British Embassy, by Sir Basil Spence (1971).
Rome, Italy.
© Roberto Conte (2014
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Misplaced Lens Cap
Xuebing Du
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taylor price

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todays bird
h
$LAYYYTER
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Product Placement

ellievsbear
2025 on Tumblr: Trends That Defined the Year

pixel skylines

JBB: An Artblog!
NASA

Love Begins

oozey mess
cherry valley forever
we're not kids anymore.

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@qothlamb
British Embassy, by Sir Basil Spence (1971).
Rome, Italy.
© Roberto Conte (2014
Follow me on Instagram
in film school they’ll tell you that actors stand close to each other in old movies because the aspect ratio is different and they have less room. however, this is not true. they stand close to each other because they’re all playing closeted gay men who want to kiss
My brother had lost the right to mock my deeply unwise vending machine purchase because he's spending his weekend driving to Iowa to buy a 1954 Cadillac limousine.
He doesn't have an explanation for this other than the fact that it's cool. And honestly, that's a pretty compelling argument
Oh good, he's named it.
He got her and she's gargantuan
THE BIG is home!!
Update: brother says: tell your internet people- I’ve been making the car shiny and it is COOL.
He's correct. This is excellent.
I left my brother unattended he traded the little corvair next to THE BIG for this thing. I think he's building an armada
He is casting spell of car repair on it, I think.
Brother has been left unattended and has gotten himself a 1970 Cadillac DeVille.
And now it just needs a plate!
Other options are LONNNG and LOMMMG.
it should definitely be
LOMG
LONNNG
LOMMMG
okay now that we’ve a had couple lesbian blockbusters and milfs are having a romance moment, we need to bring back the manic pixie dream girl. she was never fuckin suited to fixing all the problems of some boring twenty year old everyman, but you know who could actually benefit from a quirky free-spirited blue haired girl with pronouns (she/they)? a newly divorced forty-something mom who’s trying to learn how to be herself for the first time in her life
There's a recurring online tendency to aestheticize consensus itself. The imagined future village is full of emotionally compatible people who enjoy communal gardening, conflict resolution circles, acoustic folk music, mutual aid potlucks, and repairing bicycles together at sunset. Which is nice for the people who genuinely enjoy that lifestyle. But plenty of humans are solitary, prickly, obsessive, urban, nocturnal, sensory-seeking, technologically attached, contrarian, novelty-seeking, private, or just plain difficult. Those people do not evaporate after the revolution. They do not get Left Behind while you are Raptured into the Utopia. They become your neighbors.
Bitches be like "Checkmate leftists, a better world is objectively impossible because people are mean sometimes."
Not at all what I'm saying.
I think a better world is possible. I just disagree that there is one singular definition of "better", or that it's only possible if everyone adopts a specific set of preferences.
I find it very offensive that the more unwell you are, the more things you have to do to maintain your health. Things like following special diets, going to medical appointments, making big and important decisions about what treatments to use. At the same time, the more unwell you are the less energy you have to do all of these extra things. It seems grossly unfair.
THE CHAFF PROJECT
Hi! Are you cis in the UK and you'd like to support trans rights? Great!
How: buy a trans flag pin and wear it in public.
Why: chaff is an overwhelming amount of false positives so that when a missile gets close to the plane, it hits the chaff and not the plane.
In practice: the goal is to make it DIFFICULT to identify trans people to target with bathroom bans, and to create many FALSE POSITIVES for businesses.
Basically, you might get accused of being trans and kicked out, because of the badge. You say: I wear the badge because trans rights matter.
You follow up with a letter to the business saying you're fucking furious because some nosy dipshit just tried to play fucking genital police with you in the loos. You know lots of trans people (don't name any, if you do) and you wear the pin in support and you're disgusted at them for allowing this.
Blame the business for allowing the behaviour.
Businesses see that their cis customers are getting bothered over a badge and may clarify trans-inclusive policies, so they can kick out the bathroom botherers instead of nice cis allies.
You only need to buy and wear the badge, and you are protecting trans people. You can be genuinely heroic. Even one cis person doing this helps, and everyone you get to join in helps even more.
Non-affiliated badge link:
https://rainbowandco.uk/collections/trans-pride/products/transgender-pride-flag-badge
Show your pride with our 25mm transgender pride flag pin badge. Perfect for wearing on your favourite denim jacket, back pack, or lanyard to
Byzantine mosaics found on the ceiling of the Mausoleum of Galla Placidia in Ravenna, Italy.
context (via @mellorocket)
doubly funny that I saw a compilation of all the corporate accounts like "aw thanks elmo, we're doing well" meanwhile all the flesh and blood real human people are extremely not okay
Okay but Elmo had actually the best and sweetest response to all this trauma dumping:
And then all the other Sesame Street character accounts joined in:
And now I’m thinking maybe we’re gonna be okay… 💗
(Comment compilation from this Twitter)
I kinda feel for the poor person running Elmo's Twitter.
"So, boss... I may have messed up."
"What did you do, Ray?"
"Well, I made a post for Elmo saying 'Hi, how's everybody doing?'"
"I mean, that's kind of what we pay you for."
"Yeah, but.... <sigh> it turns out pretty much everyone is hanging on by a thread, badly enough that they needed to tell Elmo."
"Oh."
"God help me, boss, I think Elmo needs to be there for them."
"Get the others."
this is the energy that jim henson would be proud of.
and important addition
Source: instagram
we ride for hope and joy and to thrive, however the world may be
STAY SAFE!! [ID: the Gilbert Baker pride flag with the words “Happy pride to all those who are unable to celebrate openly and safely. You are loved and seen!” in all-caps black text over it. /end ID]
random but here is a recipe for cold peanut noodles that you can make during hot weather because i just ate this and had a fantastic time
2tbsp of peanut butter. a splash of rice vinegar, soy sauce, sesame oil, maple syrup. some chili flakes, some sesame seeds. a splash of water to thin it out. now you put in your noodles (cooled!!!! boiled and rinsed so they’re cold!!) and then some chopped up cucumber or carrot or avocado or cabbage or any crunchy vegetable. i just used cucumber
you can also put in lime juice or herbs or sriracha or grated garlic/ginger or anything like that; tofu/tempe/meat for more protein etc. noodle wise this can be ramen soba udon whatever, i used soba. enjoy homies
Ever wondered why there aren’t more fuchsia cars? The prejudice against bright colors runs deep and can be traced back to the age of Western
Text from the article:
"Would you paint your house a luscious purple? Would you drive a pink car? Would you dress head-to-toe in sunshine yellow? If you said yes, you’re in the minority.
That’s not because gray houses, white cars, and black suits are inherently appealing. Color norms and preferences have a deep history, and according to the art theorist David Batchelor, “In the West…color has been systematically marginalized, reviled, diminished, and degraded.” This marginalization of color has led to collective chromophobia, or fear of color.
Chromophobia has a complex past spanning millennia, but the age of Western colonial expansion put it on steroids. Over the course of the last few centuries, color became a powerful visual indicator of a person’s perceived social, intellectual, and racial status.
There's nothing neutral about neutrals. Read on to learn why we all need a little more color in our lives.
Chromophobia Is a Form of Control
Your initial objection to the concept of chromophobia might be that it’s simple to look around and see plenty of color: green trees, blue sky, vibrant flowers. None of these inspire fear.
But consider this: In the things that we make or buy, color tends to be reined in. (Note, when I say “we,” I’m speaking of a dominant American and European approach to color. Many cultures embrace color, as I’ll explore below.)
For example, it’s fashionable to wear a “pop” of color, but unacceptable for your average American man to show up to a business meeting in a hot pink suit. Large doses of vivid color can seem like an assault on the senses. It’s too “loud.” Too “tacky.”
Chromophobic societies don’t do away with color altogether. They control it.
Just think of all the rules we have for colors: pastels are for the spring; muddy green clashes with bold red; saturated orange is fine for a front door, but your homeowners’ association would shudder if the whole house were orange. All of us know what primary colors are and that red is “warm.”
These rules have become second nature to us, but they aren’t timeless. The concept of primary colors only emerged in the eighteenth century, and the idea of warm colors developed in the nineteenth. In other words, these rules are the product of a particular historical era. And in that era, people were highly concerned about the “anarchy” of color.
There are many reasons color was perceived as socially threatening (too many to cover here), but one major driver was colonial expansion.
The Empire of Color
As European countries extended their trade networks, some of the most precious commodities they found were pigments. Elites reveled in pricey, cochineal-dyed garments and lapis lazuli-dappled paintings.
But as expensive colors grew cheaper and more widely accessible, a lot of powerful businessmen put up resistance. For example, during the seventeenth century, the British East India Company started importing cheap, brightly colored cotton from India. The wool and silk guilds were afraid of losing their stronghold on the market, so they asked lawmakers for protection. New regulations stipulated that the colorful cottons couldn't be sold in England; they had to be immediately exported to other markets.
So, Europeans took their colorful wares to places that would treasure them. West Africans had been using cloth as currency for centuries, and early European merchants learned they could trade colorful cloth for slaves. Europeans took colorful textiles and pigments from places like India, Southeast Asia, and Mexico and traded them for African slaves, many of whom were put to work producing more dyestuffs, like indigo.
Between the late 1800s and the early 1900s, Western European countries aggressively expanded their claims on foreign lands. Previously, the goal had been to enslave Africans, but the new goal was to bring them into the consumer fold. European empires extracted resources (many of which were color-related), then traded them back to their colonial subjects for profit.
By tying chromophilic (color-loving) cultures together, Europeans built a highly lucrative and utterly exploitative economic system.
Superiority and Savagery
Meanwhile, back in Europe, people began associating bright colors with Other-ness, degeneracy, and inferiority. The German writer Goethe famously stated, “Men in a state of nature, uncivilized nations, and children have a great fondness for colors in their utmost brightness.”
That prejudice was still alive a century later. In 1912, the advertising executive Frank Parsons asserted, “Many Latin races, still somewhat primitive in taste, need [red] to meet their temperaments.” And in 1921, color psychologists like J.C.F. Grumbine still stressed, “The primary colors of red, yellow, and blue appealed to the elemental and simple minds of the savage.”
Some authors used pseudoscientific justification to support these claims. They argued that “savage” people needed stronger stimulation because they had duller senses. (This justification was also used by slaveowners who claimed slaves were “insensitive” to pain.)
Increasingly, so-called “good taste” became linked to “quiet colors,” or what we’d call neutrals today. For example, gentlemen only wore dark suits, and demure women never wore red. Over time, neutrals became the stamp of social and moral superiority, while too much saturation threatened a slippery slope back to “savagery.”
In short, color preferences became a weapon, a way to instantly label a person as “uncivilized” or inferior.
Let Go
The very idea of “good taste” draws on a deep well of cultural assumptions of what's “normal” or “refined.” There is no such thing as an inherently professional, respectable color. Those are categories that we’ve created, and frankly, they come with a lot of economic, social, and historical baggage.
It’s time to revisit those assumptions and loosen the reins. I’m not suggesting that everyone has to parade around in neon or toss neutrals out the window. But personally, I’d love to see a world that readily embraces color instead of restraining it. I’d like for us to overcome our collective chromophobia and say, “It’s okay to step out of my comfort zone! I’m going to have fun. Or, at least, I’m not going to judge others who do.” After all, what are we so afraid of?
This post was adapted and expanded from a 2013 post on Apartment Therapy."
There are more reasons to start wearing color if anyone needs more convincing
I've been to an exhibition on the history of men's fashion in the West and it explained that modern men's fashion has always been influenced by the military uniforms of its time.
When the battlefield relied on cannons and was covered in smoke and dust, it was necessary for the soldiers to dress in bright colors, so that they could easily tell friend from foe in lowered visibility. And because tailors (craftsmen making clothing specifically for men) were hired to make military uniforms, the same tailors started to make everyday civilian clothes to mimic the military style. Because military uniforms accentuate masculine features (on purpose), and the society loves to accentuate the differences between men and women.
Then the battlefield changed and military moved to use dull, masking colors, to ensure the soldiers are harder to be hit by precise guns of the time. And similarly, men's fashion also stopped using bright colors. Because the "ideal man" (a soldier) never wore bright colors, so obviously anyone who wants to be masculine will want to avoid bright colors, or so the tailors said.
Masking colors are still in use in military these days, which explains why men's fashion still overwhelmingly uses dull colors. As for women's fashion also being dull, I don't have much academic knowledge here but id guess that since the West is a patriarchal culture then anything that's applicable to men becomes the norm everyone else has to follow.
kind of fascinating how a lot of people don’t really know how food works
saw a twitter video of a dude making like fried broccoli with bacon or whatever and everyone in the replies was going “can’t believe he took something healthy and turned it into poison!!!!” i don’t really know how to explain to you that you’re still eating broccoli, and the healthy nutrients do not magically leave the broccoli just because you fried it
How Food Works: Living Things are machines made up of tiny organic parts. Heterotrophs are Living Things which cannot photosynthesize and must acquire parts and fuel by eating other formerly living things. Human are heterotrophs. Some food tastes better when your body is craving those things, like fats and salts.
How People Think Food Works: eating is both a privilege and a test, and GOD will JUDGE you and SMITE you with UNHOLY FATNESS if you eat the BAD FOODS. girl you have to eat as little as possible because THE DEVIL IS IN THE CARBS but boy get tomahawk steak tomahawk steak tomahawk steak no salad salad has Girl Particles you get fat by eating fat everybody knows that
Utterly obsessed with these Shakespeare playbook covers from the late 1960s by Paul Hogarth
Eugene de Blaas, The Awakening (c. 1893) — detail
William Etty's Male Nude, with Arms Up-Stretched (1828) revamped by Astra Zero