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You can see his soul leave as soon as she said that đ€Ł
THIS IS MONEY PENIS, REBLOG WITHIN 5 MINUTES AND MONEY WILL COME ALL OVER YOU WITHIN 24 HOURS
Shoot your money all over my face
i just posted this stupid thing last night and i swear to god my brother came over today and said oh by the way heres the $300 i owe you. no fucking lie!
The Five Stages of Grief
Denial
Anger
Bargaining
Depression
Acceptance
Find your name with the gif button and add the one that is the most relatable
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This isnât relatable at all, but itâs literally the ONLY gif that comes up for my name. If I use my dadâs spelling of it, itâs Johnny Depp in some movie, and ew.
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Hold up - you mean there are people who watch Fight Club and donât realise that Tyler Durden is meant to be full of shit?
I mean, his doctrine of radical individualism is a sham that ultimately reduces his followers to faceless conformity. This isnât deep metatextual wankery - itâs the literal text of the film.
How do you see the film and not get that?
My ex didnât get this. He loves Tyler durden. Iâve never seen fight club so I DIDNâT KNOW.
Yeah, in the film heâs a total con-man. His grand speeches sound good if you donât think about them too deeply, but theyâre not meant to be insightful - theyâre meant to be a snake-oil salesmanâs patter, calculated to bamboozle dumb, angry young men into doing his bidding.
Trouble is, theyâre sufficiently well-written that apparently they work on the dumb, angry young men in the audience, too.
Iâve actually written about this academically! Thereâs a really specific genre I call bro cinema that includes fight club, all of kubricks work, some Scorsese, and Tarantino (all of which I love TBH.) These directors donât explicitly condemn toxic masculinity and instead trust the audience to have COMMON SENSE and realize that Alex from A Clockwork Orange or Tyler Durden or Travis Bickle are horrific misogynists. But without the film telling the audience how to feel about these characters, men misinterpret the objectivity as glorification. Fight Club is about how shitty masculinity is, but itâs been warped by men grasping for justification for their misogyny
The real issue here, I think, is the passive consumption of media, and moreover, creators and critical viewers underestimating just how passive the average audience member is in their consumption of media.
In the book Nurture Shock, which is a child psychology book that identifies common parenting mistakes, the author spends a chapter on childrenâs television. The author specifically talks about how media designed to teach morals often backfires â children who watch morality lessons express *more* behavior problems and become *more* cruel.
Now the author says itâs because of how these programs are structured. First they depict bad behavior, and then they explain why the behavior is bad, showing consequences, and tying up the program with a moral.
Small children arenât smart enough to understand the moral. Small children learn by emulating behavior they see. They see a bad behavior and they learn the bad behavior. Just exposing children to bad behavior is enough to make them internalize that the behavior is something lots of people do, and therefore something acceptable for people to do to do.
If you try to explain to them after the fact that the behavior is harmful and to be avoided, that message is too complicated and goes right over their heads. You canât tell little kids âdo as I say, not as I do.â
Now the author of this book says âsmall children arenât old enough to understand the moral.â
But honestly? Adults have the exact same problem.
Tyler Durden loses in the end. Thatâs the moral of the movie. Unfortunately that moral is too complicated for the vast majority of the audience. The typical adult audience member does not think critically enough about film media to process this moral.
A critical viewer thinks â the point is that Tyler is wrong! The point is that Tyler is doomed by his own hubris! HOW CAN AUDIENCES HAVE MISSED THE ENTIRE POINT IF THE MOVIE?!?!?
Easily, considering the movie only really devotes 5% of its screen time to explicitly denouncing Tylerâs behavior, and that explicit denouncement only arrives at the very end of the film.
The other 95% of the screen time is spent watching Tyler Durden jerk off.
Look â you canât film two hours of bareback sex followed by a five minute tutorial on how to correctly use a condom and a 30 second montage of miserable teen parents changing diapers, then call your film a safe sex PSA.
You did not make a safe sex PSA.
You made a porno.
You can try to argue that the bareback sex is an ironic subversive metaphor, and that the âreal pointâ of your film is proper condom usage and an anti-teen pregnancy message, but the fact is, the majority of your audience is going to change the channel the moment the cumshot finishes.
Audiences, outside of our special little corner of fandom discourse, are by and large just straight up lazy. They canât be bothered to think that hard about the media they consume.
via @sarcastrophesam  #THIS IS WHAT I WAS TRYING SO DESPERATELY TO PIN DOWN IN MY ESSAY ON EX MACHINA #AND HOW THE DIRECTOR HAS THE RESPONSIBILITY TO CLEARLY SPELL OUT TO THE AUDIENCE#THE DIFFERENCE BETWEEN SUPPORTING A CERTAIN BEHAVIOR BY DEPICTING IT#AND CRITICIZING IT BY DEPICTING IT #BECAUSE USUALLY THE AUDIENCE DOES NOT PICK UP ON SUBTLE CRITICISM OR MORALES AT ALLÂ
This is why I loved Fury Road so much, and also what I felt was so profoundly revolutionary about the movie. Fury Road is a movie about women escaping violent misogynists. Yet editor Margaret Sixel had the SHEER BRILLIANCE and AUDACITY to cut all the footage of misogynist violence out of the movie.Â
Mad Max: Fury Road proved that it is possible to denounce misogynist violence without depicting it.
Mad Max: Fury Road showed that refusal to depict misogynist violence is in and of itself a denouncement of misogynist violence.
We donât need to show what victims went through to make victims sympathetic. In fact, voyeuristically depicting acts of cruelty only further objectifies victims. George Miller and Margaret Sixel understand this.
Similarly, George Miller made a point of using telling his videographers to use camera angels that focused on the action of the scene, instead of voyeristically zooming in the female castmemberâs breasts/asses/legs  â because he understood that when the camera ogles the female characters in an objectifying manner, the audience, who views the movie through the cameraâs lens, is forced to ogle and objectify. George understood that sexist camera work creates a sexist perspective, and a sexist perspective tells a sexist narrative.
The thing is that the narrator is always sympathetic. Intimacy and familiarity breed sympathy. The audience is primed  to feel sympathy for the narrator simply because they are speaking more than any other individual character.
No matter how unreliable, or morally dubious you make the narrator, they are still the hero or the story. Every villain is the hero of their own story. And when the villain is the narrator, the audience is hearing the version of the story in which the villain is the hero, and the audience is moved by that perspective.
We can give Fight Club the benefit of hte doubt and look at Fight Club as an intellectual experiment to see whether or not itâs possible to tell a story from the villainâs perspective and still denounce the villainâs actions.
But the fact is, the experiment didnât work. It was a statistical failure. The vast majority of the audience did not recognize the film as a criticism of toxic masculinity, but rather, a romanticization of it.
Perhaps the authorâs goal was for Tyler Durdenâs death to be interpreted as a cautionary tale, but the author failed in that goal. He failed. Because by the time Tyler Durden dies in the movie, he has already been painted a hero in the eyes of the majority of the audience, and heroes donât become cautionary tales when they die; they become martyrs.
Your Stormtrooper Identification Code
1) The first non-vowel letter of your last name 2) The last non-vowel letter of your last name 3) Your age 4) The number of siblings you have 5) The number of pets you have
Tag yourself Iâm FR-1701
Oh my god I just saw the force awakens for the first time and like⊠the screen grabs I saw on tumblr do not do Kylo renâs face justice. Like he is so ugly. Heâs so ugly that at one point I said out loud to my cousin, âWhy donât they put a mask on him? A second mask. He needs another mask.â
He looks like somebodyâs ugly high school year book picture. I canât believe this.
the other night I had this dream where I decided that I wanted to get a restraining order against Jared Leto just to limit my chances of ever accidentally meeting Jared Leto. but then the courts were all like have you ever met Jared Leto and I was like no and they were like you canât get a restraining order against someone youâve never interacted with and I was like but he creeps me the fuck out and they were like ahhh yes he creeps her the fuck out maybe we should consider this. so it became a huge deal and the news started reporting on it and other people saw it and were like hello yes Jared Leto also creeps me out can I have a restraining order. so eventually like everyone in the world got a restraining order. but the restraining orders like stacked for some reason so eventually the distance of how far he had to be from most people was so large we had no choice but to launch him into outer space to live out the rest of his life alone. the day we launched him into space was celebrated as a international holiday and I was considered a hero for sparking the revolution. the end.
this gives a whole new meaning to the name thirty seconds to mars..
Went to a pet store today and saw this GIANT rabbit
So you decided to throw money at it like a stripper
stop the objectification of rabbits now
But You Should Like Really Be a Barb in a World Full of Nancys.
#ImWithBarb
do it for barb
Delicious delicious cilantro~
Oh no. I cannot handle this level of cute. Iâm done.
@searching-for-gemini Have you seen this blog?? Also @needtofly! Such bunnnnn!!!!
Bun bun!!