THE COLOR OF POMEGRANATES (Sergei Parajanov, 1969)

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THE COLOR OF POMEGRANATES (Sergei Parajanov, 1969)
The Origin of Tears (2)… { zipped motion block video (zmbv) codec databending, source footage from “How the Eye Functions” by Knowledge Builders, 1941
“Maple Seeds”
Hélène Daldoss, 14 seconds, 2018
“Butter Clarifying” by Hélène Daldoss, 10 seconds, 2018
Illustration by Émile-Antoine Bayard for Jules Verne’s Around the Moon, 1870. More here: https://buff.ly/2wydwCi (or click link in bio and search “Bayard”)⠀ .⠀ 🌝⠀ .⠀ #publicdomainreview #moon #illustration #julesverne #bookillustration #art https://www.instagram.com/p/BnPKrbRBBqa/?utm_source=ig_tumblr_share&igshid=1gas6a52kerl7
John Berger:
“He found it impossible to separate one memory from another... It was as if his mind had been turned into a hall of mirrors in which, although all the reflexions moved together, each represented something different. The effect was the opposite of what memory normally does.”
From G., 1972
John Berger:
“When memory connects one experience with another... the relation between the two experiences may sometimes be one of mutual comment. In this case the connection is multiform and complex. Yet the comment, although extremely precise, cannot be verbalized any more than a chord in music can be.”
From G., 1972
John Berger:
“To fuck is like naming what has happened in the only language adequate to expressing it.”
From G., 1972
John Berger:
“What separated her from the British wives with whom she was obliged to pass most of her time, was her lack of opinions. She had come to hate the sound of talking. She trusted certain feelings in herself precisely because they did not lead to conclusions.”
From G., 1972
John Berger:
“Every ruling minority needs to numb and, if possible, to kill the time-sense of those whom it exploits by proposing a continuous present. This is the authoritarian secret of all methods of imprisonment.”
From G., 1972
First page of Debussy’s Noctures signed and inscribed “à Maurice Ravel en réelle sympathie, Claude Debussy, August 1901″.
Peter Greenaway
“If you want to be a storyteller, be an author, be a novelist, be a writer, don't be a film director. Cinema is not the greatest medium for telling stories. It is too specific, leaves so little room for the imagination to take wing other than in the strict directions indicated by the director. Read 'he entered the room' and imagine a thousand scenarios. See 'he entered the room' in cinema-as-we-know-it, and you are going to be limited to one scenario only. The cinema is about other things than storytelling. What you remember from a good film-and let's only talk about good films-is not the story, but a particular and hopefully unique experience that is about atmosphere, ambience, performance, style, an emotional attitude, gestures, singular events, a particular audio-visual experience that does not rely on the story. Besides, nine times out of ten, you will not remember the story. And if you do, and you tell it, and you are talking in words, then you are back to literature, and the cinematic experience is not communicated that way.”
Source: https://www.all-story.com/issues.cgi?action=show_story&story_id=99&part=all
Uit huis en hof - by Konrad Mullerfurer - 1921
The Burmese Harp (1956) dir. Kon Ichikawa.
Erich Fromm:
“The more perfect God becomes, the more imperfect becomes man. He projects the best he has onto God and thus impoverishes himself. Now God has all love, all wisdom, all justice--and man is deprived of these qualities, he is empty and poor. ... In this process he has become alienated from himself. ... His only access to himself is through God. ... He necessarily feels like a "sinner" since he has deprived himself of everything that is good, and it is only through God's mercy or grace that he can regain what alone makes him human. And in order to persuade God to give him some of his love, he must prove to him how utterly deprived he is of love; in order to persuade God to guide him by his superior wisdom he must prove to him how deprived he is of wisdom when he is left to himself.”
From Psychoanalysis and Religion
Why won't Instagram let me follow people? Pictured: Erich Fromm, A Good Man-darin is Hard to Find