The language Simurg uses is an unadultered look at history and the pollution of culture, identity chaos which has become almost useless for individuals, and the degenerating human nature.
That is the breath and breadth of it.
d e v o n

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almost home

Product Placement
ojovivo
taylor price
KIROKAZE
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dirt enthusiast

roma★
"I'm Dorothy Gale from Kansas"

★
sheepfilms
Monterey Bay Aquarium
hello vonnie

JVL
Peter Solarz
Aqua Utopia|海の底で記憶を紡ぐ
Three Goblin Art
trying on a metaphor

seen from Türkiye
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seen from Türkiye

seen from United States
seen from United States
seen from Malaysia

seen from Ukraine
seen from Canada
seen from United States
seen from United States

seen from Türkiye

seen from Canada
seen from Switzerland

seen from Brazil
seen from United States
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seen from United States
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seen from Egypt
@sestetik
The language Simurg uses is an unadultered look at history and the pollution of culture, identity chaos which has become almost useless for individuals, and the degenerating human nature.
That is the breath and breadth of it.
causality
I’m starting to think more about causality when listening to a work. A good piece will flow from idea to idea. It has logic and an organic feel. The work of stockhausen and serialist composers are crippled by this idea. While it is still the work of genius, it has no movement. It feels homogeneous. A good piece should remind me of a tree expanding upward, not of the milk in a bowl.
ART OF π, φ AND e — TRANSITION PATHS & BUBBLES Martin Krzywinski | Concept by Cristian Ilies Vasile Created with Circos
(Martin Krzywinski / Genome Sciences Center)
A compilation of my favorite pictures of my favorite 20th century composers.
From top to bottom: Igor Stravinsky, Anton Webern, Bela Bartok, Gyorgy Ligeti, Arnold Schoenberg, Morton Feldman, Milton Babbitt, Karlheinz Stockhausen.
Camel - Lawrence
Tümden yokoluşa, tek bir varoluş..