noah

23-year-old account about music, fashion, and stuff

[noaaaaahsstuff]

Letter to LATAM

Maybe I don’t like the little things: the whispered conversations, the delicate food, the minimalist architecture, and the subtle gestures.

I prefer to embrace my vivid colors, which are everywhere I go: in my grandmother’s porcelain, in the mountains that frame my house, in the fruits just two hours away from my home.

I don’t understand many things: European cinema, American poetry, first-world issues, or the consumerism of their youth.

But I understand the mothers who have to say goodbye to their sons, the blessings from people I haven’t seen in many years, the pain of living with difficulty—and with happiness.

I love the eloquence of my people, the loudness of the streets, the daily confessions of strangers, the warmth of familiarity.

And I’m proud of that—of being unlikeable, unpredictable, and unique.

Photos: Valera Яevuelta (Instagram)

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HURON S/S 2026

Fashion was never about vanity, excess, or selling out to capitalism. Fashion is everything—it’s a statement, it’s resistance, it’s political. Or at least, that’s what Willy Chavarria believes.

The Huron runway opened with a punch: men in white, heads shaved, stripped of identity, dignity, and voice. No freedom—just shared cells and silence. These weren’t models. They were stand-ins for the real ones: immigrants deported, displaced, forgotten. People who dared to chase the American (Broken) Dream, escaping poverty, corruption, and violence—only to be branded criminals.

Their crime? Working hard. Being exploited. Being invisible.

Their sentence? Being reduced to a number by a system built to erase them. A system that thrives on their labor, then discards them like waste. A system that sells hope wrapped in policies and lies.

But that’s the message: don’t forget. Because culture, countries, and so-called "civilization" have always been built on the backs of migrants. Willy hasn’t forgotten.

Huron is a tribute—to where he comes from. To what they endure. To the work, the pain, the survival.

To immigration.

[milkshakewaif]

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CONSCIOUS PRIDE

There would be no Pride without queer people. No Pride without sex workers. No Pride without racialized bodies. And Marsha P. Johnson was all of that—and more. She wasn’t just part of history. She lit the first match. This was (and still is) a war for LGBTQI+ rights.

She’s not just a symbol. She is resilience. Liberation. Queerness in every possible form. Her life was raw and brutal in a world that loves to sweep shit under the rug. Her death still echoes. It still hurts. But her voice, her fire, her fight? It’s louder than ever.

Happy Pride. Stay angry. Stay safe.

[bloodmoonlich]

Lorde for Document Journal (May 2025)

[noaaaaahsstuff]

A psychedelic hit sits behind the loops, the feedback, the noise. If you’ve ever heard Les Rallizes Dénudés, you know what I mean—Japanese underground in its rawest form.

There’s chaos, mystery, and yeah, even a kidnapping. But their whole vibe doesn’t live in the internet myths. It’s in the textures. In how the instruments sound like they’re arguing with each other. Like the music isn’t played, it just leaks out of them. Rough edges, distorted everything. Bootleg recordings. Improvised shows. No polish. No plan. Just noise and trance and something close to worship.

Mizutani, the ghost at the center of it all, died in 2019. We found out two years later. Getting back into this feels like something you have to do. So here—one of the few tapes still spinning out there:

屋​根​裏 YaneUra Sept. '80, by Les Rallizes Dénudés

4 track album

[lavenderbbydoll]

[noaaaaahsstuff]

five years later we finally got an official video for "party 4 u" by charli xcx. we won

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The Fourth Album of Miss Lorde

In a quiet revelation via newsletter, Ella Marija Lani Yelich-O'Connor has unveiled the June 27th release date of her fourth studio album—a collection that promises to be among her most intimate works yet. This new creation merges the blue tones born from her synesthesia with the complex emotional landscape of a 28-year-old woman still carrying the vulnerabilities first explored in her teenage years.

"Virgin," as a centerpiece, seems to excavate that primordial innocence we all once inhabited—that sacred space where we existed before the world's weight pressed against our shoulders. It explores the purity of beginning, that crystalline moment before experience leaves its beautiful scars.

She defines the upcoming work in her own words as: "RAW, PRIMAL, INNOCENT, ELEGANT, OPENHEARTED, SPIRITUAL, MASC."

This is Lorde stepping into a new chapter of artistic expression, unveiling herself to the world in a space where fears and criticism dissolve into insignificance.

[zegalba]

Hajime Sorayama: Erotic Robot (1986)

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El Divo de Juárez

the stage is not just a platform. it's a confession.

Imagine mariachi suits as more than costumes—they're manifestos. Each sequin, each carefully crafted embroidery reimagining what masculinity could sound like. Juan Gabriel didn't just wear these outfits — he transformed them into pure art, a visual poem of emotional freedom.

On stage, he becomes something more than a singer. A storyteller. A mythmaker. Reinventing the image of the masculine performer, turning vulnerability into the most powerful instrument.

His presence? Electric. His suits? Revolutionary.

Photos: Pinterest

[persephone-nymph]

Thurston Moore, Sonic Youth performing at Maxwell’s Tavern, NJ, 2005

[aestheticjunkyard]

Angel Lin by Luka Booth for Vogue CS February 2025

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The Club Kids Scene by Wildlife Press

[a-state-of-bliss]

Alexander McQueen Spr/Sum 2025

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The Ultimate Guide to Sexual Fantasies: SEX

The iconic coffee table book by Madonna that dropped in October 1992 isn’t your average “leave it out for guests to flip through” kind of book. This is the kind of thing you keep stashed under your bed or hidden in your closet, only to pull out when you’re alone, ready to dive into the deepest corners of your mind.

Madonna herself said it: this book isn’t for everyone, everywhere, or every table. It’s a personal journey—a 128-page visual and textual exploration of sadomasochism, eroticism, and safe sex. It’s about embracing the taboo, the things you’re too afraid to say out loud, and the fantasies you didn’t even know you had.

SEX is raw, unapologetic, and boundary-pushing. It’s a celebration of the messy, beautiful marriage between love and pleasure. Photos: Steven Meisel

[aestheticjunkyard]

Angel Lin by Luka Booth for Vogue CS February 2025