Life is a work in progress /this blog is safe for aces / and most everyone/ except nazis and terfs/ and capitalism/ trying not to be insensitive but as always we’re always learning/
I collaborated with the Human Artistry Project to make this strip alongside other web cartoonists to make the point that “Stealing isn’t Innovation” when it comes to A.I. usage. It seems to be doing numbers on instagram and elsewhere, so you may also read it here, tumblr.
May the discourse that ensues be long and unhelpful.
Rewatching Ghost Rider (2007) and oh no, I forgot that this demon, Blackheart, purrs--that's another ship to add to the collection.
I just saw some of @hjbender ghostheart stuff right beforehand and I hadn't considered them before.
And Johnny is like so, so dumb. Like... no braincells in his head.
So you got your dumb sweet noble (compared to a demon) hero and the witty (probably sophisticated) emo boy demon is reminded regularly of just how dumb Johnny is and experiencing every stage of grief realizing he still wants to get fucked by him.
Here we've got daddy issues galore, you know that's a praise kink right there, and he really wants Ghost Rider's hellfire inside of him...
"Buwahaha I know his weakness, I will manipulate his heart! Wait. He broke up with his girlfriend. I can't use that now. Now what...? I know, brilliant plan!" (You just played yourself.)
Edit: While very queer coded in the 2007 movie apparently it's not just coding--according to the wiki 616 Blackheart is canonically bisexual.
In context the wanting the hellfire bit is from the deleted scenes and it goes back to his daddy issues--[to Mephistopheles] "You gave the Gift of Hellfire to a human but not to me?"
Daddy missed my poetry recital--and now I'm gonna make that everyone's problem. Gotta make Hell on Earth now.
Edit: Also there's the dynamic of banging the boss's spawn. Not that Mephistopheles would care beyond how he could manipulate the situation. Or maybe he would start to care if being with Johnny actually got Blackheart to chill out and change his ways.
Blackheart [talking to a human friend, squeeing while holding up a big dragon plushie]: Isn't it cute? Johnny won it for me at the county fair!
Mephistopheles [showing up just to light it on fire]: This is not how I raised you!
People really need to take a wider view of this paranoia about age gaps and realise this is how we lose the ability to build communities. You need to be able to realise that people can have things in common with you even if they grew up in a different time/place/culture. You also need to realise you can build communities with people who don’t have obvious things in common with you, that people can have the same goals and needs as you even if in most ways they’re very unlike you. Now, more than ever, we need to be able to work together to have any chance to stand ip against the few who have so, so much more power, money and influence than any of us do individually. We need to form communities that reach across age (and class and race and sexuality and so on…).
I... I have coworkers who are from 26 to like. 56. we have work in common?? the work we all do?? together?? commonly? all of us, at all of our ages???
Also I don't care what I have in common. I can strike up a conversation over plenty of shit I don't have in common. That's how you exchange information on topics. Learn To Ask A Question And A Follow-Up Question.
do these people not talk to their family members?
I mean my niece and nephew are some of the coolest people out there and they are 30 years younger than me.
Do they have nothing in common with their parents or aunts and uncles?
My community elders in the fiber community are awesome and I have learned so much from them. And regularly do social things together.
Yup. AI watermark. Traces back to this Facebook page which posts nothing except for AI images of manul/Pallas cats (plus a couple of videos of domestic cats). The original post is here.
Here are some real images of this animal. They're not as dramatic, but they are the real thing.
Peeling off the broken breastplate of a stoic knight who only fights and never speaks, just to realize there’s nothing in there. Not metaphorically—the armor is literally empty. It doesn’t appear to affect him. If the armor stays mostly in the shape of a knight, he just gets back up to keep fighting. But with the chest plate off he just sits there, equally impervious to curiosity as I reach up into the cavity where his body might’ve gone. Stubbornly, no answers are found anywhere in there.
So I forge him a new breastplate and on the inside, because I know he has plenty of room, I put a little pocket. Not big enough to hold anything functional of course. Just a little extra piece to see what he’ll do with it.
He comes back next time with some grievous injury to his nothing, presumably from the massive shredded gash across his thigh plates. He sits and waits. I fix it for him. He is still nothing in there. I decide to add a drawing on the inside, of the type of beast I imagine could rend metal into scraps with a single blow. He puts it back on. He no longer moves as if he is injured.
Over time the interior of the knight becomes decorated with whatever odds and ends I could think to attach to the inside of a guy who’s got room to carry it. What really gets me is that he never removes any of it. Never requests a change. Not even when I installed a curtain rod for a small tapestry, or a bud vase to carry roses for his beloved, or an accordion folder for letters. He didn’t say a word for any of the many, many drawings of mythical beasts that now fight forever inside of his shell.
There are plenty of other forges. I’m not entirely sure why he keeps coming back here anyway. We’re pretty popular, but he could get his armor fixed a lot quicker (and with fewer ridiculous modifications) literally anywhere else. I asked him if I could get a look at his nothing again. He flipped up his visor and nodded his head so I could take a look. It was the same as it had been, filled with drawings and trinkets and weird little fixtures I’d put in there. I asked if he was annoyed by it, or liked it, or felt anything at all, but he literally only ever says nothing, so I’m not sure why I asked.
There’s not much room left in his nothing now. When he comes back for repairs I’ve had to fix my own foolish additions. Some of these pieces are intricate and irritating to repair, but I fix them anyway. It feels wrong to take any of it away from him now, even though I’ve been rudely encroaching on his nothingness to the point where it’s barely even there. How he squeezes his nothing back into a body so full, I’ll never understand. But it’s a game to me now, finding a spot not yet filled and putting something there. A dark part of me wonders if he ever gets filled up completely, if whatever sorcery holds the nothing-knight together may break, and it will all clatter unceremoniously to the floor.
When he hands me his breastplate yet again, it is so shockingly disfigured that I wonder if being made of nothing has somehow kept him alive. No ordinary knight could sustain such injuries. So I fix it. And he waits, unmoving, in a quiet corner of the forge. It’s like he’s watching, even though I know the reading glasses I put inside his helmet were just for fun. I’m careful to put it all back exactly the way it was when he last left. There’s no room to add more this time.
He examines the breastplate, and pauses before putting it back on, like he’s looking for something. Is he worried about the fit? But it suits him just as it always did. He calmly points to a little space, about an inch, between a miniature shelf and one of many pockets. There’s nothing there. I ask him what’s wrong, and again he points. It’s the most emotion I’ve ever seen from him, and it’s barely anything at all. I take it to mean he wants something there.
I spend some time engraving a little snail in the gap. He watches, as much as nothing can watch. When I’m finished he holds the breastplate, but he doesn’t put it on right away. I ask him if something’s still wrong. He says nothing, and puts it on. I tell him I can’t add anything else. Even if he could ask, there’s no room left.
Next time he comes back, there’s nothing wrong with his armor—he lets me check to make sure. I ask him what he’s doing here. Out from one of many pockets, he retrieves a tiny rusted knife. It’s in miserable condition, barely worth saving. I tell him I could make him a nice new one, but I’ll fix it if he likes. He puts it away and reaches around to find something else, a needle and thread. Better condition, but I’m not a sewist and I tell him as much. He puts them away. He then retrieves a little twisted piece of wax paper. I open it. It’s candy. I ask if I can eat it. He says nothing. I eat it. It’s flavored with cinnamon. I’m surprised he let me take it.
He keeps bringing me candy now. His armor is the most laborious to repair out of every client my forge serves, but it’s my own fault so I can’t complain. Sometimes he keeps me company while I work. I wonder if he is trying to tell me something when he hands me mints. I wonder again at the lemon lozenges. He stares at me when I eat, as much as nothing can stare.
One day he brings me a little jar of honey. I thank him, I tell him I’ll save it for dinner. He watches me work, he puts his repaired armor back on, and he stays. My shift passes slowly, and when I finally pack up to leave it’s dark outside. He follows me out of the forge. I ask him where he’s going. He points to the jar in my hand. I ask him if he wants to watch me eat it. He says nothing, but the nothing-knight clearly wants something, so I open the lid and dunk my finger in the honey. I try not to get any on my chin. He stands there, inches away, watching me try to consume this jar of honey without a utensil. It tastes like clovers. About half the jar is left when I’ve finally had enough of pretending to be a bear, but he doesn’t move to leave.
I ask if he’s going to follow me home. He says nothing. I tell him he can if he wants to. Again, nothing. I start walking, and he follows at my side. I know he’s not going to say anything ever, so I fill the silence. I tell him I’m grateful for the sweets, I tell him about how his various components are made, I tell him I’ve never met anyone made of nothing before. I tell him it’s a rare opportunity for a smith to work so much on the inside of something. He says nothing. I tell him again how much I like the candy.
It occurs to me that maybe filling me with sugar is as close as he can get to filling someone else’s empty armor with trinkets. I’m not sure if that’s really why he does it. I tell him I don’t have room to be filled with anything on the inside, not like him. I’m not a container for much besides food. He offers me another piece of candy. Maybe he likes containing something, the way I like to feel full. Maybe it’s nothing at all.
—
I didn’t edit this even a little bit. Thanks for reading!
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