This tweet read me to filth
EXPECTATIONS
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@prudishbimbo
This tweet read me to filth
it really is kind of interesting how attached people are to the idea of the improvised line and the genuine reaction in film. nearly every single famous moment or line has some sort of claim floating around that it wasn't in the script and was either made up on the spot by an actor or was sprung as a surprise on the actors to get their 'real' reaction. you know, sometimes people do come up with good lines in advance and write them down, and sometimes people can pretend to be have a convincing emotional response on screen
"pretend to be have a convincing emotional response on screen," also known as "acting"
I think this also kind of connects back to this ongoing conversation about the importance of authenticity and if they're truly is a authentic version of the self/something that is not a performance
Seeking a real truth in the play of performance and living
oooh I get it it’s always gonna be because of the environment I grew up in
it’s because of the curse
reminders i need to like, tattoo on my brain:
1. if you feel judged and hurt by others, try sleeping
2. if you feel judgmental and resentful of others, try eating (the classics)
3. if you feel uncomfortable, try showering
4. if you feel directionless and afraid, go sit outside for a bit and maybe then you'll calm down. maybe even a walk if youre feelin crazy
5. take it easy, but by god, take it
oh and how could i forget. final boss. take your fucking medication
FRR 😭🙏
Something I learned is if you don't step out of your artistic comfort zone a little, you're gonna be even more exhausted with making art. Your mind is a caged tiger and it needs to attack something new from time to time. Your mind is pacing in its enclosure 🐅
If you don't like drawing figures and poses because they're frustrating, draw figures and poses and get frustrated! Draw them! With anger! Swear and curse at them!
If you don't like drawing traditionally because there's too much room to make mistakes, draw traditionally and make mistakes! Scream while doing it! Put on scary music! Make it silly!
This goes for any kind of craft or skill
You stand to lose nothing in the end (Except maybe your own patience and sanity but that's temporary). But you do gain at least a little bit more knowledge and skill to feed your mind tiger
man i just dont know why im so afraid all the time (<- has the disorder that makes you afraid all the time)
I was literally just thinking about this. Like wow I'm so tired and lack motivation all the time, I'm scared to do things even things that I like
still so many first times to look forward to
*
the ladies’ home journal, sept 1948
hot take in a roundabout way i think that's also why so many of us opt out of becoming parents ourselves
Does anybody know how to fix it
Start disappointing people and not backing out of it when they are upset, reject feeling ashamed of everything including of yourself, start saying No to things you do not want to do not just things you're scared of, do more of those things you're scared of but wish you could do, make your own plans and execute them, decide to do or not do something without basing it on who will Dislike it.
Free Will takes practice, and the chance of making someone somewhere Slightly or even Very Disappointed In You. But you're an adult and you can't be made to stand in a corner anymore.
Thousands of starfish had washed up on the beach, and a little girl was diligently throwing them back into the water, one at a time.
A man came up to the girl and said, "You'll never save all of them. What you're doing is pointless. It doesn't matter."
The girl threw another starfish into the water. "It mattered to that one."
The man snorted and walked away.
The girl kept throwing starfish, one after another.
To throw one starfish back into the ocean takes a trivial amount of effort, but to throw ten, or fifty, is much less so. The girl had not learned much of biomechanics, but she began to feel the strain in her back. Her skin had softened from the seawater, and the starfish themselves were abrasive. Her fingers had pruned. Her shoulder hurt. She was cut, twice, on her fingers, as the same storm that had stranded the starfish had also brought up broken shells and crab carapaces. The skin of a starfish was like sandpaper.
She tried switching hands, and could throw the starfish less well, and it wasn't long before she had mirrored all her injuries. She was bleeding, though the blood wept rather than flowing, briefly staining the starfish pink before they were tossed into the ocean.
It seemed as though there were just as many dying starfish as when she'd started.
After three hours, the girl was sunburnt. A passing man had told her that she should stop what she was doing, and had offered her some water, which she took, but he hadn't helped to throw the starfish back.
The girl's hands were cracked, scraped, and raw. Saltwater found the wounds, but she'd gone numb, and her motions became more mechanical.
"It mattered to that one," she thought to herself, "It mattered to that one," over and over, like a mantra. Her muscles ached, but the ache became familiar. When she'd started, her throws had been beautiful things, guided by purpose, but now they were sloppy and threatened to pull her off balance.
She did fall, more than once, landing on sand that was filled with jagged debris, and sometimes she was slow to get up. But she did get up, because there were more starfish to save, tens of thousands of them.
Night fell, and it was harder to see the starfish, but they were still in need of help. She was tired, and the cuts on her fingers had multiplied. The skin had been wet for too long, and in one place, on her palm, where she had gripped a thousand starfish to throw them, a piece of white skin had come off.
Still, she kept throwing starfish.
Her mother didn't find her until after midnight.
"Hi mom," said the girl. Her voice croaked. She had been saying, "It mattered to that one" under her breath for long enough that her vocal cords had strained. She threw another starfish into the ocean.
"You need to come home," her mother said.
"These starfish will die without me," said the girl.
"I know," said her mother. "But you need to come home, because if you keep doing this, you'll collapse on the beach, and like a starfish, you'll need to be rescued too."
The girl stooped down, back aching, and picked up another starfish. Many of them had died by this point, but there were still uncountably many that lived. The rough skin of the starfish grated at her tender skin, but she rose and threw it, arm protesting, and watched it fall down into the water.
Her mother grabbed her gently by the shoulders. "I'm bringing you home," she said. "It would be better if I didn't have to carry you, but I will if I have to."
"I don't want to be the sort of person who leaves starfish to die," said the girl, shrugging off her mother. But a part of her did want to be carried, because she'd walked for miles along this beach, one stooping step at a time.
"I know," said her mother. "But to survive, you have to be. Save as many as you can, but take breaks, get good sleep, eat well. Then go back and save more."
The girl swayed where she was. She was close to passing out, though maybe it was because her rhythm had been interrupted.
Her mother held out a hand, so they could walk together, like they'd done when she was smaller.
And it was then that she noticed the scars on her mother's hands, the calluses and rough spots, the places where cuts had healed. She had seen her mother's hands many times before, but had never asked why they were that way.
The girl slipped her hand into her mother's and began to cry as they walked back home.
Everyone's Friend
I related to some parts of this quite a lot:(
assumptions and comparisons can kill by a 1000 tiny cuts