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official daine visual archive
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ojovivo
"I'm Dorothy Gale from Kansas"
PUT YOUR BEARD IN MY MOUTH
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@pocketofviolets
dis and her babies
“Uncle, did amad make you that scarf?”
“She did.”
Happy Holidays & New Year!
listen to me, this is so so important: you've gotta get used to really giving it your 60% as a default. like don't half-ass it necessarily but try not to go over 70% or so of an ass. you'll feel better and live a happier more fulfilled life, and on the rare occasions where you do need to lock the fuck in you'll be able to pull off bullshit that the sad miserable wretches giving it their 100% can never dream off, because they're busy draining themselves dry and you have energy reserves to spare.
This is actually what I was adviced to do at the work rehabilitation program I went to. Hasn't left my mind since. 10/10 solid advice
Frida seated in her garden, 1943. Photo by Florence Arquin.
Something about the bastardization of the story time and time again proves that nobody in power really cares about the people who would resonate with King’s Carrie White. A girl so ugly and repulsive she’s been removed from her own story. The societal need for women and girls to be constantly perceived as attractive is what fuels a fair amount of her torment in the book, but that person isn’t even allowed to exist on the screen. We cannot empathize with her; it isn’t allowed. It’s fascinating to me.
girl vampires are so cool we need more girl vampires in general
and like. girl vampires who are given the same kind of depth as male vampires of reconciling their own monstrous desires with how human they still are or not. and not like. vapid sexy temptresses or whatever. they have their time and place but i want a girl vampire desperately gripping the sink looking into the mirror just to see what isnt there anymore
do you think when Bilbo held Frodo in Rivendell it struck him how small Frodo felt in his arms, as if he was holding a little orphaned faunt again? do you think Bilbo mourned what he had done to his little boy?
let's all have a fun time looking up new words when we encounter them to see what they mean before incorporating them into our vocabularies
the sex ed guide your parents didn't give you
how to put a condom on
where to get free birth control
the hymen debunked
cleaning your vibrators
how to avoid pressures
signs you may be pregnant
safe guide to anal sex
all about dental dams
disabled sexual resources
what is hiv?
feminist porn
female ejaculation
fisting 101
communication during sex
setting sexual boundaries
bdsm vs abuse
lube during sex
the clitoris
sex education games
understanding gender
what to do if your nudes were leaked
intersex
sexual consent
all about masturbation
tips for your first time
reblogging because sex ed is usually shit but it’s really really important
Y’all this is important!!!
I have kind of a niche political view on tumblr, which is that I think misogyny is bad even when it’s just hurting women
and I don’t even think it needs to have a singular benefit for men for feminism and the abolition of patriarchy to be worthwhile
in fact the abolition of patriarchy could be a net loss for men and I would still think that feminism and the abolition of patriarchy was worth it
I’m not trying to play devil’s advocate about the Tolkien and race post, I agree with most of what you’re saying about the denial. But modern non fiction Marxist critics forget one thing that hopefully fandom doesn’t, that is to give the author grace instead of immediately deciding that the racial politics of his work is intentional. I accept Tolkien was a conservetive, but I find it hard to believe that he was exposed to anti racist thought like we are today. I think it’s important to acknowledge the biases in his writing, but not decide it as intentional, because he’s a linguist based in a very white part of England, whose background is in European history who did not anticipate a world where migration is the norm. Of course that doesn’t make the text less racist but it’s an important thing to consider. That’s all, I agree with your other points.
Thanks for the question, and please bear with me re asks gang, I was stupid enough to leave inbox on for a while, not realising the post would break containment, so I’m snowed under atm ☠️
So there’s a lot of talk about Tolkien being ‘of his time and class’ but precious little about what that environment actually looked like other than comparing him to his fellow religious conservative Oxford dons. ‘Of his time’ is not a neutral statement and it certainly isn’t applicable to Tolkien, but more importantly, ‘norms of his time’ seem to often be, in this fandom, calibrated to ‘what Tolkien said’ rather than ‘what was actually happening then’.
Anyway, I will try to be a little more direct than in that last post. So the “the fundamentally racist elements of the legendarium are because Tolkien was a man of his time” line really annoys me (and others!) because imo it lets Tolkien's own Oxford tea table stand in for the entire twentieth century as if there wasn't an entire world outside the Inkling Orgy arguing furiously about race and empire.
I can give you an example literally from Oxford itself! The Indian Majlis had been meeting at Oxford since 1896! The Majlis, for those who might not be aware, was a full-on political and debating society which produced a fuckton of the people who'd go on to lead independence movements across South Asia. This was not some obscure footnote he would need to trudge to a specialist archive to dig up, and I can confirm that attending debates and discussion groups is, was, and has always been a large part of Oxford University life. Ie this was happening in his university in his lifetime among people of his class group he'd have had every opportunity to meet and engage with, whose existence he absolutely would have been aware of.
I have a longer post cooking abt the historical elements of Tolkien as a man of his time re ideological genealogies and contemporaries, but in the meanwhile I just want to say by his own letters (letter 83, written in 1944), Tolkien was an avowed supported of General Franco, which a) most writers of his generation were in active and public opposition to Franco and b) Tolkien spends a not inconsiderate part of his letter bitching about how the notoriously conservative C S Lewis himself is opposed to Franco and infected by "Red propaganda" and c) if it comes to fellow Catholics, Graham Greene himself opposed Franco, even if he was unhappy abt murders of priests. And I also think it is very important to note re the stewarding of these conversations that there are exactly two papers on Tolkien's support for Franco, one by an independent scholar and one by the head of the Tolkien Society in Spain, who managed a private interview with Priscilla Tolkien and who cited her godfather having been a Francoist himself - and THAT author is, guess what??? a fucking Francoist himself. The conversations and scholarship about Tolkien are NOT happening in a neutral and "normal" space.
Now They're Saying Isolation Atrophies the Brain Maggie Smith
Can’t risk it
The duck of creativity. I waited so long for it.
i’m desperate huhu
Please give me some inspiration oh great duck of creativity
THE X-FILES | 6.08, "The Rain King"
still obsessed with the idea of bilbo being a (very) unreliable narrator
Whenever I read LotR and reach the battle between Eowyn and the Witch-king, I get the impression that the reason why the prophecy loophole works isn’t that the Witch-king is unkillable except for some illogical weakness nobody had thought about yet for misogynistic reasons, but that the Witch-king himself derives so much of his power from the fear he instills in others and from his own belief that he is unkillable. Eowyn doesn’t fear him, because she doesn’t fear death. When she twists his words right back at him, she’s not trying to exploit a prophecy loophole, she’s just making a play on the double meaning of the word «man» with fairly standard battlefield bravado.
But, crucially, it gets the Witch-king wondering if there might be an actual loophole in the prophecy. He starts doubting his own invincibility. There’s no logical reason why a woman might be able to kill him if a man cannot, but prophecies are tricky things. What if …
And this is what undoes him, in the end. This last minute doubt. The Witch-king, deep down, believes that Eowyn can kill him, thus making it possible for her to do so.
The elves care about the prophecy. The Witch-king cares about the prophecy. All the old, powerful beings of Middle Earth play by the rules of prophecy and live by the logic of Norse Sagas and Germanic legends.
Eowyn marches up to the Witch-king like Jared (19), goes “that sign won’t stop me because I can’t read”, and because the storybook logic, the fairytale logic, of the prophecy allows for her kill him, the Witch-king as a creature of stories and nightmares has to play by his own rules and die by her sword.
As people have pointed out before, the phrasing of Glorfindel’s words about the Witch-king allow for quite a number of the inhabitants of Middle Earth to kill him, if we’re only looking for possible loopholes in the prophecy.
not by the hand of man shall he fall
According to this, the Witch-king could technically be killed by elves, dwarves, ents, hobbits, orcs or maiar. Why doesn’t Legolas kill the Witch-king? Why doesn’t Gandalf?
As mentioned, elves are very aware of the story logic that governs Middle Earth. They see their own place in the narrative, they know which foes are beyond them. Gandalf, too, knows that he cannot be the one to kill the Witch-king, and the Witch-king knows that Gandalf cannot kill him. Through their combined beliefs, the outcome of their fight is predetermined.
Eowyn doesn’t know what she can or cannot do according to story logic. The Witch-king has killed her Theoden. She sees no reason why she shouldn’t avenge him. And when she hears the Witch-king tell her that no man can kill him, she simply decides that that rule doesn’t apply to her.
Eowyn isn’t the only person who could have been the exception to the rule, but she is the first person who decides to genuinely, honestly believe that she is the exception to the rule, and this is why she ultimately kills the Witch-king.