Janaina Medeiros
Not today Justin
#extradirty
TVSTRANGERTHINGS
Origami Around
$LAYYYTER
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oozey mess
PR's Tumblrdome
Three Goblin Art
DEAR READER
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blake kathryn
Cosmic Funnies
"I'm Dorothy Gale from Kansas"
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JVL
@theartofmadeline
Stranger Things
Today's Document
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@scrumpyfan43
reading chapter 37 of the onimai anthology, the author, Onio, does a really cool thing where the onomatopoeia of cicadas chirping looks like it's physically outside, I haven't seen something like that done before
it is confined to the windows and is pale when inside,
but when outside it's much higher visibility and is all over, it even casts a shadow on the wall
Ant wars are the most badass thing in the entire world i’m so serious
“bugs fight ten million wars every day” statistical error, most bugs chillax like crazy. Ants on the other hand have waged bloody war for millions of years and have trained their bodies and minds for battle from birth as modern day tiny spartans and are an outlier
mole cricket
Gef the Talking Mongoose
i’m freaking out why did they add the fucked up version of the flushed emoji. I thought i was going crazy when i scrolled past this. How did a discord emoji end up in the real emojis list i thought. I took a screenshot incase everything is gone tomorrow and this is a fever dream
😳 ….??????????
they added horny flushed emoji. they added bigfoot. they added cartoon sex cloud. and the trombone. you can now illustrate a sexual encounter with a clown and a bigfoot in just emojis
no one understand me
starling
*meeeting a friend for coffee* friend: how's work been?
me: oh you know *mimes putting a gun in my mouth but i moan a little and start sucking the barrel and pushing it deeper
this post has been tagged Harry du Bois 110 times as of writing
u can hear the sparkles ✨️🐤
Can You Guess Who These Minions Are?
Reblog With The Names Of The Four Minions Show Here For A Chance To Win a Trip To DisneyWorld!
their names are ass mcdougal dick piece of shit large muscle cock
Just Fuck of..
A Japanese carved ivory banana, meiji period (1868-1912).
More info
#banana
Late Meiji era (1868-1912), early 20th century Naturalistically carved with two strips of skin peeled back to the brown stalk, revealing the
tries to do some sexy office lady nonsense but fumbles and pours scalding hot coffee directly onto your penis
a year or two ago I had an idea of a water/ghost primarina. Which instead of an opera singer it would be more like a 'wailer' (professional mourner).
I never went back to the concept though.
like a uh. something along the lines of: "It cries for those who have no one else left to mourn them."
Consider the concept of them being naturally inclined towards 'dead areas', it could be reasoned that--in some odd cases--they've never seen another 'alive animal' outside of their own.
And I think anyone would be a bit startled upon seeing something you've only ever encountered dead, moving and breathing.
artfight 2025 - friendly fire for @robinwaaaaa !
most foundational fishfucker media
hellboy (abe sapien)
the legend of zelda (sidon, ruto)
undertale (undyne)
darkstalkers (rikuo)
homestuck (eridan, feferi)
ben 10 (ripjaws)
teenage mutant ninja turtles (armaggon, man ray)
monster high (lagoona blue)
dc comics (king shark, lagoon boy)
the shape of water (the asset)
the creature from the black lagoon (the gillman)
spongebob squarepants (idk youve got options)
I was gonna ask "where's Incredible Mr. Limpet" but the answer is "not on e621, apparently."
Dmitry Khramtsov (Храм), “Eyelashes,” 2026
a perilously precarious dangle :)
Titanium Court is kind of sad to me because it feels like baby's first metafiction. Like it was created by someone who figured out they could deconstruct their stories and decided that was a pretty novel thing to be doing.
To be fair, for a lot of people, that is pretty novel! And it's why I think I haven't seen it as a take in any of the reviews of the game - a lot of people are interested in the fact that something smart is happening, that something deep is being said, or they kind of bounce off it, but I haven't seen a lot of nuanced criticisms of the core message of the game. To me, the themes of impermanence and finiteness seem kind of nihilistic taken on their own terms, but I think it's both a bit generous and a bit unfair to take them on their own terms. I think the author, like the intended audience, hasn't figured out how to do something interesting with a world that's been forced to admit it uses contrivance as a resource. Which is sad, because I really liked the core pieces of the game, and "yeah, it's tragic - there's only so much life these parts have to them" is a message that felt more poignant than cogent.
Or, as I described it to my partner, "It's very postmodern to answer 'Why should I play your game?' with 'I don't know. Why are you here?,' but my answer is very much 'Oh. I'll just go do something else then.'"
I understand why you'd come away thinking that and had the same thoughts myself, because the game strongly encourages finishing before it starts saying more interesting (and that there is definitely a flaw in the writing), but it does in fact have more interesting things to say than just "a written story has only so much it can say before it runs out of things to say."
Specifically, it points fingers at refusing to suspend disbelief, and at game design that incentivizes tedious grinding, as even more important (if not proximately causal) ways to disenchant a fictional world of its magic. There's still some questionable decisions there, but it's got more to say than just "check it out, I'm metatextual!"
I'm also willing to forgive a lot because it managed to be the first game I've played to successfully pull off a tragic ending without just being like "fuck you for playing my game." The game (mostly) does a good job of distinguishing between Her Majesty (the player character), You/Her (the player, as perceived by the characters), and the actual real-world player, with Puck being the only one who addresses You in a way that blurs things. As such, the tragic ending manages to feel like a natural but eminently avoidable outcome of Her Majesty's character flaws, rather than fate conspiring to fuck her over for no reason, or the game pointing at the player like "you're such a bad person for bringing this about." The player is (mostly) treated as an implacable and unfathomable cosmic horror to be feared, not as a moral agent who can meaningfully be blamed.
