Training my nervous system to choose an unfamiliar heaven instead of a familiar hell
EXPECTATIONS
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trying on a metaphor
Sweet Seals For You, Always
Jules of Nature
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shark vs the universe
sheepfilms

Discoholic 🪩

Andulka
will byers stan first human second

izzy's playlists!

Origami Around
Sade Olutola
Noah Kahan
Claire Keane
Cosimo Galluzzi
we're not kids anymore.
Misplaced Lens Cap
RMH
seen from Argentina

seen from Australia
seen from United States
seen from Lithuania
seen from Morocco

seen from Singapore
seen from Philippines

seen from Thailand
seen from United States

seen from Algeria

seen from Morocco
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States

seen from United States

seen from United States

seen from Poland
@nova-rys
Training my nervous system to choose an unfamiliar heaven instead of a familiar hell
ASSAD ZAMAN as THE VAMPIRE ARMAND
THE VAMPIRE LESTAT | 3.07 | The Failures
Mary MacLane // James Steinberg // Akiko Busch, How to Disappear: Notes on Invisibility in a Time of Transparency // Jennifer S. Cheng, "So We Must Meet Apart" // @lucidloving, "Fraud" // Keith Haring // José David Morales // Heather Havrilesky, How to Be a Person in the World // @tordenvejr // Sylvia Plath, The Unabridged Journals of Sylvia Plath (July 1950–July 1953)
just dragon stuff
dunk not realizing that maybe the reason ser arlan keeps telling him the pennytree story and that he never knighted him is because so many of those men went off to die and never came back to take their pennies down
Ruins of Antiquity. Dedicated to Clemens (Christian Heinrich Grosch, 1763 - 1843)
i'm so so sorry armand rolin jones does not know the size of your soul
One can easily imagine the following exclamations uttered by Clarissa, Pamela, or Emily in the depths of Udolpho: “The castle is a veritable prison, and I am a prisoner” (39; ch. 2); “Then the horror overcame me, and I sank down unconscious” (56; ch. 3); “I came back to my room and threw myself on my knees. It is then so near the end? To-morrow! To-morrow! Lord, help me, and those to whom I am dear!” (70; ch. 4). In fact, these are all sentences from Harker’s journal.
Dejan Kuzmanovic, “Vampiric Seduction and Vicissitudes of Masculine Identity in Bram Stoker’s Dracula”
Clinton Liberty as Addam of Hull HOUSE OF THE DRAGON | 3.05
❣️ book cover edit of my wife - made in procreate :)
generational baddie