We love and support Scott Smajor in this house <33

pixel skylines
Cosmic Funnies
sheepfilms
dirt enthusiast
Lint Roller? I Barely Know Her

#extradirty
NASA
Alisa U Zemlji Chuda
Keni
Game of Thrones Daily
Mike Driver
YOU ARE THE REASON
Misplaced Lens Cap
let's talk about Bridgerton tea, my ask is open

tannertan36
Stranger Things

Kaledo Art
h
almost home
One Nice Bug Per Day

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@orange-theeth69
We love and support Scott Smajor in this house <33
Yeah you guys can send me yourgrocery lists I’d love that
Reblog if people can use your dms to leave their grocery lists
Sure, I’m nosy
Maybe you're fuckin scum. Don't you go psycho, chum.
Phm from Adrian's perspective is just what if you were Penelope and Odysseus came home but he also brought a jellyfish and keeps begging you to build a fish tank for the jellyfish and make jellyfish food for the jellyfish and youre an ancient Greek whos never seen a jellyfish and you cant even comprehend how your going to do it but youre going to because if you dont Odysseus may kill himself. And also the jellyfish can do like. Witchcraft.
this part is one that i'm really going to hate. in the wake of all that happened yesterday, i need to talk about finances. i know this is long, but i urge you to read through, because i could really use some tangible, real help right now.
as many of you know, the work we did for Avid was substantial. the music we made with him has been our lifeblood for the past several months as we have been reeling from the onset of a severe, life changing disability diagnosis that prevents us from working a typical job. music, video editing, streaming, and making our own videos are about all we can do. our disabling dissociative amnesia prevents the timely and reasonable learning of new skills. while we have been working constantly with a dissociative specialist to inch towards remedying this, we do not expect that we will be equipped to work in any other capacity any time soon.
the royalties we received from the music we made together with Avid were roughly 80-90% of our income on any given month for the calendar year so far, and they have helped us stay afloat while we have been trying to go through the rigorous and ill-equipped disability system.
putting all your eggs in one basket is never a good idea regardless, and the fears i had building for the past couple of months only further emphasized this. as such, i have been trying to diversify by engaging with streaming, trying to get my name out there for collaborative work in other SMPs, and reaching out to my creator friends for editing work. i really can't thank two people in particular enough - LeonSBU and NatureOfGaming - for providing me work as they have been able to afford and especially in Leon's case, getting my name out there for other SMPs.
unfortunately, the true extent of Avid's manipulations and lies were more than i could ever have imagined. the fact that my entire understanding of his intentions has been flipped in a matter of no more than 3 days feels like being hit by a truck. for full transparency, i am no longer in contact with Avid, but i did inform them that i was leaving the fate of our music in their hands. in the final messages he sent to me before i cut contact, he told me that he "would never cut [me] off financially". he told me he would never do a lot of things, so forgive me if i have trouble trusting this. regardless, the dropoff in listenership after what has been revealed will be substantial and immediate.
in the best case-scenario, i have a month or two left before royalties catch up to this dropoff, and will see consistent income for that time still. in the worst, i will no longer be able to afford my rent by the end of the month if he does remove the music and disable my royalty splits.
what i need is two things: i need immediate funds to fall back on in case things go poorly, and i need longevity. i have been so lucky to be surrounded by so many truly astounding and generous creators who have been willing to put my name out there for work. i am hoping this comes to fruition. i am already hearing from some about potential editing opportunities which is amazing. but things are still up in the air, and i need to be quick and smart. this is why i am doing something that my fans know i hate. i'm asking for help.
as i see it, there are three pillars to this. all the highlighted text below links directly:
immediate aid - if you have the funds to spare, buying our music on Bandcamp and donating to our Ko-Fi are methods of which we see the funds in a matter of days, if not instantly. this will help us build an emergency fund if worse comes to worse.
supporting our work - by spreading the word about our streaming on Twitch and listening to our music on streaming services such as Spotify, Apple Music, and YouTube (and any other platform our music is on), you provide a significant source of consistent income that we can rely on month-to-month.
word of mouth - talking about what we do and why you enjoy it is a surprisingly big help, because it helps us find connections for potential growth opportunities and commission work. additionally, letting people know we have a Discord and are the ones responsible for Avid's music in the first place not only helps us, but it helps the people who loved Avid's music know there is more out there from the person who made his songs possible.
i'm gonna level with you all. i fucking hate writing this. i feel like a beggar. i feel humiliated. these past three days of piecing things together have been some of the worst of my life, and having to once again ask for help is the cherry on top. since i learned about the truth three days ago, this has been constantly looming over me. everything else has been made crystal clear to me, so i at least know without a shadow of a doubt what happened. but with this? i'm terrified. Avid knew my situation, my disability, my reliance on our work together. he has left me in a truly impossible situation. i am taking it as an opportunity to double down on the work i was already doing and try to turn it into a positive. i hope that you all are gracious enough to help me make that a reality. it would really mean the world right now.
for some positivity in all of this, here's a sneak peak of my next song. i'm so ready to move forwards and i'm trying to let this empower me to make some awesome fucking art. thank you to everyone who read to the end. hope to see you all soon <3
can I reblog for both?
I’m reblogging for both
it’s been ten years
its been 12 years
13 years
14 years
15 years
16 years
Loss is a dancing queen, young and sweet, only 17
Loss is now legally an adult
this pride month we’re all going to be radically pro transgender. or else.
hey so this means radically pro ALL transgender. don’t put limitations on this. all trans people are radically accepted here.
yes, even the ppl with xenogenders. yes, even those who use neopronouns. we're all in this together
yaos cake: a phm comic
this was definitely set in a universe where they had the Time to have shenanigans
Grace mentions losing track of the days after a bit on Stratt’s Vat so imagine him seeing a physical calendar for the first time in a while and realizing how many Thursdays he’s missed with Marissa. Realizing how long it’s been since he’s spoken to her, wondering how she’s doing. Wondering what she’s filling her Thursday evenings with.
Maybe he tries to keep better track after that despite the time zone he’s in constantly changing. Stratt asks him what he’s doing having a sip of beer at 10 AM and he sheepishly admits “it’s 6 PM over in San Francisco.”
Fast forward he’s in space when he remembers how long he’s been gone and there are no Thursdays, but he can still try to calculate the time back on Earth. There’s no beer or steak really but he can still raise a drink pouch in the direction of home. It feels a little silly, maybe he thinks she’s moved on by now, that he wasn’t important enough to her (shouldn’t have been) to grieve for this long (thirteen years now, she’s older than him because of time dilation. Out of sync.), but it makes him feel a little closer to normal, a piece of his pre-amnesia self.
Rocky realizes that this little ritual means something to him and makes an accurate San Francisco to Erid Dome Time clock for him (takes a bit to figure out the math for relativity). Grace says he isn’t even sure if Marissa is still living in San Francisco (emphasis on San Francisco. Emphasis on living), but every time it says Thursday, 6PM, he raises a glass of (water, usually. Used to be nutrient shakes) towards Sol.
Maybe if he returns home after learning Sol was saved he meets Marissa’s surviving family and learns she did something similar every Thursday too. Even after she thought for sure he was dead.
There are Thursdays for Grace again. But they’ll never be the same.
my personal take on the matter
gracerocky if rocky was just james ortiz
PHM x Artemis II photoshoot thingy!
based off of two tweets (see below)
this silly doodle went crazy on insta so i guess i’ll post it here too !
Hey artists, C. Spike Trotman, founder of Iron Circus Comics, just posted an invaluable thread on depicting different types of black hair. I’d do the thing where you screencap the whole thread and post it but it’s just too long (which is great because it’s a whole lot of useful information!) Give her a follow while you’re there.
Anyway, go check it out. I just wanted to save it and share it because I didn’t know how much I didn’t know!
This is an amazing resource, not only for artists, but for writers too! I love this!
{ID - tweet from @/Iron_Spike that reads, “Black Hair for Non-Black Artists: a Cheat Sheet Thread. Hi, folks! Just spur-of-the-moment decided to put together some reference for folks who want to draw/model black characters in their work, but arent confident they won’t make simple, obvious mistakes w/r/t black hair. END ID}
I noticed in the comments that some people can’t see the thread, so I took screenshots for y'all!
More will come in reblogs, since tumblr has an image limit
@creatingblackcharacters !!!
felt like the non-scots should know about this
car crash of lexicographical unpersoning going on here
the author chose to gender the balls, but not the woman.