[ocularcatastrophe]

indie portrayal of marvel's matthew murdock, aka daredevil. piloted by @scriptio-continua (k, she/they, 31, est). fairly selective, medium activity, and mutuals only.

based heavily on the bendis/brubaker comic runs. oc friendly and always open to non-canon aus.

please check carrd before following. rules and triggers are there.

mature themes, 21+ only. minors DNI plz

❛❛ Life would go out in a 'fraction of a second' (that was the phrase), but all night he had been realizing that time depends on clocks and the passage of light. There were no clocks and the light wouldn't change. Nobody really knew how long a second of pain could be. It might last a whole purgatory—or for ever. ❜❜ ― Graham Greene, The Power and the Glory

❛❛ To go wrong in one's own way is better than to go right in someone else's. In the first case you are a man, in the second you're no better than a bird. Truth won't escape you, but life can be cramped. There have been examples. And what are we doing now? In science, development, thought, invention, ideals, aims, liberalism, judgment, experience and everything, everything, everything, we are still in the preparatory class at school. We prefer to live on other people's ideas, it's what we are used to! Am I right, am I right? ❜❜ ― Fyodor Dostoevsky, Crime and Punishment

PROMPTS | INSPO | DRABBLES | OPENS | PINTEREST | PLAYLIST | WIKI

A STUDY IN: punishment as permission. gracelessness. being conscripted but refusing discharge. the body as a machine for converting pain into meaning.

ALSO AT: @scriptio-continua (main/ooc) | @aarmedanddangerous | @parentheticalgod

[scriptio-continua]

[ocularcatastrophe]

📎📎📎! three cuz i'm nosy

THREE!! kate u spoil me <3

i really want a thread inside rykers, in the space between matt getting thrown into Cell Block D and before Foggy gets stabbed. It's literally, like, two pages in the comics, but the idea of playing out those weeks where Matt is pretending to just be a Regular Blind Guy and white-knuckling the sensory overwhelm and slowly destroying his self-respect by letting himself get targeted by the other guys in D (you know, the ones HE put in jail) to appear innocent is SOOO juicy for any type of dynamic, really. i'm especially open to ocs/characters being stuck in rykers with him.

60's era daredevil; he's a highly prominent lawyer, on retainer by the fantastic four, helps them fight crime from time to time. idk what the plot here would be, but i want to write matt murdock attending sue and reed's wedding. (i absolutely could see his dumb ass paying for/inviting someone to be a fake s/o to attend the wedding with him.) in canon this is in the middle of the weird fake-twin love quadrangle between he, himself, foggy, and karen, so that is something, too!!

i REALLY want to ship him with someone permanently invisible. i had a version of julia (@memoriiesreturn mention!!!) who had been born a mutant, but the mutation is literally just. 24/7 invisibility. it fucks up the psyche to be invisible. and then they meet the only person in nyc who knows they're there. incredible. i LOVE the blind/invisible dynamic.

BONUS: i just really want to do a fight club / boxing au or any type of plot where matt is frequently beating the shit out of people. he deserves it. as a treat.

[rpmemesyo]

For every 📎 I get in my ask box, I'll post a thread that I want to do.

Not necessarily with the person who sends. Just a thread I want to do in general some day.

[subaru-copilot]

im so sorry that you're doomed by the narrative but i really need you to answer my message on Microsoft Teams

[scriptio-continua]

PSA UPDATED DAREDEVIL'S URL:

@.i-am-not-dare-devil → @ocularcatastrophe

[cybermanes-deactivated20251227]

wow babe you’re really good at staying up incredibly late and barely sleeping every night

[scriptio-continua]

PSA to my mutuals: i am 100% fine with you carrying the plot forward in our threads without explicitly plotting it out with me first. I mean, obviously if something, like, world-ending is going to happen, let's chat a lil first, but I genuinely find it so fun to just put the ball in your court and see what you come up with. That's the fun part of roleplay for me, is being surprised by what we come up with when we're just winging it back and forth. Don't get too in your head about god-modding or taking things over or whatever. I LOVE yes-and-ing!!

[ocularcatastrophe]

[ ADJUST ]: the sender moves closer to adjust some items of clothing on the receiver (i.e. the straps of their dress, the hem of their pants, the buttons of a shirt). — from @paigeangel

Matt has been in this Godforsaken apartment for a month. Karen has been here for a week. It's not really his—Fisk had made sure of that. No, his apartment had been blown up sometime between his bankruptcy and his disbarment.

He's not entirely sure why he let Karen come back.

That's a lie.

He let Karen come back because Matt Murdock is a man who forgives, for better or worse.

So, here they are. In a shitty, half-furnished apartment in a name that isn't his in a neighborhood that's been his since he was born, and the woman he shouldn't love but still does quietly dressing behind him at ten o'clock in the morning, because she had insisted on coming with him to talk to the cop who'd lied about him under oath, and he is the type of man who says yes when a woman makes those eyes.

And then he feels the air shift.

The first tell—and Matt hates himself for reading her tells—is the heartrate. Elevated. Her breath is careful as she approaches. Like she's testing something. In a courtroom, he'd call it premeditated.

The second tell is the warmth. Air displacing, cooling his face, and then body heat, and the scent of her, which is disarming enough to throw him off, because every person in the world has a sensory thumbprint to him; heat and scent, and hers is one he knows better than anyone's.

Her hands arrive on the placket of his shirt, gentle, and for some reason he can't immediately articulate, gentle feels cruel right now. Her nails catch against skin under the fabric, so slight she wouldn't even feel it herself.

She doesn't say a word, but he can feel her eyes on him, and for a moment, Matt's guard is just gone. It's warm and familiar and in his mind, he feels his hands searching for the prosecution he'd been aiming at her all week and he simply can't find it. He leans into the touch like he's coming up for air, because the five seconds of contact push the loneliness away and, Christ, the wanting feels better than anything he'd felt in the last year.

And then his fingers find purchase and it crashes back into him. These are the hands that gave his name to Fisk.

She tugs the placket straight. His jaw clicks as he fights the roiling combination of feelings that threaten the delicate equilibrium they'd maintained this week.

These are the hands that gave him everything. That made him lose everything.

"Karen," he says, his voice coming out quieter than he means, and the sound is like gravel in his throat. "We should move. Manolis expects us at eleven."

It's a deflection and he knows it. Granting the touch without granting the absolution. Again, that roiling collision; he hates himself for it and feels the tug of vindication behind his sternum anyway.

[kal-thas]

POV: you are frank castle

he loves to ragebait <3 its enrichment for him <3

[ocularcatastrophe]

likes fuzzy slippers, the fuzzier the better.

................................................bottom

listens to slime ASMR videos

1) yeah i think this is true especially in the house. fuzzy slippers = more consistent, reliable texture. maybe socks + slippers.

2) ................verse

3) ABSOLUTELY NOT but its specifically because one time karen told him it was a slime asmr video and then put wet porn in his ears. radar does not render flat screens u see

[ocularcatastrophe]

[kosmogrl]

what doesn’t kill me leaves a pit in my stomach that never goes away

[uniiicornmemes]

On anon or not, tell me what YOUR headcanons for my muse are.

[ocularcatastrophe]

‎‎ⒷOYFRIENDS!!!

[ocularcatastrophe]

Deadpool voice: Your face says The Batman (2022) but those heightened senses of yours lead me to believe you may be from another R-Pattz movie (you know the one).

Matt voice: ... Mr. Wilson, this is a deposition. Can you please get the switchblade out of your pants and put it on the table with the others.

[soulprompts]

prompts about getting undressed.

hello my brilliant babies, babes, besties, bros, beloveds and beams of brilliance! it is i! i have returned and i bring to you this prompt list based on the concept of getting undressed and helping others to do the same! "but blue! where's the spice!" fantabulistic question, i left that option off the list bc there are MANY spice-focused lists with that option. however i will still tag this as being nsfw. bc it lowkey is. anyway, love you! DO NOT ADD TO, COPY OR EDIT THIS LIST!

[ HELP ]: the injured sender, unable to comfortably take off their clothes, asks the receiver to help them get undressed.

[ GUIDE ]: sender notices that the injured receiver isn't able to get undressed without help and offers to do so.

[ SOAKED ]: after a sudden downpour/being in water, the sender hastens to help the wet receiver out of their clothes to prevent hypothermia.

[ CRIMSON ]: the sender, noticing the receiver has blood on their clothes (either from an injury or another person) takes them to a private room to help remove the clothes and find clean ones.

[ CONCEAL ]: in an effort to hide evidence of wrong-doing, the sender quickly takes the receiver's clothes from them to be destroyed and finds them less incriminating clothing.

[ RETRIEVE ]: in an effort to protect potential evidence, the sender carefully helps the receiver to remove their clothes, bagging them in the process and helping them dress in clean clothes.

[ SCENT ]: in order to protect them from sniffer dogs or scent-sensitive animals/monsters/etc., the sender helps the receiver remove their clothes and replaces them with less sensitive garments.

[ DIVE ]: the sender and receiver help one another to strip down so they can go swimming in comfort.

[ CLEANSE ]: sender, after running the receiver a nice relaxing bath, brings them to the bathroom and carefully helps them get undressed so they can enjoy the bath properly.

[ FEVER ]: sender, having noticed the receiver spiking a fever, quickly helps them remove their clothes so they can go into a cool shower in an effort to break it.

[ WIPE ]: sender hastily brings the receiver to a quiet room and helps them get undressed so the sender can wipe them down with wipes to remove dirt/blood/tears/etc. from their skin.

[ HEAT ]: to prevent the receiver from overheating, the sender quickly helps them to get undressed so they can cool down quicker in the shade.

[ SHOPPING ]: while trying on new clothes, the sender offers to help the receiver change out of a more complicated outfit to avoid damaging it.

[ TRANSFORM ]: suddenly in need of disguise, the sender and receiver help one another to take off any identifying clothing and disguise their appearances to escape unseen.

[ WOUND ]: following a particularly rough battle, the sender goes to the receiver to suggest that they help one another to remove their clothing and check one another for injuries

[ HEAL ]: while treating the receiver's injuries, the sender has to remove some of their clothing to reach a wound hidden by their clothes.

[ MALFUNCTION ]: noticing that the receiver is having something of a wardrobe malfunction (i.e. ripped dress, a stain etc.) the sender quickly takes them to a quiet room to help them get undressed and repair the damage.

[ INK ]: in order to show off a tattoo, the sender removes an article of clothing so that the receiver can see it properly.

[ WEAK ]: realizing the receiver is in a weakened state, the sender gently starts to help them get undressed, then redressed in more comfortable clothing.

[ STUNNED ]: noticing the receiver to be in shock, the sender begins to help them loosen their clothing and finds them looser more comfortable clothes to change into.

[ ADJUST ]: the sender moves closer to adjust some items of clothing on the receiver (i.e. the straps of their dress, the hem of their pants, the buttons of a shirt).

[ MEASURE ]: in order to accurately measure the receiver for an outfit of tailored clothes, the sender helps them to get undressed down to their undergarments.

[ ARMOUR ]: the sender offers to help the receiver in removing armour or a protective suit from them.

[ COMPLEX ]: sender notices that the receiver is struggling to remove some complicated clothing, and offers to help.

[ RITUAL ]: sender helps to undress receiver as part of a ritual or ceremony.

[ UPSET ]: sender, realizing the receiver is too distraught, offers to help them get undressed and redressed in more comfortable clothing.

[ ROYAL ]: part of the sender's responsibilities to the crown involve helping the crowned receiver get undressed and restyled each day.