[perception-filter]

staring at the dessert menu and twirling my hair and going "should I be baaaaddd" until the autistic girl I'm eating with says "there is nothing bad about eating dessert. it is a morally neutral action"

[j3ffr3y-da-killer]

Outfit for going Jeff the killing

[transvestat]

lestat's narration style so far

[sugarcarnation]

and the way throughout the entire episode two common themes were daniel asking lestat if he was a stutterer as a child (and lestat ignoring the question) and lestat constantly reaching out to his mother begging her to give him the slightest bit of attention. and then when she finally comes back to him he starts stuttering

[reputayswift]

a truly indescribable hour of television

[pinimi]

somebody’s bi grandpa and his pirate boyfriend

[sugarcarnation]

MY SHOW

[girlhorrror]

audrey horne kill your father and you will be reincarnated as a lotus flower

[magicratfingers]

oh well i guess ill just be fat and hot

[magicratfingers]

guess ill be fat and hot and hot

[lifeafterpsychiatry]

In my opinion it's a lot more healthy to be able to own that you dislike someone for petty reasons than to do all kinds of mental gymnastics to make everyone you don't really vibe with out to be a bad person actually

[sage-nebula]

[green-grinning-glitter-ghosts]

Was really interested going into this movie because as someone who isn’t very up to speed on any backrooms lore besides the og post I like the backrooms best when there are no monsters, but the environment itself makes you feel unsafe. You’re paranoid and panicking but then you get out and realize that there was nothing to be afraid of, nothing was even there to chase you in the first place it was just your mind tricking itself.

So I think it’s so interesting that this movie did both- there is a monster but it’s You. It’s a monster you made up it’s a physical manifestation of your fear. It hurts people because you hurt people. You’re unsafe because you created the environment and that means your fear is out to get you.

[twixie-forever]

my favourite part of Backrooms was when Phil showed Mary a photo of Clark on the cameras and you could see the big fuckass censor square over the Pirate

[thingsarentgood]

Clark saying the creatures don't feel anything and then later in the same scene the woman anomaly is seen attempting to run away from the pirate, seemingly in fear. Something something devaluation of life seen as different than him.

[starvariety]

a handprint made in concrete is just the image of a hand, it’s not the real thing. or, it’s the absence of a hand, more than anything, the negative space. the casing around where it should be. it’s an indent that was made from something real - that could not have existed without something real - but it’s not the real thing, it’s just trying to be. maybe it’s not even trying. you put your hand there with your mother and the concrete remembers, and the handprint doesn’t even know why it exists, it just does. if we can make copies and not-things from real things in the world, who’s the say the world couldn’t do that itself? does it even need to know why?

[surinnit]

Yes clark maybe you were the problem

[stormbreath]

I really did like the ending of the Backrooms 2026, actually. The twist that the Backrooms is a space that you can physically exit but a part of you mentally will always be trapped in is a great subversion and really effectively inverts the concept. The main scientist character looks directly into the camera and reveals he is still caught in the same nostalgia trap that Clark was, stuck in a repetitive motion and going nowhere. Mary got out but she's still in there. You can leave but you can never escape

[midnights-dragon]

will i be shot if i say i think that one of the good omens tv show's biggest mistakes and the start of the writing downfall was retconning aziracrow to have met as angels