my favorite german teleporter :D
Claire Keane
let's talk about Bridgerton tea, my ask is open

blake kathryn

shark vs the universe
noise dept.
Monterey Bay Aquarium
𩵠avery cochrane š©µ

#extradirty
Sweet Seals For You, Always
taylor price
Lint Roller? I Barely Know Her
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Product Placement

izzy's playlists!
trying on a metaphor

Kiana Khansmith
TVSTRANGERTHINGS

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Show & Tell

Andulka
seen from United Arab Emirates
seen from Indonesia
seen from Australia

seen from Romania
seen from Türkiye
seen from Australia
seen from Türkiye
seen from Netherlands
seen from Italy
seen from T1

seen from United States
seen from Netherlands

seen from Algeria
seen from Philippines
seen from Vietnam
seen from Australia

seen from United States
seen from United States

seen from Türkiye
seen from Bangladesh
@oreouk
my favorite german teleporter :D
Tortoise Beetles (family Chrysomelidae, subfamily Cassidinae)
Manu Biological Station, Madre de Dios, Peru
photographs by Paxon Kale
(Yoinked this from LinkedIn, genuinely interested in seeing how responses align with demographics) (so far itās those of us over 35 being indignant but I wanna see how those fully plays out) (itās cultural and technological history/memory, bruh)
18
I am an old bitch - 20/20.
~~~
zero
1-4
5-8
9-12
13-16
17-19
It's me, Nobody (20)
The only two I don't have are "rented a video from Blockbuster" because by the time the chain made it here to Australia I'd discovered the internet and largely given up on television; and "owned an encyclopedia" (unless you're willing to accept the CD copy of Encarta I got with my first personal computer - personal as in "I owned it myself" rather than "PC" - back in 1995).
Only one I donāt have is āowned an encyclopaediaā because they were too expensive and the libraries (school and public) had them. I feel this is the one most likely to keep people from hitting that 20/20.
Duck Amuck | Director: Chuck Jones | Studio: Warner Bros. | USA, 1953
NOT ME YOU SLOP ARTIST
This is a close up? A CLOSE UP YA JERK! A CLOSEUP!
Alright, letās get this picture started! (The End) NO NOOOOO!
One of the defining moments of animation history.
āAināt I a stinker?ā
In Babylon 5, didnāt one of the non-humans think Daffy was the god of frustration?
Holy shit, this is nearly 70 years old. This would have been right on the heels of color television being commercially available to the public.
@amayatepes look at this
LMAO
Huh. Thatās just a whole ass Daffy Duck cartoon.
Everything about this cartoon is top-notch. The timing, the animation (watch Daffyās different walks) the art; this is a treasure
someone tell OP i did it, i spent about 3 hours on it
Meanwhile, via Bluesky...
imagine a goat with a hat
STOP-
what hat did you give the goat what is the instinctual hat you gave to this goat
Okay, this is awful, but it appeals to my weird sense of humor. And it's my tumblr.
brother gregor's catch of the day
i fucking hate the āthis is the good luck post.ā Girl stop contributing to a superstitious environment with ur anecdotes thereās a million goddamn notes on it itās statistically reasonable that a bunch of people remember the good things that happen after they reblog it
this is the statistically reasonable post, reblogging it will have no effect except for putting this post on your blog
guys this post really works! I reblogged it and it really did put the post on my blog! you need to try it!
OWEN WILSON and STEVE COOGAN as JEDEDIAH and OCTAVIUS in Night at the Museum (2006)
Much has been made of Ryland Grace's name being Grace, and that's extremely valid, but I think y'all might be sleeping on the Ryland part.
Because rye wasn't domesticated like other cereals. It was a weed with enough of a passing resemblance to wheat and barley that there was accidental gradual selection for similarity to crops, which meant larger seeds. At which point rye still mostly stayed as a weed, but a arable (useful/edible) one. And then (after thousands of years of arable weediness) it was intentionally cultivated, likely due to its frost resistance and ability to grow in poorer soil than it its ostensibly higher nutrition domesticated competition, becoming a regionally vital crop. The cultivated strain continued to hybridize with its weedier/"earlier" rye relatives in the wild in a way that was hard to control, leading to a high level of genetic diversity (until relatively recently) compared with other grains.
I'm just saying that at some point, maybe a couple years into the road trip, maybe not until linguists dig in post-nutrient crisis, Rocky, who on day two (2) of their collaboration/friendship, was informed the bipedal leaky space blob's name was "Elegant movement" and duly provided the eridian tranlation with the same sense of amusement that new Merry Men got upon meeting Little John, who called him that name in literally every possible emotional register from sarcastic glee (watching sleep-deprived 'elegant motion' trip on its own feet for the 4th time that day) to great and terrible fear (rocky was not actually thinking about dramatic irony while watching Elegant-Motion be thrown to the wall and lay there unmoving while its body weight crushed its lungs, but he did maybe think about it with dark humor later) to unfathomable love, gratitude, shock, relief, thankfulness (at a certain point a funny nickname ceases to mean anything but that person. Grace is here, Grace came back, Grace is here!), Rocky is going to find out that was not in fact the only translation for his name.
Apparently Grace's name could ALSO have been translated as first name: "Expanse of living things which survive terrible cold and lack of nutrients and are good in hidden ways and unintentionally shaped themselves to be chosen for consumption by humanity", last name: "Help/ Mercy/ Kindness from a higher power". At which point Rocky will clarify that 1)Grace didn't make all that up just now to fuck with him 2) that's been his name since birth. And then Rocky will speedrun all 7 Eridian stages of Grief and chase Grace around with a wrench.
e me a mail
make the attachment a pic of a snail
give me two gifs
of critters in clover
then photoshop them on the CLIIIIIIIFFS OF DOVER
I still reference this post today. And yes, when I say I reference it I mean I sing it.
how manual wheelchair users move (explainer for non-users)
frequently when iām out and about with someone walking, they canāt anticipate what path i will take and therefore theyāre in my way pretty frequently. this is fine! i can politely ask them to step to the side. but it makes me think about how little non-wheelchair users understand the way wheelchair users move. as someone who used to walk everywhere, it was an adjustment period for me to figure out how to navigate the world in a chair. here are some things that didnāt occur to me so that you donāt cut off your friend right as theyāre building momentum to go up a ramp š
for context, i use an active manual chair. the world is very different in a power chair. even among active manual chair users, there is a huge diversity in physicality and strategies for getting around. this is a general guide that i think will apply to most manual wheelchair users. iām starting super basic and getting more complicated as i go.
āāā
1. manual wheelchairs are a momentum game. it is very easy to maintain speed and direction. but speeding up, slowing down, or turning, is hard. one thing this affects is if weāre on a wavy sidewalk or other twisty-turny walkway, that is a pain in the ass and i am taking as straight a path as i can.
2. wheelchair users also have to pay attention to the slope and condition of the pavement, so our path somewhere will be different than yours, even if weāre taking the same route to the same place. for example, i usually have to go down slopes straight, not diagonally, to avoid tipping over sideways. one area this affects is crosswalks. many intersections have one curb cut for both roads you could cross, which means i will go down curb cuts to a crosswalk as if i am aiming for the middle of the intersection.
your path in orange, mine in blue. to you it seems indirect, but to me itās the path of least resistance.
i also will be building speed in the second half of the crosswalk. this is a much easier way to tackle a ramp. if i approach with momentum, i wonāt have to drag myself up the slope once i get to it.
3. building momentum and maintaining it is only half of the job. the other half is stopping. manual wheelchairs cannot stop on a dime if theyāre moving with any kind of speed. if i tried to stop immediately when going downhill, i would fly out of the chair. so donāt walk right into the path of a wheelchair in motion and then stop! i will have to turn to the side very quickly and hope i donāt tip. i canāt tell you how often parents pushing strollers will stop their stroller directly in my path and then get offended when i am alarmed and turn sharply to avoid hitting their child. from their perspective, i was being careless and going ātoo fast.ā in reality, normal walking speed takes a few feet to slow down from and stop.
4. in terms of slope. see this street in san francisco?
i canāt go down this street, itās way too steep. i would give myself friction burns on my palms trying to control my speed. if i was in a situation where there was no avoiding this street, like in an emergency, i would be breaking my straight-slope rule and zig-zagging in the middle of the road.
this would require several zig-zags back and forth, more than the four that i drew. i also could not go up this road other than with this method. up or down, i risk tipping over sideways if iām not careful.
4. in a similar vein, consider terrain. slopes with grass or carpet take huge amounts of energy to get up. this grassy hill isnāt insurmountable, but it would take me like thirty minutes to get up there. honestly i would probably go backwards, because itās easier to pull yourself up a slope than push yourself.
other types of terrain can be completely immobilizing, though. this decorative gravel pathway is beautiful, and inaccessible to me. my casters (front wheels) simply will not go through that.
5. in terms of walkways and obstacles. if thereās a deep gap in the pavement lined up the way iām going, and itās, say, an inch wide, that is an obstacle for me. my casters are one inch wide, and my back wheels are an inch and a half. iāll get stuck in it like a train on a track.
i have to straddle this, even if it means being too close to the middle of the sidewalk and preventing us from walking side by side.
similarly, if a crack is greater than an inch high, iām gonna wheelie over it. at two inches, i have to. a wheelie may require a change in speed, either faster or slower depending on the person.
i have 4 inch casters, so a lip as little as 2 inches will stop me in my tracks. a lip as little as one inch, hit with any speed, can knock my casters out of square. casters can get knocked out of alignment pretty easily depending on the chair. iād rather not have to pull out an allen wrench and a level, so iām gonna wheelie.
this happened when i hit about a 1.5ā lip on a pavement crack when i was going downhill at maybe 3mph.
6. putting it all together. see how diagonal this crack is?
this is another situation where i have to go straight relative to the slope. because that crack is wide, it will probably also require a wheelie. if i tried to approach that straight relative to the sidewalk, my left caster would get up the slope, iād wheelie, then my right caster would land in the crack. i have to go this way.
(also lol at the trash can blocking the curb cut)
these are just a few things to keep in mind when walking about with a wheelchair user! ofc the best strategy always is just to listen when someone asks you to move out of their way š but i think being able to anticipate movement a little better will help it seem less random. feel free to ask any questions!