Cologne, Germany, 1977 - by Josef Koudelka (1938), Czech/French

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Cologne, Germany, 1977 - by Josef Koudelka (1938), Czech/French
Olaf Hajek (German, 1965) - Let's Pretend It's Not the End of the World (2025)
Pan Yuliang (Chinese, 1895-1977) - Woman Watching a Cat (1964)
Tianshu Zhang (Chinese, 1992) - In the Name of Love 1 (2022)
Pia Paulina Guilmoth.
Sasha Baskin.
"Dream of July", Thomas Zipp.
Mark Rothko, No.2 (Yellow Center), 1954
Oil on canvas, 289.5x173.5 cm
© Tehran Museum of Contemporary Art
© Kate Rothko-Prizel & Christopher Rothko
Vladimir Nikolaevich Nemukhin (1925-2016) is a participant of the Lianozov School, one of the key representatives of Soviet nonconformism. He consistently went from figurativeness, through abstraction to his own artistic philosophy, which defined his personal easily recognizable style. The turning point of Nemukhin's creative biography, by his own admission, was 1965, when he discovered playing cards as an artistic idea. The evidence of the event is different: according to one version, it happened when the artist semi-automatically drew a six and a seven of tambourines on a piece of paper, according to another - he saw the cards thrown by workers in the "painting" mud of the construction site. One way or another, the image that accidentally appeared before Nemukhin's eyes attracted him with its "curious geometry". He saw the intense dynamics of the lines arising between the abandoned cards, the complex structure of their diagonals, overlays and intersections. Nemukhin worked with the card deck as an artistic concept throughout his creative career, constantly developing his style inside it. The artist's works are in the collection of the Tretyakov Gallery and other museums.
Art Molotok
Nicholas Roerich (Russia 1874-1947) Buried Treasure (1917)
Virginia Woolf, from her novel titled "The Waves," originally published in 1931
“I love you to death” on a seat of the abandoned Versailles theater. Beirut, Lebanon. November 26, 2013
Photo by Myriam Boulos
Midnight Milk, Marie Sjøvold
Sofia Coppola and Kirsten Dunst behind the scenes of The Virgin Suicides (1999)