it’s talking heads kermit friday
Sade Olutola

blake kathryn
i don't do bad sauce passes
cherry valley forever

Andulka
will byers stan first human second

tannertan36

Discoholic 🪩
he wasn't even looking at me and he found me
NASA
Alisa U Zemlji Chuda
Mike Driver

Janaina Medeiros
trying on a metaphor

@theartofmadeline
DEAR READER

titsay
dirt enthusiast
noise dept.
Three Goblin Art
seen from United Kingdom

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seen from United States
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seen from United States

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seen from United Kingdom
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@occamstaser
it’s talking heads kermit friday
Please don't go somewhere where I cant follow
Eileen Myles, “Peanut Butter.” I Must Be Living Twice: New and Selected Poems 1975 - 2014
My Love, Don't Cross That River (2013) dir. Jin Mo-young
Han Kang, “White Hair.” The White Book (translated by Deborah Smith)
Marguerite Duras, The Lover (translated by Barbara Bray)
I'LL BE HOME SOON ; Backrooms x The Haunting of Hill House
Backrooms (2026) dir. Kane Parsons ; Shirley Jackson: A Rather Haunted Life ; The Shining (1980) dir. Stanley Kubrick ; The Haunting (1963) dir. Robert Wise ; The Haunting of Hill House by Shirley Jackson ; The Haunted Mind of Shirley Jackson by Zoë Heller
December 18, 2009
Keith Haring, Altarpiece: The Life of Christ
I really did like the ending of the Backrooms 2026, actually. The twist that the Backrooms is a space that you can physically exit but a part of you mentally will always be trapped in is a great subversion and really effectively inverts the concept. The main scientist character looks directly into the camera and reveals he is still caught in the same nostalgia trap that Clark was, stuck in a repetitive motion and going nowhere. Mary got out but she's still in there. You can leave but you can never escape
Was really interested going into this movie because as someone who isn’t very up to speed on any backrooms lore besides the og post I like the backrooms best when there are no monsters, but the environment itself makes you feel unsafe. You’re paranoid and panicking but then you get out and realize that there was nothing to be afraid of, nothing was even there to chase you in the first place it was just your mind tricking itself.
So I think it’s so interesting that this movie did both- there is a monster but it’s You. It’s a monster you made up it’s a physical manifestation of your fear. It hurts people because you hurt people. You’re unsafe because you created the environment and that means your fear is out to get you.
my first thought when going in was “i really hope it isn’t too much focus on the entities and more focus on the ambience of the environment” but the way they utilize monsters is so good and much better than some big creature with no meaning behind it
having the monsters have connections to the characters is one of my favorite things the movie did
More backrooms
Me the first half of The Backrooms: "oh I get it. He's a down on his luck failed architect and even more failed furniture store owner who's trying to better himself. He'll probably be fascinated with the furniture/architecture of the backrooms and start selling the items there for money + notoriety. And eventually he'll go deeper and deeper to get more and more items until he gets trapped and encounters The Horrors. A classic tale of hubris :) "
Me the second half of the backrooms:
Yes clark maybe you were the problem
Why did God create a dual universe? So he might say, Be not like me. I am alone. And it might be heard. —–- Mark Z. Danielewski, House of Leaves.
BACKROOMS (2026) dir. Kane Parsons
gem from the les mis pride post comments
I LOVE YOU TRANS PEOPLE!!!
sunday again i guess