The pass [Glencoe]is an awful place. It is shut in on each side by enormous rocks from which great torrents come rushing down in all directions. In amongst these rocks on one side of the pass ...... there are scores of glens, high up, which form such haunts as you might imagine yourself wandering in, in the very height and madness of a fever.
Attributed to Dickens by JOHN FORSTER, The Life of Charles Dickens (1872)
FOUR YOUTHS in hoodies chase the Glasgow pigeons as we queue for the bus to Fort William, and two Irishmen behind us argue over whether knocking fish on the head facilitates landing them. It makes them jump higher, says one. His wife tells him not to put his sausage roll in his pocket, but to eat it there and then.
An elderly man stoops over a walking stick, of the kind issued in hospitals. He wears slip-on grey sneakers, and a cigarette dangles from the left of his mouth. He inhales hands-free.
It’s Buchanan Street. It could be Pyong Yang. The portrait of the recently deceased Queen Elizabeth is everywhere you look, her obituary emblazoned in LED on every bus.
A dozen comics waddle past us waving Union flags. We board the bus, for which there appears to have been a block booking for an Orange lodge.
Before long we’re making our way up the western bank of one of Europe’s most celebrated stretches of water, Loch Lomond. Luckily, I’ve a window seat on the right, and can savour the scenery rather than listen to the Rangers video one of the Masons is watching on his phone while his mates snore. Loch Lomond has 37 islands. One has escapee wallabies; another has a nudist camp; yet another’s yew trees provided the wood for Bruce’s bows at the Battle of Bannockburn. It is the only substantial yew wood in Scotland.
Sir Walter Scott’s influence on tourism was described by Alexander Smith in Summer in Skye as long ago as 1865: 'As soon as The Lay of the Last Minstrel appeared, everybody was raving about Melrose and moonlight. He wrote The Lady of the Lake and next year a thousand tourists descended on the Trossachs, watched the sun setting on Loch Katrine, and began to take lessons on the bagpipe. . . . . Where his muse was one year, a mail-coach and a hotel were the next.'
In September 2024, though, Flamingo Land was refused planning permission for a £40 million tourism complex on a disused shunting yard near Balloch at the southern end of the loch. There was a 175,000- name petition against plans for a resort that would have included woodland lodges, two hotels, a monorail, and a water park.
The Dumbarton Democrat ventured: 'Planning application for Flamingo Land is a preposterous proposal which should be refused. It would be like putting the Scottish National Orchestra on the same concert programme as the Bay City Rollers.'
In December 2017 the five-star Cameron House Hotel, on the western bank of the loch, was gutted by fire after a porter placed hot ashes in a cupboard next to kindling. Two people were killed, and the hotel, which had hosted Churchill, Princess Margaret, Mountbatten and Samuel Johnson, was closed for three years.
The original castle built on the site of Cameron House had been occupied by the Earls of Lennox. In 1763, it was bought by the family of Tobias Smollett, born in nearby Renton, whom George Orwell reckoned was ‘Scotland’s best novelist’. Smollett is quoted as saying: 'I have seen Lake Garda, Albana, de Visco, Bolsetta and Geneva. Upon my honour I prefer Loch Lomond to them all.'
What became the grounds of Cameron House were once home to 32 bears. The Cameron Bear Park, which opened in 1972, featured a zoo garden, which was very popular with visiting children. I recall, also, attending a rock concert there in the 1980s.
Back on the northbound bus I fall asleep and dream of tourists snapping marsupials on their mobiles as they hopped about the Scottish glens. The late Lady Arran Colquhoun, whose son now sits in the House of Lords, originally bred them on Inchconnaghan island in Loch Lomond in the 1940s. She later became famous as the ‘fastest granny on water’ after reaching 103mph in a power boat on Lake Windermere in the 1980s. Some of the wallabies managed to get to the mainland and were knocked down by vehicles whose drivers were baffled to see the outlandish creatures. They remain feral, although a petition has been raised to save them following the sale of the island to showbiz's Kirsty Young, who proposed relocating them.
As I wake up the bus begins to negotiate Rannoch Moor, east of Glencoe, through some of the most haunting scenery imaginable, although many writers have recoiled from it.
Glencoe, reputedly the birthplace of the poet Ossian, is reminiscent of Switzerland; and it evokes tales of buried giants and inconsolable ghosts. Its supernatural grandeur robs me of words, as it did Lord Cockburn: 'I will not attempt to describe what is so common, and is yet superior to all description. It is the Switzerland of Scotland.'
The literati loved or loathed the glen. Dorothy Wordsworth, who went on a six-week tour of the Highlands with her brother William, and the ailing Samuel Taylor Coleridge, called it ‘a wild and solitary spot’. William Gilpin, a Cumberland curate who became one of the founders of the ‘picturesque’ school of travel writing, wrote: 'Glencoe is … one of the most interesting scenes in the whole country, hung with rock, and wood; and abounding with beauties of the most romantic kind' (Observations, relative chiefly to picturesque beauty, made in the year 1776, on several parts of Great Britain; particularly the Highlands of Scotland, 1789) .
In his book The Wild Places Robert McFarlane, the naturalist and travel writer, travelled Glencoe and wrote of Rannoch: 'Many know the Moor … but relatively few enter it, for it is vast and trackless and has a reputation for hostility at all times of year'.
And T S Eliot penned the following poem:
Here the crow starves, here the patient stag
Breeds for the rifle. Between the soft moor
And the soft sky, scarcely room
To leap or soar ...
‘Rannoch by Glencoe’
The poet Robert Southey recoiled from Glencoe’s ‘savage and terrible grandeur’: 'It admits of no comparison ; it has a grand character of desolation, not to be found in our happier Land of Lakes.'
The American travel writer Nathaniel Carter saw Glencoe’s ‘solitary, gloomy and romantic wildness’ and believed the scenery surpassed anything he had witnessed in Scotland. 'It is composed of perpendicular belts of dark cliffs, piled one upon another, till the top is literally lost in the clouds, which are constantly breaking upon the rocks and feeding torrents that tumble into the vale below,' he observed in his Letters from Europe (1829).
Charles Dickens considered it ‘perfectly terrible … an awful place’, and wrote to his friend, John Forster: 'If you should happen to have your hat on, take it off that your hair may stand on end.'
For the celebrated Dickens, Glencoe would live in his dreams for as long as he lived. The very recollection of it made him shudder. The Rev. James Hall, chaplain to the Earl of Caithness, was scared by it, too: he referred to Glencoe as ‘the dreary and dreadful pass’ with its ‘gloomy precipices and the ‘savage rudeness of the mountains’. Nor was the historian Thomas Macaulay impressed: 'The most dreary and melancholy of all the Scottish passes – the very Valley of the Shadow of Death.'
Passengers on the bus take photographs from their seats, as I avert my eyes from the wrecked house that the demonic Jimmy Savile used as an infrequent bolt hole. The cottage, on the approach to Glencoe, is vandalised and derelict, with slogans denouncing the disgraced paedophile, who died in 2011. Someone set it on fire in September, 2004. Harris Islam, the billionaire Kirkcaldy-based retail tycoon, who now owns it, wants to bulldoze it and erect a museum to the late mountaineer Hamish McInnes, who sold it to Savile, not knowing what he really was. Others want it to be ‘flattened and rewilded’.
The massacre in Glencoe is one of the most talked about atrocities in our bloodstained land: the culmination of a government plot to bring Highlands clans to heel in the years after William of Orange had ousted King James. Thirty-eight members of the MacDonald clan were murdered in February 1692 by soldiers led by a Campbell.
The massacre was condemned by several writers, including James Johnson, a verbose Irish surgeon and advocate of ‘climate therapy’, in his book, The Recess, or Autumnal Relaxation in the Highlands and Lowlands ; being the Home Circuit versus Foreign Travel , a Tour of Health and Pleasure to the Highlands and Hebrides (1834): 'There is no valley or spot in the Highlands that can make much pretension to the sublimity of Alpine scenery or solitude except Glenco. The cliffs, crags, and steeps that rise in rude and barren majesty, some two thousand feet , on each side of this narrow valley or ravine, appear like the gigantic ribs of some huge earth-born monster from which time and tempest had long swept away every thing but the solid granite bones.
'The scenic phenomena produced the annals of crime and the history of mankind (which are nearly synonymous) there is not a more revolting example of infamy and cruelty than this sequestered and romantic valley has put on deathless record! Even in these degenerate days , we can scarcely credit the astounding and tragic fact, that the hero of our ‘glorious revolution’ should have signed and countersigned worse than the edict of Nantes.'
In 2015 lines from Sir Walter Scott’s poem about the massacre were beamed on to hillsides by Edinburgh-based Double Take Projections to mark the 300th anniversary of the 1715 Jacobite uprising.
Rannoch Moor is a place of wonder: one of Europe’s last wildernesses – fifty square miles of blanket bog, lochans, rivers, and rocky outcrops.
Robert Louis Stevenson’s view of Rannoch Moor in the novel Kidnapped was: 'A wearier looking desert a man never saw.'
In his collection of letters to Sir Walter Scott, published as The Highlands and Western Isles of Scotland (1824), John Macculloch, evidently not one for majestic scenery, dismissed the staggeringly beautiful moor as a Serbonian bog’: 'All, every beauty, every thing, vanishes before we reach the King’s House; where the hideous, interminable, open moor of Rannoch is spread before us, a huge and dreary Serbonian bog, a desert of blackness and vacuity and solitude and death; the death of nature.'
He must have found it on a bad day.








