SHEILA ATIM as Akasha
THE VAMPIRE LESTAT

@theartofmadeline
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Origami Around
EXPECTATIONS
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Claire Keane

Love Begins

izzy's playlists!
todays bird
Jules of Nature
Not today Justin
d e v o n
Xuebing Du
Show & Tell

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PUT YOUR BEARD IN MY MOUTH

if i look back, i am lost

❣ Chile in a Photography ❣
🩵 avery cochrane 🩵
RMH

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@notsureifsrs
SHEILA ATIM as Akasha
THE VAMPIRE LESTAT
Lestat: I am an unreliable narrator. I love to lie.
Half the audience for some reason: I can’t believe how reliable this narrator is. He would never lie to us.
#me when a bad b1tch tells me to do something
Modern day Loustat Jacob Anderson and Sam Reid for Entertainment Weekly
samsteve + sharing smiles
bonus:
I think they should remake How to Marry a Millionaire but this time they call it How to Bury a Billionaire and it’s about Lauren Bacall, Marilyn Monroe, and Betty Grable murdering the oligarch class
Grace Rocky Save Stars!
Project Hail Mary (2026) dir. Phil Lord, Chris Miller
Project Hail Mary (2026) dir. Phil Lord, Chris Miller
do you ever start writing a comment on the internet and then think “oh what the fuck am i going on about” and delete it
I also enjoy writing an entire paragraph, thinking "you know, I don't actually need to be involved in this conversation," and deleting it
I’m curious what do you have against the MCU?
completely took over an industry that was already restricted by nepotism and wealth and privilege and made it even harder for any new or creative or diverse ideas to be made and convinced millions of people that having lots of cgi is good cinema so now everything is so polished and shiny and ugly and soulless but still has this unearned cult of worship surrounding it so NOBODY can dare point out the military propaganda or bare minimum diversity or frankly bland filmmaking because if you do you're just a loser and it doesn't matter if you're a movie lover who just wants new and different content or martin scorcese because marvel has completely taken over cinema and criticism is not allowed because how DARE people not give a shit about iron man or loki and there's no need for decent characterisation or complex themes because it's easier to just make villains that are like "capitalism is bad...and also MURDERING CHILDREN IS OKAY!!!" so you can put out your sloppy storylines and make people think it's the morally righteous thing to do to pay money to watch every single one of your sequels and spin offs and reboots and whenever people start to complain about how the film and tv industry is becoming a husk of repetition you just shove benedict cumberbatch in the next spiderman movie or whatever because how can people be mad that we're making sure we're slowing sucking life out of the moving image when we're doing such fun crossovers? and of course all these crossovers are SO important so you have to watch all fifty movies and twenty shows and thirty spinoffs to understand anything else in our universe and you're damn sure we're going to be releasing the next thing as soon as the other is out of theatres or is out of episodes because we CANNOT have people straying and finding media that isn't owned by us at least not until our parent company has bought out that media as well because absolutely everything has to be disney and WE'RE the powerhouse right now and you are never going to escape it and if you want your work to get any kind of support or funding then you better hope you're lucky, know someone rich or with connections, or it features captain america because otherwise you can get fucked but don't worry sometimes we have movies abpout women too so we're actually a #girlboss cinematic universe and if you don't like the stuff we make then you HATE WOMEN and you HATE CINEMA and you HATE PEOPLE BEING HAPPY and originality and creativity is a myth and you're either with us or against us but if you're not with us prepare to find us following you all the fucking time anyway because you are NOT allowed to have interests outside of the MCU we are everywhere and either you will watch spiderloki 58: captain marvel: the revenge of environmentalists or we will fucking kill you ourselves
Is this cultural appropriation
No it's cultural appreciation
i can’t wait to make a new geocities site
I’ll be handing out slash fic under the “special secret table” at cons. Subscribe to my fanzine.
Guys, I have a Yahoo mailing list that’s limited to thirty people, but we have to be careful, so make sure you always put disclaimers on each email about none of this is yours and TPTB shouldn’t sue you.
YES, you have to put that on EVERY email, do you want to get shut down?!?
Make sure to email your age statement to one of the listmods!
Guys, we need to keep the webring to a certain standard, so PLEASE no more sites with frames or pages with background midis. Not everyone’s browser can handle it.
Also, this webring has citrus, so be warned!!!!
I’ll be purging sites that don’t adhere to this request.
When you post to the newsgroup, remember to put a line break every 72 characters so that it’s readable!
I’ve received a cease and desist letter from Anne Rice.
My friend let me have a subdomain on her website to host my fic — want me to ask if she’s got enough room left to make one for you?
Remember to snip email chains,and just quote what you’re responding to! Some people pay by the kilobyte!
All your base are belong to us!
I have to get offline - my spouse needs to use the phone.
I’ve received a cease and desist letter from the Church of Scientology.
When I came out into society, I was fifteen. I already knew that the role I was condemned to—namely, to keep quiet and do what I was told, gave me the perfect opportunity to listen and observe. Not to what people told me, which naturally was of no interest, but to whatever it was they were trying to hide. I practiced detachment. I learned how to look cheerful, while under the table, I stuck a fork into the back of my hand. I became… A virtuoso of deceit. It wasn’t pleasure I was after, it was knowledge. I consulted the strictest moralist to learn how to appear. Philosophers to find out what to think. And novelists to see what I could get away with. And in the end, I distilled everything to one wonderfully simple principle: Win or die.
DANGEROUS LIAISONS 1988 | scr. Christopher Hampton
Keanu Reeves films + suits
TEUTA MATOSHI DURIQI Couture 2021 if you want to support this blog consider donating to: ko-fi.com/fashionrunways
Toy Story (1995) dir. John Lasseter
Favorite Fashionable Couple: Misty Knight x Sam Wilson
For @marvellfashion’s Valentine’s Challenge