13 Pitches For Ratatouille 2 (Rata-TWO-ouille)
With the success of Inside Out 2 (now only the second-highest grossing animated film of all time after being freshly dethroned by Ne Zha 2) Pixar has announced today that Coco 2 is in development, which will follow Toy Story 5, Incredibles 3, and āHoppersā, a promising if controversial Bugs Life spinoff (time will tell if the decision to keep Kevin Spacey on comes back to bite them).
It seems we are firmly in the second major era of Pixar sequels; at this point itās easier to imagine the end of the world than it is to see a future devoid of Ratatouille 2 (Rata-2-ouille). To that end I have taken the liberty of inventing several fresh directions for the series to take. Brad, if youāre reading this, my schedule is extremely busy but I am willing to talk if you would like to meet with me about expanding on any of these.
Six months after La Ratatouille opens, a new restaurant across the street takes Paris by storm, run by a mysterious unknown named BessiĆØres many are lauding as the next Gusteau. Remy doesnāt view cooking as a competitive process, and his business hasnāt been hurt at all despite a perceived rivalry in the media, but an especially positive endorsement from Ego gets him curious enough to ask that Linguini sneak him in to see what the fuss is about. Remy discovers that BessiĆØres (Kumail Nanjiani) is actually a fellow rat chef, and strikes up a friendship with him as the first friend heās actually been able to discuss his passion with. The situation takes a dark turn when BessiĆØres reveals himself as a rat supremacist Ć la a young Malcolm X, who rejects the Gusteauian ideal that anyone can cook ā in his worldview, only a rat can truly be an artist, and humans have treated their kind too poorly to be allowed to continue controlling the world. BessiĆØres tries to raticalize Remy and enlist him in his plan to shock human society with a series of rat terrorist attacks across Paris and elevate the social position of rodentkind, but Remy resists him and narrowly manages, with the help of both his human and rat friends, to prevent BessiĆØres from blowing up the Eiffel Tower. Remy makes a stew thatās so good that it snaps BessiĆØres out of a hyper-realistic rat panic attack and instantly fixes his anti-human bigotry and they open a new restaurant together. No real structural changes are made to fix rat-human relations but Remy gets a cute new rat-sized oven at the end of the movie and makes BessiĆØres a rat-sized creme brĆ»lĆ©e and that makes them both smile
Chef Skinner returns from disgrace with a restaurant entirely staffed by robots ā anything can cook, declares Skinner to mocking crowds, who change their tune when they discover that the food is just as good at anything Gusteau made in his heyday for the same price as a big mac. Critics still think itās a joke, but the public canāt get enough of Skinnerās new concept, and he begins buying out one Parisian restaurant after another and replacing the workers with his automatons. Remy and the ārat-packā,Ā a team of five diverse marketable rat-children he is training to follow his pawsteps (Awkwafina, Kenan Thompson, Jenny Ortega, Millie Bobby Brown, Chris Pratt, his last name cleverly stylized as Chris P. Ratt in promotional materials) team up to infiltrate the robo-kitchens and see if they can find a way to stop Skinner. They discover that the robots are fake and are all actually controlled by enslaved rats, whom they free. Following a rat gundam fight where a living swarm of rats battles Skinnerās ultimate machine in the Seine, Remy sacrifices himself to save the rat-pack and actually dies. Skinner goes to prison (where it is heavily implied that he will be killed and eaten by prison rats) and the rat-pack makes crepes in Remyās honor
Emile movie. Remy and Linguini travel the world to compete in a global culinary competition while Emile accidentally joins a rat spy agency to stop an evil conglomerate from smuggling fake truffle oil into France. Remy is in this movie for six minutes and has nine lines of dialogue, Colette is unvoiced
Another rat-pack vehicle, this time with Jenny Ortega swapped out for Olivia Rodrigo, who stars as a young rat looking to make a name for herself and become Remyās apprentice years after the events of the first film. An aged Remy has become disillusioned with cooking and lost his passion for creating after the sudden death of his rat-husband, but the rat-pack works together to help him find inspiration and learn to love food again. This is actually a sequel to the Emile movie, although Emile himself only appears partway through the movie to enjoy a short zoom call with Remy and then later to call the Chris Pratt child an extremely offensive rat-slur (which he is reclaiming, the usage is considered appropriate by the film; Linguini tries to repeat the joke later himself and is immediately cancelled by everyone)
Film based on the in-universe Gusteau documentary that inspired Remy to be a chef. A young Gusteau (digitally-recreated Anthony Bourdain) works his way through the unforgiving 1960s hellscape of French cuisine to fight for his third and final Michelin star. At first this seems like a small plot hole because in Ratatouille restaurants are able to get up to five stars but at the end of the movie Gusteauās food is so good that the Michelin company has to change their system to add extra. First M-rated Pixar film, ties the record for second most F-bombs in any movie ever
Everything that happened in Ratatouille 1 happens again exactly as it did the first time but it takes place in Italy instead. No new characters and itās not a reboot, itās just the same plot in Italy, everybody remembers the first movie happened but they werenāt able to internalize the lessons they learned after they all decided to move to Italy because the train ride was very long. Remy has to once again balance his rat and human lives and Linguini finds out his Mom was secretly an Italian chef so he inherits another famous restaurant and Ego is sad again. Skinner wants it to be illegal for rats to work in restaurants, but it already is illegal at the start of the movie, so he lobbies the EU to make it legal so he can then get it made double illegal. This is also a sequel to the Emile movie, Emile farts on the pope
Three disconnected episodic interludes about Remy (Dan Castellaneta), Linguini (Phil LaMarr), Colette (Tara Strong) and the entire rat-clan learning the true meaning of Christmas. Olaf cameos in the second short as a monster chasing Remy during a hallucinogenic nightmare he has after staying up for a week straight trying to create the perfect fruitcake (only later does he realize that the only truly perfect fruitcake is the one you share with family). Disney+ exclusive
Fifteen years after the first movie, Coletteās crazy sister (Sarah Silverman) returns from her exile in Elba to try and steal the soul of Linguini and Colletteās firstborn son Bouillabaisse (Jack Black) to use in an ancient culinary ritual that will allow her to take over Paris. Remy is dead and a ghost in this movie, itās revealed that the Gusteau he kept talking to in the first movie was NOT a figment of his imagination, that was the real Gusteau; cooks of significant skill are able to continually defer their true deaths by making tasty enough food for the grim reaper (for reasons that are only alluded to, this form of necromancy only works for the french, in a comforting throwback to the nationally-segregated afterlife system implied by Coco). This movie also touches on the themes of rat discrimination more seriously; Remy is directly compared to Rosa Parks. Remyās great granddaughter Madeline (Zendaya) and Bouillabaisse, guided by spirit Remy, defeat Coletteās crazy sister and use the power of the culinary ritual to reveal the truth of rat society to the human public. The movie ends on a bittersweet note when it turns out that only french rats are sapient, all the other rats are just rats
Remy and Linguini reunite to battle the Underminer and his robot army and stop them from destroying the surface world and polluting the atmosphere to turn the whole planet into an artificial underground. At the end they leave the underground for the first time in the movie during the final battle and the Underminer turns good because he sees Paris and realizes that he doesnāt need to terraform the surface world because the hellish aboveground wasteland he wants already exists. 62 on metacritic
Live-action remake of Ratatouille, but instead of going the Lion King CGI abomination route this uses actual trained rats who are voiced over Milo and Otis style (in that their mouths don't move and no effort is made to sell even the illusion of this, not that 40,000 real rats are ritualistically killed during production). In order to truly echo reality all dialogue is spoken in untranslated french regardless of the version of the film you are watching, except for Emile, who only farts (though is insinuated to be farting in the same language as the viewer). The rats constantly pee on everything just like real rats though this is never acknowledged. The Grammy and Annie award-winning songs "Le Festin", "Colette Shows Him Le Ropes", "Dinner Rush", and "Ratatouille Main Theme" do not feature (save for the trailer and brief EDM remixes of their motifs during the end credit blooper segments where we get to see all the silly mistakes the rat actors made during filming!) and are replaced with silence and sad coughing sounds. No rats are harmed in the making of this film but many many french people are
Followup to the live-action remake, Remy's dad Django prequel movie. IntergeneRATional trauma movie through the frame of a friend of Remy's Dad, Git (that one super fucking buff rat running around in the kitchen during the scene where they're stealing, you know the one) recounting the story to Remy and Emile shortly post-Ratatouille after they have a fight and decide they can't be brothers anymore. It is pointed out that Remy is a prince; the subtle implication that Remy grew up in Anton Ego's childhood home and was able to cook a meal that so perfectly matched his nostalgic preferences because he learned to cook using the same books and techniques as his mother is made explicit here, making the original movie much better and more cohesive as a result. We learn that Django actually had dreams of being a chef himself as a young rat and was friends with little Ego (Seth Green). Remy and Emile interrupt the central narrative multiple times throughout the story with witty banter and wacky interjections. Halfway into it after the tragic misunderstanding scene where Django only overhears Ego says that he's sick of rats (he leaves the room before hearing the -atouille) Emile points out that Git's story doesn't make any sense because rats only live for 1/35th the human lifespan and Ego and Django couldn't have been childhood friends. Blood instantly starts running from Git's nose before he collapses and dies and Remy and Emile realize that Chef Skinner has manipulated their entire lives through his magic time machine. The brothers work together to fix the timeline and even manage to save Gusteau, who we learn was murdered by Chef Skinner; but Skinner was only a puppet (literally!) of an evil future version of Remy who Remy himself defeats in "Rat Combat". For as well as this works as a thematic climax, the weaknesses of the trained rat conceit do begin to reveal themselves during the final fight scenes when so many crusted dribblings of rat piss and shit accumulate in the Skinner's actor's hair and eyebrows that he's unable to stop crying for the entire segment
Romcom Toy Story crossover in the style of "Guess Who's Coming to Dinner" where Remy falls in love with a stuffed toy rat. Django and the toy's adoptive parents (a Pet Rock and a 2nd generation Tamagotchi, who had faced parallel discrimination themselves in their youth but don't see it as equivalent to what their son is doing) eventually do give up their bigoted ways but the relationship falls apart anyway during the same night due to Remy's obsession with his career. Heavily marketed as featuring Pixar's last LGBT character
Low stakes fanservice vibe sequel where the rats and humans work together to put on dinner theater at La Ratatouille (they do Madame Bovary, Colette reluctantly stars but kills it, Emile is forced to control Linguini for all his scenes after he has a panic attack and faints and does just as good of a job). This one is also an Emile movie but it's stealthy about it. Also a jukebox musical
