If you called your dad he could stop it all. Common People - Pulp

Love Begins
Alisa U Zemlji Chuda
ojovivo
$LAYYYTER
h
I'd rather be in outer space đž
todays bird
Claire Keane
KIROKAZE

JVL
No title available
No title available
almost home
wallacepolsom
YOU ARE THE REASON
hello vonnie

#extradirty

No title available
Aqua Utopiaïœæ”·ăźćșă§èšæ¶ă玥ă

No title available

seen from Malaysia
seen from Uruguay
seen from United States
seen from Azerbaijan
seen from Colombia
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from Philippines

seen from United States
seen from Brazil

seen from United States
seen from United States
seen from United States
@periwinkleaurora
If you called your dad he could stop it all. Common People - Pulp
Along the Coast (1958) dir. AgnĂšs Varda
AgnĂšs Varda: âI am still alive, I am still curious. I am not a piece of rotting fleshâ
Tino Petrelli. Children cross the river using pulleys to go to school in the outskirts of Modena, Italy, 1959.
C'est un sentiment doux à vivre, l'égalité.
PORTRAIT OF A LADY ON FIRE (2019) | title treatment series [18/?]
I see [the movie] as a manifesto about the female gaze. I see this as such a strong opportunity to make new stuff, new images, new narratives. They are such powerful images, and they are so not seen. And you are in charge. You have a strong responsibility. But also, there are so many opportunities to be playful. To embody ideas that matter a lot to myself, but also to a lot of people. I see it as a really great dynamic for creating and also very fun visually. For instance, ask yourself the question of âhow do you embody sorority?â The answer being, a long take, a wide shot, of three women in the kitchen with social hierarchy being totally turned around, with the aristocratic women cooking, whereas the maid is an artist and the artist is looking at the maid. And theyâre silent. This is such a powerful image, and itâs so easy to make. People are telling me, âOh, your film is a utopia.â And Iâm like, âYeah, but our utopias are not ideas we have in our minds. Theyâre not things we wish we were living. Theyâre rooted in our own experience.â I know about sorority, I know about an all-women world. Itâs not a utopia. Itâs part of my life. And thatâs what I rely on to make these images. â CĂ©line Sciamma
âSea Lifeâ Chess Set. Designed in 1923 by Max Esser and manufactured by the Meissen Porcelain Factory in Germany.
âIn the mid-eighteenth century the Meissen porcelain factory produced several chess sets by sculptor and chief modeler Johann Joachim KĂ€ndler (German, 1706â1775). In the 1920s Meissen again began to produce chess sets, among them three designed by Max Esser, known largely at the factory as a modeler of animal figures.â
(Source: philamuseum.org & sothebys.com)
The small town by the lake
Caught on a game camera in British Columbia
Edinburgh
MĂĄm pocit, ĆŸe je vĆĄechno zahaleno takovou podivnou mlhou. Hustou, nepropustnou, takovou, ve kterĂ© trĂĄvĂme Äas na place. Nebo slabĂœm stĂĄle pĆĂtomnĂœm oparem, takovĂĄ ta zastĆenĂĄ obloha, jako pĆi zatmÄnĂ. BezÄasĂ. SluneÄnĂ paprsky k nĂĄm proniknou jen mĂĄlo.
UdĂĄlosti pĆed dvÄma mÄsĂci mi pĆipadajĂ vzdĂĄlenĂ© tak moc, moĆŸnĂĄ tĂm, ĆŸe se toho opravdu stalo hodnÄ, i kdyĆŸ trĂĄvĂm veĆĄkerĂ© dny v prĂĄci. CoĆŸ je ta nejvÄtĆĄĂ udĂĄlost, kterĂ© se mi stala. Ta kterĂĄ mi nejvĂce zasĂĄhla do ĆŸivota. A udĂĄlosti z pĆŻlky ĆĂjna mi pĆijdou jako kdyby se musely stĂĄt vÄera. Pamatuji, jak jsem se ĆĄla projĂt v listopadu a rozsvÄcovali se pouliÄnĂ lampy, vzduch vonÄl zimou a jĂĄ jsem se tÄĆĄila na VĂĄnoce. Dnes jsem je opÄt vidÄla rozsvÄcet, nÄjak mi ta vzpomĂnka na listopad projela hlavou. Tyto barvy, co jsou na fotkĂĄch, jsou podle mÄ barvami listopadu. I kdyĆŸ moĆŸnĂĄ nejsou, listopadovĂ© veÄery majĂ velmi jedineÄnou barvu a atmosfĂ©ru.
A dnes v pĆŻlce aprĂlu unavenÄ plynoucĂ Vltava, modrĂĄ, fialovĂĄ, jarnĂ mlhavĂœ opar, veÄer pomalu prostupujĂcĂ chlad, prĂĄzdnĂ© tramvaje. VĆĄechno se probouzĂ tak nÄjak lĂnÄ, mÄsto je prĂĄzdnĂ©, poupata magnoliĂ poĆĂĄd zavĆenĂ©. ÄlovÄk si vlastnÄ poĆĂĄd v tomto svÄte musĂ vĂĄĆŸit maliÄkostĂ, toho, ĆŸe po velmi dlouhĂ© dobÄ mĆŻĆŸe jĂt do knihovny prodlouĆŸit si knĂĆŸku, i kdyĆŸ tam nabÄhne 5 minut pĆed zavĂracĂ dobou a v tu danou minutu si asi nemĂĄ moĆŸnost to vychutnat.
Blessed Imbolc!
EZRA MILLER for GQ Style (2018), ph. Yoshiyuki Matsumara.
freud: EVERY dude wants to fuck his mom and and EVERY girl wants to fuck her dad and also wants to be a man secretlyÂ
men: WOW!!!!!!!!!
âIn the 1890s, when Freud was in the dawn of his career, he was struck by how many of his female patients were revealing childhood incest victimization to him. Freud concluded that child sexual abuse was one of the major causes of emotional disturbances in adult women and wrote a brilliant and humane paper called âThe Aetiology of Hysteria.â However, rather than receiving acclaim from his colleagues for his ground-breaking insights, Freud met with scorn. He was ridiculed for believing that men of excellent reputation (most of his patients came from upstanding homes) could be perpetrators of incest. Within a few years, Freud buckled under this heavy pressure and recanted his conclusions. In their place he proposed the âOedipus complex,â which became the foundation of modern psychology. According to this theory any young girl actually desires sexual contact with her father, because she wants to compete with her mother to be the most special person in his life. Freud used this construct to conclude that the episodes of incestuous abuse his clients had revealed to him had never taken place; they were simply fantasies of events the women had wished for when they were children and that the women had come to believe were real. This construct started a hundred-year history in the mental health field of blaming victims for the abuse perpetrated on them and outright discrediting of womenâs and childrenâs reports of mistreatment by men.â
â Lundy Bancroft, Why Does He Do That?: Inside the Minds of Angry and Controlling Men
Why Does He Do That? [EPUB]Â and [PDF]
WHAT THE ACTUAL FUCK ARE YOU KIDDING ME
Btw @lesbianchemicalplant thank you for the pdf link Iâve been dying to read this
Athena blessed her with the ability to protect herself and men beheaded her for it.
Thatâs actually a really intetesting intpretation of it I hadnât thought of. Most people seem to think Athena turned Medusa into a gorgon as punishment for defiling her temple, but thinking that she did so to protect her from being abused again is interesting and I like it!
Athenaâs hands were tied. Yes, she was a powerful Goddess, but she was very much a woman in a âboys clubâ, and the true offending party (donât think for a moment that Athena blamed Medusa for being raped in the temple, Athena knows better) held all the cards. There was nothing that Athena could do to punish the true criminal, and she was expected to punish Medusa by everyone else. Whatâs a Goddess to do when she cannot punish those who need to be punished and is expected to punish not only the truly innocent party, but her most beloved follower? Use that incredible brain power she had to protect Medusa at all costs, and of course the men would see it as punishment, to be have her beauty stripped from her and sent to live in the shadows. Medusa should have been KILLED for supposedly defiling the temple, whether she truly did or not, but she was given the gift of life, and the ability to protect herself and her daughters (who she bore thanks to Poseidon). This is why Medusaâs image was used to signify womanâs shelters and safe houses.
Medusa means âguardian; protectressâ, and she was.
Botanique Café. Bar. Plantas / Moca Arquitetura ph: Eduardo Macarios
hey peyton! do you have any essays or articles you've read that have been particularly influential to you?
notes on camp by susan sontag
hot allostatic load by porpentine
where the girls arenât by jessica hopper
death is real by jayson greene
far away from me by jenny zhang
the best little boy in the world - thatâs me by adam d. chandler
twelve seconds of gunfire by john woodrow cox
the opposite of loneliness by marina keegan
the numbing of the american mind by thomas de zengotita
female gaze by meaghan garvey
the price of nice nails by sarah maslin nir
how to respond to criticism by mallory ortberg
to fall in love with anyone, do this by mandy len catron
still looking by mark harris
reading bored white girls by morgan jerkins
kanyeâs most repulsive (and amazing) album by will toledo
the great recession by shonni enelow
the rape joke by patricia lockwood
the obama doctrine by jeffrey goldberg
the impact of legalized abortion on crime by john j. donohue iii and steven levitt (this one is cheating b/c i first read the dumbed-down version of it in freakonomics when i was twelve but that chapter isnât online and the original article is very much worth reading)