and dangerous characters betray, love and test each other to the limit." Going to meet the Man: " collection of eight short stories by American writer James Baldwin. The book, dedicated "for Beauford Delaney", covers many topics related to anti-Black racism in American society, as well as African-American–Jewish relations, childhood, the creative process, criminal justice, drug addiction, family relationships, jazz, lynching, sexuality, and white supremacy."
Just Above My Head"Here, in a monumental saga of love and rage, Baldwin goes back to Harlem, to the church of his groundbreaking novel Go Tell It on the Mountain, to the homosexual passion of Giovanni's Room, and to the political fire that enflames his nonfiction work. Here, too, the story of gospel singer Arthur Hall and his family becomes both a journey into another country of the soul and senses--and a living contemporary history of black struggle in this land."
If Beale Street Could Talk"Told through the eyes of Tish, a nineteen-year-old girl, in love with Fonny, a young sculptor who is the father of her child, Baldwin's story mixes the sweet and the sad. Tish and Fonny have pledged to get married, but Fonny is falsely accused of a terrible crime and imprisoned. Their families set out to clear his name, and as they face an uncertain future, the young lovers experience a kaleidoscope of emotions-affection, despair, and hope. In a love story that evokes the blues, where passion and sadness are inevitably intertwined, Baldwin has created two characters so alive and profoundly realized that they are unforgettably ingrained in the American psyche."
also has a film adaptation by moonlight's barry jenkins
Tell Me How Long the Train's been gone At the height of his theatrical career, the actor Leo Proudhammer is nearly felled by a heart attack. As he hovers between life and death, Baldwin shows the choices that have made him enviably famous and terrifyingly vulnerable. For between Leo's childhood on the streets of Harlem and his arrival into the intoxicating world of the theater lies a wilderness of desire and loss, shame and rage. An adored older brother vanishes into prison. There are love affairs with a white woman and a younger black man, each of whom will make irresistible claims on Leo's loyalty.
---ESSAYS---
Baldwin essay collection. Including most famously: notes of a native son, nobody knows my name, the fire next time, no name in the street, the devil finds work- baldwin on film
--DOCUMENTARIES--
Take this hammer, a tour of san Francisco.
Meeting the man
--DEBATES:--
Debate with Malcolm x, 1963 ( on integration, the nation of islam, and other topics. )
Debate with William Buckley, 1965. ( historic debate in america. )
Heavily moderated debate with Malcolm x, Charles Eric Lincoln, and Samuel Schyle 1961. (Primarily Malcolm X's debate on behalf of the nation of islam, with Baldwin giving occassional inputs.)
----
apart from themes obvious in the book's descriptions, a general heads up for themes of incest and sexual assault throughout his works.
It has it all. It's like, I need to take a little breath here, but I have more to say. Also, it's part of the winky face. Arguably the one face you are most excited to see in a text.
izzy806
kaledo-art
theartofmadeline
jacobvanloon
