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Cosimo Galluzzi

PR's Tumblrdome
art blog(derogatory)
One Nice Bug Per Day

Jar Jar Binks Fan Club
Mike Driver
Jules of Nature
$LAYYYTER
Monterey Bay Aquarium
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@poisontessen
Burger queen divorced him
Official silly sign
Brother and Sister trying to race a train on their horse in Chiapas, Mexico
So uhâŚ.some dude apparently recreated Adobe Photoshop feature-for-feature, for FREE, and it runs in your browser.
Anyway, fuck Adobe, and enjoy!
Give credit to the 30-year-old who worked on this for free and offers this service for free!
WHAT?!
I study graphic design and my tutor recommended and used this in his classes at art college last year, itâs so good it has SO many features for free, I really recommend it, even if youâre just trying to learn the basics of PS, such a wonderful thing <3
I use this and itâs fucken great. No bullshit. Really works. Sometimes the world is kind.
im so done with seeing articles about kids and screen time that doesnt mention parent behaviors even once. âkids are always on their phonesâ so are the parents! which the kids look to for how they should behave! ipad babies didnât chose to only play on their ipads, thats what their parents gave them!
an anecdotal example: when i was a kid, all my parents would do in their minimal free time was watch tv and then they would be surprised when in my sister and iâs minimal free time we would also only watch tv/play video games. they scolded us for not reading books, but they never read books. they scolded us for not going outside but they never went outside.
âkids are always on their damn phonesâ my mom is in her 60s and opens up candy crush anytime sheâs sitting â it isnt just the kids
its called creating an enabling environment. If parents want their children to not be using tablets/phones all the time, then they need to teach the skills and provide the resources needed for their children to engage in something other than technology.
watching the leftism leaving peoples bodies when you point out the sex offender registry is a grotesque violation of human rights
the only reason the registry exists is because we culturally view sexual crimes as inherently more evil and unforgivable than any other kind of violence. people are more willing to believe that a murder can grow and change than a flasher. if youâre woke enough to believe that âinnocenceâ is a fascist concept and sex is just another thing the body can do, then you should believe the corollary: hurting someone with your genitals is no different from hurting them with your fists
and yet, murderers and other violent offenders do not have their full names, faces, and addresses put on a public database for the rest of their lives. there is no such thing. they are not legally barred from watching movies containing violence, or owning imagery containing violence
in my state, sex offender probation means you can be searched, at any time, without a warrant, and owning a copy of playboy is a violation. it means youâll be arrested if a family member comes to stay with you and you donât register their vehicle with the sheriff. the dehumanization is beyond the pale
Multiple people have brought up the point that the sex offender registry disproportionately targets marginalized people and is used to criminalize the existence of queers, etc. That is true, and it's important to know, but, I cannot stress enough:
This post is about rapists.
The sex offender registry is not bad because innocent people are on it. It is bad because it is a gross abuse of human rights. Rapists are human beings. They deserve human rights. They deserve privacy. They deserve free access to media. They deserve the opportunity to grow and change.
Too many of you are only interested in protecting Unperson's rights as a means to protect Good People's rights, and it shows.
Also while I'm talking about the Odyssey:
What a weird choice to make Clytemnestra Helenâs twin sister. Like I get it, Lupita is gorgeous and you donât want to hire another actress.
But the fact that Helen is the most beautiful woman in the world is kinda...essential for the plot?
It is the whole reason why Paris chose Aphrodite in the golden apple contest, why he kidnapped her, why the whole trojan war started.
And you're telling me that there is another woman who looks exactly like her?? So Helen is NOT the most beautiful woman in the world ?
It makes no sense, and there was no good reason to not hire another beautiful black actress to play Clytemnestra.
i don't actually give a fuck whether fatness is an indicator of health because health shouldn't indicate a moral high ground. being healthy isn't some pinnacle of human achievement, it's not morally superior. and being unhealthy isn't a moral failing and shouldn't mean you're less worthy of kindness, justice, and a good life. signed, a chronically ill person who will never be "healthy" at any weight.
soooo many people are rbing this with tags like "yeah! weight is not an indicator of health!" my friends, i beg you to actually read the post.
it does not MATTER if weight is an indicator of health! health isn't an indicator of morality! even if being fat was unhealthy, it wouldn't matter! being unhealthy isn't wrong! and being healthy isn't the most correct, moral, peak state of human existence!
"you can be healthy and fat" rhetoric is exactly what this post is arguing against.
health is also largely out of your control. your stress levels, socioeconomic status, societal oppression if you experience it - all these and more impact your health much more than any choices you make. by all means strive to eat well, however that looks to you, move your body if possible, and look after yourself in general. but know that no amount of effort can guarantee health, and illness is not caused by insufficient efforts at 'wellness.'
so Iâm looking at short story publishers (fantasy)
Tor, cream of the crop. 25 cents a word. Stories can be read for free (YES). Slowish response time at ~3 months. Prefer under 12k, absolute maximum is 17.5k. Donât bother if itâs not highly professional quality. SFWA qualifying.
Crossed Genres. 6 cents a word. Different theme each month (this monthâs is âfailureâ). Submissions must combine either sci-fi or fantasy with the theme. Response time 1 month. 1k-6k, no exceptions. SFWA qualifying.
Long Hidden, anthology from CG. 6 cents a word. 2k-8k, no exceptions. Must take place before 1935. Protagonist(s) must be under 18 and marginalized in their time and place. Must be sci-fi/fantasy/horror. Deadline 30 April. Response by 1 October.
Queers Destroy Science Fiction. Sci-fi only right now, author must identify as queer (gay, lesbian, bi, ace, pan, trans, genderfluid, etc, just not cishet). 7.5k max. Deadline 15 February. Responses by 1 March. You can submit one flash fiction and one short story at the same time. (My network blocks the Lightspeed site for some reason, so I canât get all the submission details. >_>) Probably SFWA qualifying?
Women in Practical Armor. 6 cents a word. 2k-5k. Must be about 1) a female warrior who 2) is already empowered and 3) wears sensible armour. Deadline 1 April. Response within three months.
Fiction Vortex. $10 per story, with $20 and $30 for editorâs and readersâ choice stories (hoping to improve). Speculative fiction only. Imaginative but non-florid stories. 7.5k maximum, preference for 5k and under. (I kind of want to support them on general principle.)
Urban Fantasy Magazine. 6 cents a word. 8k max, under 4k preferred. Must be urban fantasy (aka, the modern world, doesnât need to be a literal city).Â
Nightmare. 6 cents a word. 1.5-7.5k, preference for under 5k. Horror and dark fantasy. Response time up to two weeks. SFWA and HWA qualifying.
Apex Magazine. 6 cents a word. 7.5k max, no exceptions. Dark sci-fi/fantasy/horror. SFWA qualifying.
Asimovâs Science Fiction. 8-10 cents a word. 20k max, 1k minimum. Sci-fi; borderline fantasy is ok, but not S&S. Prefer character focused. Response time 5 weeks; query at 3 months. SFWA qualifying, ofc.
Buzzy Mag. 10 cents a word. 10k max. Should be acceptable for anyone 15+. Response time 6-8 weeks. SFWA qualifying.
Strange Horizons. 8 cents a word. Speculative fiction. 10k max, prefers under 5k. Response time 40 days. Particularly interested in diverse perspectives, nuanced approahces to political issues, and hypertexts. SFWA qualifying.Â
Fantasy and Science Fiction. 7-12 cents a word. Speculative fiction, preference for character focus, would like more science-fiction or humour. 25k maximum. Prefers Courier. Response time 15 days.
Scigentasy. 3 cents a word. .5-5k. Science-fiction and fantasy, progressive/feminist emphasis. Fantastic Stories of the Imagination. 15 cents a word. 3k maximum. Any sci-fi/fantasy, they like a literary bent. (psst, steinbecks!) They also like to see both traditional and experimental approaches. Response time two weeks.Â
Beneath Ceaseless Skies. 6 cents a word. 10k maximum. Fantasy in secondary worlds only (it can be Earth, but drastically differentâalternate history or whatever). Character focus, prefer styles that are lush yet clear, limited first or third person narration. Response time usually 2-4 weeks, can be 5-7 weeks. SFWA qualifying.
Clarkesworld. 10 cents a word up to 4000, 7 afterwards. 1-8k, preferred is 4k. Science-fiction and fantasy. Needs to be well-written and convenient to read on-screen. Appreciates rigour. No talking cats. Response time 2 days. SFWA qualifying.
Orson Scott Cardâs Intergalactic Medicine Show. 6 cents a word. Any length. Science-fiction and fantasy (along with fantastic horror). Good world-building and characterization. Clear straightforward prose. Response time three months. Yes, OSC is editor-in-chief. SFWA qualifying.
Interzone. Sub-pro rates if anything (but highly respected). 10k max. Short cover letter. Science-fiction and fantasy.
Whenever I see a post like this, I feel like I have to tell people about the Submission Grinder. I just did a search on it and it came up with 135 markets that pay for fantasy short stories. You can search by genre, pay rate, length of story they accept, etc, and itâs constantly being updated, which a post like this canât be, and you can also use it to keep track of what youâve sent where and when, and since a lot of people use it for this purpose itâs got a lot of good data about response times and so on. If you are trying to sell fiction or poetry on the regular, it is such a useful tool and I encourage everyone to use it.
Seconding the recommendation of the Submission Grinder - itâs a really useful search tool and the response time graphs are great.
If you write science fiction with ace/aro characters, Farlands Fiction have open submissions for an asexual representation anthology with the theme âSpace Aceâ to be published next year. ÂŁ0.02 per word.
It's called the Global Justice Report, it is here. This is an actionable plan which can be sent to legislators and demanded of political parties. We could save the world within our lifetimes.
It has always been possible. It is still possible.
The binturongs of monitoring the situation
How to Fix Underwriting
1. Slow down at emotionally important moments.
Big emotions need space to land. If a scene feels rushed, pause the plot briefly to show how the moment affects the character.
2. Add reactions, not explanations.
Instead of explaining what a character feels, show it through physical responses, hesitation, or small actions that reveal emotion naturally.
3. Ground every scene in the senses.
If a scene feels thin, add one or two sensory detailsâsound, texture, smell, or temperatureâto make the moment feel lived-in.
4. Let thoughts interrupt action.
A line of internal thought can deepen a scene without slowing it too much. Thoughts show stakes, fear, longing, or conflict beneath the action.
5. Expand consequences, not events.
You donât need more things to happenâyou need to show what matters. Focus on how events change relationships, decisions, or self-perception.
6. Strengthen setting where emotion peaks.
The environment should echo or contrast the emotion of the scene. Setting is not decorationâitâs emotional reinforcement.
7. Add specific details instead of general ones.
Underwriting often relies on vague language. Swap âthey arguedâ for one sharp line of dialogue or a specific breaking point.
8. Let dialogue breathe.
Short dialogue exchanges without pauses can feel flat. Add beatsâsilence, gestures, interruptionsâto give the conversation weight.
9. Show transitions between scenes.
If scenes jump too quickly, readers feel disoriented. A brief transition helps establish time, mood, and emotional continuity.
10. Clarify stakes early in the scene.
If readers donât know what can be lost, scenes feel empty. Make sure the character wants something specific and fears losing it.
11. Use the âwhat are they feeling right now?â check.
After each major beat, ask what emotion is dominant in that moment. If itâs missing on the page, the scene is likely underwritten.
12. Expand scenes that feel âtoo clean.â
If a scene resolves too neatly or quickly, it probably needs more tension. Messy emotions and unresolved feelings add depth.
i made a post like this before but I can't find it now. so. I'll just redo it.
What's the first "big news story" you remember from when you were a kid?
It's something I love to ask mixed-aged groups sometimes because I think it's really interesting to see the responses. I've gotten answers from the Olympics of [whatever year] to Watergate to more recent stuff from my niblings.
My first news thing I remember is the OJ Simpson trial. I vaguely remember watching the news with my grandparents before that, but that's the first story I remember, in part because my second grade teacher had us go play so she could watch the verdict đ
I remember walking down the street and seeing a sign protesting George W. Bushâs war on Iraq, so I think that.
Yevgeny Charushin, Snow Leopard
one of my friends in a discord server was talking about how they were nervous about their first scheduled acupuncture appointment. another friend offered to do a tarot reading for them. sent this picture.