perish the thought, dude. *playfully pushes you by the shoulder* haha, like, cease these peculiarities. *becomes extremely violent and starts hitting you with heavy fists without provocation* disabuse that fucking notion
✧ Broken ribs suck. You don’t just “walk it off.” Breathing hurts. Laughing hurts. Existing hurts. Characters with rib injuries won’t be doing heroic sprints.
✧ Concussions aren’t instant naps. Dazed vision, nausea, dizziness, maybe even personality changes, but they’re not going to collapse neatly like in the movies.
✧ Blood loss is sneaky. It’s not just about dramatic pools of blood. It’s dizziness, confusion, and the body getting cold as circulation tanks.
✧ Adrenaline lies. Someone can take a serious injury and not feel it until the fight’s over. That “I didn’t realize I was bleeding until later” trope? Very real.
✧ Twisted ankles are brutal. One bad step and suddenly running is off the table. Even walking hurts like hell. Perfect way to ground a chase scene.
✧ Burns linger. Even small burns hurt more than most people expect. Blisters, infection risk, constant pain, it’s not just a cool scar later.
✧ Dislocated shoulders = useless arm. Characters can’t keep swinging a sword or firing a gun. They’re basically fighting one-armed until it’s fixed.
✧ Shock is a thing. Pale skin, trembling, rapid heartbeat, and eventually disorientation. A character might not even realize how bad their wound is.
✧ Stitches aren’t magic. Getting sewn up is painful and recovery takes time. They’re not instantly battle-ready after a needle and thread.
✧ Scars tell stories. Some fade, some don’t. Some stay sensitive forever. Don’t forget the aftermath when the wound becomes part of the character.
A cat is a small creature in the middle of the food chain that is fully aware that you are a very large thing that could stomp its head in at any moment and yet it chooses to rest its tiny little head on your leg for a nap and spreads out on the floor near you exposing its belly and its most sensitive organs. It brings dead mice and bugs to you to share food.
Don’t you get it? This tiny thing trusts you. It wants to help you too. It licks your leg thinking that it’s helping. It kneads on you to find comfort. It shares its body warmth with you in the cold and gives you your space in the heat. It hisses at other mammals it sees outside including other cats in an effort to protect its family.
Cats love you so so much. But they will keep trying to eat plastic.
🧪 Character Arcs 101: what they are, what they aren’t, and how to make them hurt
by rin t. (resident chaos scribe of thewriteadviceforwriters)
Okay so here’s the thing. You can give me all the pretty pinterest moodboards and soft trauma playlists in the world, but if your character doesn’t change, I will send them back to the factory.
Let’s talk about character arcs. Not vibes. Not tragic backstory flavoring. Actual. Arcs. (It hurts but we’ll get through it together.)
─────── ✦ ───────
💡 what a character arc IS:
a transformational journey (keyword: transformation)
the internal response to external pressure (aka plot consequences)
a shift in worldview, behavior, belief, self-concept
the emotional architecture of your story
the reason we care
💥 what a character arc is NOT:
a sad monologue halfway through act 2
a single cool scene where they yell or cry
a moral they magically learn by the end
a “development” label slapped on a flatline
─────── ✦ ───────
✨ THE 3 BASIC FLAVORS OF ARC (and how to emotionally damage your characters accordingly):
Positive Arc
They start with a flaw, false belief, or fear that limits them. Through the events of the story (and many Ls), they confront that internal lie, grow, and emerge changed.
Hurt factor: Drag them through the mud. Make them fight to believe in themselves. Break their trust, make them doubt. Let them earn their ending.
Negative Arc
They begin whole(ish) and devolve. They fail to overcome their flaw or false belief. This arc ends in ruin, corruption, or defeat.
Hurt factor: Let them almost have a chance. Build hope. Then show how they sabotage it, or how the world takes it anyway. Twist the knife.
Flat/Static Arc
They don’t change, but the world around them does. They hold onto a core truth, and it’s their constancy that drives change in others. Think: mentor, revolutionary, or truth-teller type.
Hurt factor: Make the world push back. Make their values cost them something. The tension comes from holding steady in chaos.
─────── ✦ ───────
🎯 how to build an arc that actually HITS (no ✨soft lessons✨, just internal structure):
Lie they believe: What false thing do they think about themselves or the world? (“I’m unlovable.” “Power = safety.” “I’m only valuable if I’m useful.”)
Want vs. need: What do they think they want? What do they actually need to grow?
Wound/backstory scar: What made them like this? You don’t need a tragic past™ but you do need cause and effect.
Turning point: What moment forces them to question their worldview? What event cracks the surface?
Moment of choice: Do they change? Or not? What decision seals their arc?
🧪 Pro tip: this is not a worksheet. This is scaffolding. The arc lives in the story, not just your doc notes. The lie isn’t revealed in a monologue, it’s felt through consequences, relationships, mistakes.
─────── ✦ ───────
🛠️ things to actually do with this:
Write scenes where the character’s flaw messes things up. Like, they lose something. A person. A plan. Their cool. Make the flaw hurt.
Track their beliefs like a timeline. How do they start? What chips away at it? When does the shift stick?
Use relationships as arc mirrors. Who challenges them? Enables them? Forces reflection? Internal change is almost never solo.
Revisit the lie. Circle back to it at least three times in escalating intensity. Reminder > confrontation > transformation.
─────── ✦ ───────
🌊 bonus pain level: REVERSE THE ARC
Wanna make it really hurt? Set them up for one arc, and give them the opposite.
They think they’re growing into a better person. But actually, they’re losing themselves.
They think they’re spiraling. But they’re really healing. Let them be surprised. Let the reader be surprised.
─────── ✦ ───────
TL;DR: If your plot is a skeleton, your character arc is the nervous system.
The change is the thing. Don’t just dress it up in trauma. Don’t let your character learn nothing. Make them face themselves.
And yeah. Make it hurt a little. (Or a lot. I won’t stop you.)
—rin t.
// thewriteadviceforwriters
// plotting pain professionally since forever
P.S. I made a free mini eBook about the 5 biggest mistakes writers make in the first 10 pages 👀 you can grab it here for FREE:
✦ A free (and actually helpful) guide to leveling up your first 10 pages ✦If you're unsure whether your opening is ✨doing enough✨ to hook re
nasa employee: oh hey u guys are back early
astronaut: moon's stuck in a time loop.
nasa employee: what?
astronaut: *loading a pistol and getting back on the rocket-ship* moon’s stuck in a time loop.
nasa employee: oh hey u guys are back early
astronaut: moon's stuck in a time loop.
nasa employee: what?
astronaut: *loading a pistol* moon’s stuck in a time loop. do you have extra ammo? this won’t be enough.
nasa employee: enough for…what?
astronaut: *finding extra clip of ammo, pocketing it, and getting back on the rocket-ship* don’t worry about it!
nasa employee: oh hey u guys are back early
astronaut: moon's stuck in a time loop.
nasa employee: what?
astronaut: *emerging from supply closet with a space harpoon, getting back on the rocket-ship* moon’s stuck in a time loop.
nasa employee: oh hey u guys are back early astronaut: oh hey u guys are back early
astronaut: moon's stuck in a time loop.
nasa employee: what?
astronaut: what?
nasa employee: how did you know what i was going to say?
astronaut: *punching in key pad code for base evacuation signal, getting back on the rocket-ship* i told you…moon’s stuck in a time loop.
*red warning lights begin flashing*
nasa employee: oh hey u guys are back early
astronaut: moon's stuck in a time loop.
nasa employee: what?
astronaut: *rifling thru bookshelf of operating instructions, selecting one that says “AIRLOCK MANUAL OVERRIDE INSTRUCTIONS,” getting back on the rocket-ship* moon’s stuck in a time loop.
nasa employee: oh hey u guys are back early
astronaut: moon's stuck in a time loop.
nasa employee: what?
astronaut: moon’s stuck in a time loop. hey, do you have anything to eat? i’m starving. *opens random drawer, finds nothing, closes it*
nasa employee: a time loo- uh, we don’t have food in here…we can’t…eat in the control room, only the break-room.
astronaut: *sighs*
nasa employee:…my lunch is in like 10 minutes, though, and if my lunch is actually STILL THERE and not STOLEN, AGAIN, i can share it with yo-
astronaut: nah, that’s ok…no time. *loading a pistol and getting back on the rocket-ship* or…too much time. but thanks, anyway. OK, bye!
*alarm begins blaring*
nasa employee: you’re…welcome? wait, a TIME LOOP?!
nasa employee: oh hey u guys are back early
astronaut: yup.
nasa employee: …?
astronaut: *sitting down next to nasa employee* so…do you ever like…wonder what the meaning of life is? the secrets of the universe?
nasa employee: aren’t you supposed to be ON the MOON?!
*alarm begins blaring*
nasa employee: hey, what the hell is that?
astronaut: that’s the code red override klaxon. moon’s stuck in a time loop. oh, and there’s an explosion imminent. But don’t worry, we can deal with that tomorrow. So, you have any siblings? *pulls beer out of space suit, cracks tab* want a drink?
nasa employee: oh hey u guys are back early
astronaut: do you know frank in IT?
nasa employee: what?
astronaut: do you know frank, who works in IT?
nasa employee: yeah, but why are you guys back so early?
astronaut: moon’s stuck in a time loop. call frank, tell him there’s a virus in the security patch and the system’s compromised. then get the hell out of the base.
nasa employee: wait what? what? where are you guys going?
astronaut: *loading a pistol and getting back on the rocket-ship* back to the moon. it’s stuck in a time loop. call frank!
nasa employee: *picks up phone* ugh, straight to voicemail. i wonder wha-
*alarm begins blaring*
nasa employee: oh hey u guys are back early
astronaut: *grim silence*
nasa employee: i said, you guys are back early…hey, what are you…?
astronaut: *randomly opening drawers until they find a pair of scissors and some duct tape, getting back on the rocket-ship* moon’s stuck in a time loop.
nasa employee: oh hey u guys are back early
astronaut: moon's stuck in a time loop.
nasa employee: what?
astronaut: *loading a pistol and getting back on the rocket-ship* moon’s stuck in a time loop.
*sticks head back out the door of the rocket-ship* by the way, if you go to the break-room in exactly 2 minutes and 45 seconds, you’ll catch the person who’s been stealing your lunches for the past two weeks.
nasa employee: what?! WHO IS IT?!
*alarm begins blaring*
nasa employee: *running for the break-room* FUCK!!!!
nasa employee: oh hey u guys are back early
astronaut: moon's stuck in a time loop.
nasa employee: what?
astronaut: *sits down, sighs, pulls a beer out from their spacesuit* moon’s stuck in a time loop.
nasa employee: …ok, and? hang on, how did you get a beer? you can’t have that in here.
astronaut: what do you know about project floyd?
nasa employee: I mean, the usual amount? i’m not really on the project anymore, why?
*alarm begins blaring*
astronaut: COME WITH ME TO THE ROCKET-SHIP, we don’t have ti-
nasa employee: oh hey u guys are back early
astronaut: yeah. moon's stuck in a time loop.
nasa employee: what?
astronaut: *loading a pistol and getting back on the rocket-ship* moon’s stuck in a time loop. see you tomorrow. maybe.
nasa employee: WHAT?!
nasa employee: oh hey u guys are back early
astronaut: moon's stuck in a time loop.
nasa employee: what?
astronaut: *sighs, rubs hands over face, and loads pistol, before getting back on the rocket-ship* moon’s stuck in a time loop. and, uh…you should call your mother like you’ve been meaning to. and tell her you’re not actually mad and that you will come to dinner tonight. you’re gonna be hungry.
nasa employee: wait, what? WHAT?? how do you know my mom?! why am i gonna be -
*alarm begins blaring*
nasa employee: oh hey u guys are back early
astronaut: moon's stuck in a time loop.
nasa employee: what?
astronaut: *grabbing two pistols, an extra box of ammo, a pair of scissors, some duct tape, a space harpoon, and a booklet of operating instructions that says “AIRLOCK MANUAL OVERRIDE INSTRUCTIONS,” starting to get back on the rocket-ship, but dropping everything with a horrendous clatter* FUCK! goddamn moon’s stuck in a time loop.
*alarm begins blaring*
nasa employee: oh hey u guys are back early
astronaut: moon's stuck in a time loop.
nasa employee: what? also, hey, where’d you get that duffel bag?
astronaut: *grabbing two pistols, an extra box of ammo, a pair of scissors, some duct tape, a space harpoon, and a booklet of operating instructions that says “AIRLOCK MANUAL OVERRIDE INSTRUCTIONS,” shoving them into the bag, and getting back on the rocket-ship* moon’s stuck in a time loop.
nasa employee: oh hey u guys are back earl-
astronaut: *grabs nasa employee and kisses them passionately*
nasa employee: what? WHAT?!
astronaut: *loading a single pistol and getting back on the rocket-ship* moon’s stuck in a time loop, sweetheart.
nasa employee: what?!?
astronaut: a time loop!!! i love you!!! get out of the base!!! stay alive!!!
nasa employee: *presses fingers to lips, confused but intrigued, as alarm begins blaring*
nasa employee:….
nasa employee:…
nasa employee: ho hum what a regular day at the office
*alarm begins blaring*
nasa employee: what the hell is that?!
nasa employee: oh hey u guys are back earl-
astronaut: *grabs nasa employee and kisses them passionately*
nasa employee: what? what?! WHAT!?!? also, hey, where’d you get that duffel bag?
astronaut: *grabbing two pistols, an extra box of ammo, a pair of scissors, some duct tape, a space harpoon, and a booklet of operating instructions that says “AIRLOCK MANUAL OVERRIDE INSTRUCTIONS,” shoving them into the bag, then cupping nasa employee’s cheek with free hand* moon’s stuck in a time loop.
nasa employee: the moon’s stuck in a what?!
astronaut: a time loop, sweetheart, but we don’t have much time ourselves, so you have to listen to me RIGHT now
nasa employee: *faintly* …“sweetheart”?!
astronaut: in 2 minutes and a few seconds, you need to go into the break-room and find frank.
nasa employee: wait, frank from IT?
astronaut: yes.
nasa employee: how do you know he’s gonna be in the break-room? i can’t just call him at his desk right now?
astronaut: how do i know this?! because, one, time loop, ok? and…also…because…heismaybetheguywhohasbeenstealingyourlunchfortwoweeks
nasa employee: that BASTARD i KNEW it
astronaut: BUT THAT’S NOT WHAT’S IMPORTANT RIGHT NOW. hey! listen to me! go in there, catch him red-handed with your burrito, and tell him lunch is on you FOREVER if he goes RIGHT NOW and checks the last security patch - because there’s a virus and the whole system’s compromised. then you need to get the hell out of this base, ok?
nasa employee: …ok. ok. and…and what about you?
astronaut: *cocking pistol and getting back into rocket-ship with duffel bag* me? i’m gonna shoot for the moon.
EPILOGUE:
nasa employee: so, how many loops in total?
astronaut: i mean, it was hard to keep track. somewhere around six months, if i had to guess.
nasa employee: damn.
astronaut: yeah.
nasa employee: and in those six MONTHS, the best zinger you came up with was “shoot for the moon”?
astronaut: hey, you know what, i had some other stuff on my mind!
nasa employee: i mean, i guess. it sounded like you found time to flirt with me each time.
astronaut: yeah, like i said. other stuff on my mind.
*they look at each other, blush, and look away*
astronaut: sooooooo. you’re sure your mom is cool with me coming over for dinner?
nasa employee: can’t make the day any weirder. plus, i owe you for ratting out frank, right?
astronaut: he did help us save the world; we can’t be too mad at him.
nasa employee: you’ve had a little while to get over it, i might need some more time. and it wasn’t even your food!
astronaut: ok, that’s fair. what if i buy you lunch to make up for it?
nasa employee: hmm, when?
astronaut: tomorrow?
nasa employee: well, i’ll have left overs from my mom, and you might too if you play your cards right. day after tomorrow?
astronaut: honestly, anytime is good for me.
Art dumpy (its all Folgers again but with a Valen peekaboo)
Let me explain why Folgers is a half orc rq. So for those who don’t know Folgers is a dnd character for a one on one dnd campaign called One Eyed Wives (oews for short) and there are 3 campaigns to this whole story. The first campaign (which is the one we’re on) is set in 1969, the second campaign is 15 yrs later in 1984. The last campaign is in a separate universe during the middle ages/medieval era. Folgers goes by his birth name Malakai. (yes that man named himself after the coffee brand.) Malakai is a personal knight for the soon to be king Henry. (Henry is basically his universal lover, #folry). Im not sure I have anything else to explain but im super open to questions if anyone read this!!
Valen is also a dnd character but separate campaign more on them,, maybe
My #1 favorite character of all time is 10th doctor!!!!!!! I uhhhh I love him he makes my balls smile and I tear up when I watch midnight bc seeing him in peril brings me despair
My other favorite characters (in no specific order):
- Captain Caviar
- Art Donaldson
- Patrick Zweig
- Troy Barnes
- Abed Nadir
- like 90% of my pookies (@dstaran) ocs im not even glazing I just adore everything this aggotfay creates
- the master (simms specifically,,, totally not a tensimm thoschei shipper)
- saturo gojo
- Jelly Fish Cookie
- Soos Ramirez
- Cotton Cookie
- Pim Pimling
- Ford Pines
- Spencer Reid
- moon rabbit cookie
+ like a million billion more I’m simply not typing allat
Nobody talk to me I just found out bosom meant chest and not the ass. WHAT DO YOU MEAN?? I THOUGHT IT WAS THE ASS ARE YOU KIDDING ME??? I’VE MISINTERPRETED THE WORD FOR YEARS??
kianamaiart
tangentwithtanner
annaxmalina
gummygunk
