dirtbag pornographer

18+ please • i tag nsfw but not much else

[mifhortunach]

pot-au-feu: @pitcherplant‘s @theterrorbigbang fic !! with illustrations by @mifhortunach

James Fitzjames, erstwhile food writer and man-about-town, is sent to the Swedish hinterland to write about the last days of an extraordinary restaurant. Kissa is helmed by renowned chef Silna Holgerssøn with the assistance of the legendary Francis Crozier, who has finally cleaned up his act. Photographs by Harry Goodsir, comic relief by Tamara Blanky.

rating: g pairings: francis crozier & james fitzjames; silna|lady silence/thomas blanky wordcount: 12k warnings: descriptions of food, meat, butchery, drugs, alcohol

with the biggest of thanks to @wreathedwith for their wonderful beta work !!

[read it here!!]

[pollicinor]

Il troll di Photoshop

[derinthescarletpescatarian]

Imagine being this good at photoshop and using it for evil.

[naomster]

He isn’t evil, he’s just working on genie logic….you need to be REALLY specific

[valtsv]

i love the part of making art where you feel like you need to go missing

[maybeitsapineapple]

*At Targaryen family dinner*

Maekar: welcome to the Fuck Ser Duncan club, where we all gather to say a collective ‘fuck you’ to Ser Duncan

Baelor, standing up: so I may have misunderstood—

[tothechaos]

any tips for developing discipline? ive been going through life on a lackadaisical hedonist build but ive got a bunch of mysterious problems that i may or may not be at fault for

[nick--knack]

briefly taking my phone out at work and looking at images of my favourite character like im a soldier in the trenches looking at a picture of their loved one back home

[ghostofhiim]

[pitcherplant]

This is perhaps the best line delivery on this piece of shit show. Baelor Targaryen consistently giving CUNT.

[gorgynei]

im joining the war on gross disgusting pornographic content on the side of gross disgusting pornographic content

[heymacy]

HEATED RIVALRY SEASON ONE + hall of fame text posts

[shamebats]

Did they task the vampires with hanging up the flags 😭

[afieldinengland]

googling images of peter capaldi is crazy every third image is like okay please welcome miss pussy pussy cunt cunt glasgow 1993

[afieldinengland]

for example

[afieldinengland]

bitch it’s the serve 📞

[softbrah]

“online fandom bestie that you once shared intense intimacies with but don’t really talk to anymore simply bc we drifted into new blorbo obsessions” is such a specific type of relationship that has to be impossible to explain to anyone who hasn’t experienced it

[persisting]

I think mostly what young fandom types (and I guess younger people in general) who are very very invested in the idea that “20 is still basically a minor” need to understand is that the feeling of “I’m just a child pretending to be an adult, and everyone else around me is a REAL adult” is DEEPLY universal (and won’t stop, ever, by the way, sorry!) and also is not, like, praxis.

Believe me, I get it, but the self-infantilization needs to stop, especially when you’re trying to engage in conversations about actual children and the harms they can face. Yes, it is scary to wake up and realize you’re 22 and you still feel like you’re 15, but it happens to all of us. You’re an adult. You have to deal with it.

[ruffboi-mags]

Like I'm nearing 40 and I don't feel significantly different as a person than I did at 20, other than being less depressed.

I know I'm different bc i respond in different ways to things now, but there's not a sense of "ah yes I am become adult" that's for fuckin sure. It's normal. It's okay. So stop infantilizing yourselves about it.

[ceekari]

And stop infantilizing others about it, too. Yes, you're realizing at 25 that you still don't feel like an adult, but you cannot use that feeling to let yourself think of people who are younger than you as "even less of an adult than I am" when they are, in fact, adults. And you have to be very, very careful not to let that feeling convince you that it's okay for young adults to have fewer rights.

There's no age at which you magically stop being worried that you're not doing it right or well enough. Every single person alive is the oldest they've ever been and we are ALL winging it. Being scared of getting it wrong doesn't mean that you shouldn't be allowed to get it wrong.

[attackofopportunity]

It is universal, and it doesn't end.

[skull-bearer]

The only way you feel like an adult is by experiencing these things until you know how to deal with them, not by evasion.

[micro-usb-deactivated20230625]

HAVE Z AND ALPHA NOT BEEN MADE AWARE? HAVE WE FAILED AT CONTINUING TO MEME THE HELL OUT OF IT? ARE WE, IN FACT, THE GRANDMAS BECAUSE WE ARE THE ANCIENT KEEPERS OF THE INCEST COFFEE KNOWLEDGE???

[fatsexybitch]

[lizardbeths]

An Archive of Our Own, a project of the Organization for Transformative Works

A fandom since 2011 guys

[quarra]

[marzipanandminutiae]

(If anybody is wondering “how could they write that and not anticipate the reaction?“ It’s because the sister was supposed to be much younger in the original draft. Like. An actual child. But they aged her up and never bothered changing the dialogue, so…)

[wemblingfool]

It’s honestly not the writing or the age, or even the acting that screams “incest.”

It’s the directing and camera work. It’s specifically the long lingering gazes.

[adulthoodisokay]

“You’re My Present This Year”: An Oral History of the Folgers Incest Ad

The best part of waking up is getting to read this incest oral history.

I’m begging you to read the oral history of this commercial. It features some banger quotes and also Timothy Simons, aka Jonah from Veep, who worked the camera for the auditions and callbacks.

[getvalentined]

Happy Folgers Incest Commercial season to all who celebrate!

[lizardsfromspace]

Wordle is running out of words. Only 2,000 five letter words remain. When that supply is exhausted the Creation shall begin. One day the word will be ZHURM, and all shall get it, and all shall understand it to mean "an ache from suddenly remembering a long-ago friend, who meant something to you once, but whose face you can no longer conjure". The next day the word shall be JOROL, and all will get it, and all will know it means "the melancholy confusion of passing by somewhere where you once could have died". The next day it will be GREFT, and all will understand it to be a small brown bird with white streaks found only in South America, and suddenly, it will appear, in the shrubs of the Atacama desert, in the streets of São Paulo, and all will know that it once was not there, but now, will always be

[jesncin]

my high school english teacher would often critique our literature analysis work by pointing out: "you're treating these characters like they're real people. They're not. They're characters". And it took me a long time to understand what he meant by that. Because I always thought "isn't that the point? That writers want to write characters to be so three dimensional that they act and feel like real people?" but that's not it.

Characters are tools a writer uses in service of a story. Of course characters can be written with depth to the point they feel real to us, but they exist in service of their narrative. Something real people aren't beholden to at all. When discussing characters, I think it's easy to accidentally see these characters as "real people" and not extensions of the author's beliefs. Tools for a narrative. Means of storytelling.