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John once said, uh, he said- he said- "Harry, look man, I was always the Beatles y'know that, me and Ringo- well let's- put it this way, uh, everybody, just like me, we all fell for Paul's looks. George knew more chords. Ringo's Ringo. And I'm just it, just John. I am the fucking walrus, y'know."
Harry Nilsson in Singer, Songwriter Harry Nilsson in Conversation by Geoffrey Giuliano, reiterating this comment from The Ballad Of John and Yoko (1982)
John once said, uh, he said- he said- "Harry, look man, I was always the Beatles y'know that, me and Ringo- well let's- put it this way, uh, everybody, just like me, we all fell for Paul's looks. George knew more chords. Ringo's Ringo. And I'm just it, just John. I am the fucking walrus, y'know."
Harry Nilsson in Singer, Songwriter Harry Nilsson in Conversation by Geoffrey Giuliano, reiterating this comment from The Ballad Of John and Yoko (1982)
Roger Waters & David Gilmour  Pink Floyd, Live at Pompeii, oct.1971. © Adrian Maben.
NOW COMPLETE: an alternate version of january 1969 in which progressively sillier wanking games are played, let me roll it is composed 4 years early, and john lennon washes his hair
you can read it here
What do you think about the theory that Paul literally crying to people about Jane being the love of his life who broke his heart in 68 was actually Paul crying to them about John? Not to say Paul didn't love Jane, but he was usually the type to hold back tears unless he was in private, wasn't he? So it must've been earth-sharing to have him in that state, and I don't know, Paul and Jane don't seem to have been on that level. What do you think?
This is something Iâve actually pondered a lot about. His intense heartbreak and apparent shock over Jane "leaving him" mostly makes sense if you buy into the mainstream belief that she simply ended their engagement after catching him in bed with Francie. But the truth doesn't seem to be that simple. Both Francie and Paul have said that by the time he was with Francie, he and Jane were no longer engaged. They just apparently hadn't yet called it quits 100% and ended the relationship for good (though Jane was allegedly already dating Robert Kidd at the time, though they made their relationship public later, in August). Francie noted that while Jane did come to the house once while she was in bed, Jane never actually saw her; Paul went downstairs to talk to her. And Paul also stated in 1980 that they weren't really going out anymore at that point. If this is true, then they were having deep issues that led to the end of their engagement, before Francie came alongâit didn't seem to be a case of everything being fine until Jane "caught them". Jane herself said, "I haven't broken it off, but it is broken off, finished." Whatever happened was far more complex than the popular narrative suggests. The overall grief others noticed in Paul wasn't simply a case of "Jane left me." While I have no doubt that Paul had genuine affection for Jane, reading about his emotional breakdown in 1968âwith Alistair Taylor describing how heartbroken Paul was, how he cried and groaned about her, and how he even told people Jane was the love of his lifeâseems rather disproportionate considering what we know about their relationship. Alistair claimed that Paul told him Jane was his "closest friend" and the one person he opened up to about the loss of his mother. Hearing that immediately makes me think of John. I have a hard time believing Paul considered Jane his closest friend, especially by 1968. Many people in their inner circle, including George Martin, have often said that John and Paul were each other's closest person, even above their romantic partners (Ray Connolly himself implied that Jane revealed to him that Paul prioritized John over her). By most accounts, Paul and Jane were slowly growing apart after moving into Cavendish, they were volatile and had separations (such as when Jane had a boyfriend in Bristol, later told Paul about it, and left him for some time. This incident seems to support what Paul said about them having an open relationshipâwhich, again, makes it harder to believe that Jane had no idea that Paul had other women). In 1967 and 1968, she was often away on acting tours, while Paul had flings with numerous women alongside a rather steady relationship with Maggie (a relationship that was far more serious than people realize, btw). He would even tell Maggie that he wanted to leave Jane and wasn't happy. Yes, he and Jane had moments of genuine closeness, especially when spending time together in Scotland. And after years of being undecided about marriageâPaul admitted that although he really liked her, something never quite clicked, and the idea of settling down with her made him nervousâthey finally got engaged in late 1967. I think the fact that Paul's family adored Jane was one of the main reasons. But I firmly believe that if Paul had truly wanted the relationship to work and was 100% sure Jane was "the one," they would have gotten married. Instead, after returning from India, his life devolved into a mess over that summer while Jane was away: heavy drinking, bringing half-naked women to his house, and simultaneously dating Francie and Maggie. Maggie noted that during this period, Paul was suddenly "desperate" to settle down. He would indirectly ask her about marriage, while also asking Francie, "Do you think you could take care of me?" Francie claimed that he mentioned meeting Linda and feeling a connection with her, and that she would tell him, "then why don't you just go with her?", to which he supposedly replied, "I want to try it with you first." He was completely all over the place.
What could have changed during that period to make him so abruptly desperate to settle down? Seeing John become so tight with Yoko by that time was likely one of the primary drivers, if not the main one. After all, Paul himself admitted that seeing John and Yoko together made him feel "left out of the picture", stating that this led him to Linda, and that they "spurred each other into marriage". Francie mentioned that Paul would occasionally cruise past Jane's house in his car or call her, only for Jane to ignore him or say she was busy. Do I think this was because he genuinely considered Jane the love of his life? Not really. I think it points more to his broader desperation during that time to make a connection and settle down with someoneâwhether Maggie, Linda, Jane, or Francieâbecause he felt "abandoned" by John, as Ray Connolly put it. While Paul certainly liked Jane, I think his chaotic behavior in the summer of 1968âcrying on a friend's shoulder, declaring her the love of his life, his house being a mess, and his overall griefâwasn't just about her. How could it be, given what we know about his feelings toward John at the time, their widening rift, and John's total absorption with Yoko? Paul could very well have been grieving both Jane and John simultaneously, though he obviously wasn't going to verbalize the John aspect. Expressing heartbreak over Jane was a completely safe outlet, whereas the disproportionate weight of his sorrow likely stemmed from both Jane and John (mostly about John, in my opinion). It would have been easy for those around him (like Alistair Taylor and Mal Evans) to assume his emotional state was entirely about the breakdown of his relationship with Jane, when the reality in Paul's mind was far more complex. The fact that Paul literally admitted that seeing John and Yoko so strong together spurred him into marriage because he felt left out tells you everything you need to know about his mindset in 1968. It is highly unlikely that all the crying and grieving described by Alistair Taylor and others was strictly about Jane.
Paul McCartney at the Beatles' recording/performance session for "All You Need Is Loveâ at Abbey Road Studios (Studio One) on June 25, 1967.Â
Where does this quote come from?: âI could just tell by... the way he was looking that he, uh... liked it.â
It's from the mini podcast McCartney: A Life in Lyrics, from the episode Silly Love Songs. Here's the snippet:
Paul: I used to take [Martha] out to the country to long walks, take her out to Regent's Park, where she would see a duck on the lake and forget that you couldn't walk on water, so she'd run into it, and it would be like a cartoon. It was very nice. And I remember John being... very sort of... sympathetic... to me. I think he warmed to me... seeing me with... a pet. John was a cat... guy. He loved his cats. Q: When you say he warmed to you... Paul: Yeah... I remember... you know... him... I just remember sort of... when he came around and I'd be playing with Martha, I could tell... that he... liked it.
A few things stand out to me here. The first is Paul's hesitation. He isn't offering a simple, polished anecdote; his pauses suggest he is searching for the right words. His phrasing that John "warmed to me" or became "sympathetic" has always sounded a bit off to my ears. Notice, too, how he slightly deviates from the topic just to point out that John liked cats, which isn't really relevant to the point he's making. Also, when interviewer says, "When you say he warmed to you...?", this gave Paul the chance to reply, "Yes, before that he was rather guarded." But he doesn't. Instead, he downgrades his explanation to something much milder: "I could tell that he liked it." Those are two very different statements. "Warmed to me" implies a shift from coldness to affection, whereas "he liked seeing me with Martha" is a much narrower, simpler observation. This is why Iâm skeptical of using this story as proof that they had previously been emotionally distant, or that John seeing Paul play with Martha was what broke the ice. I think what happened is simpler: this memory stuck with Paul because John was looking at him with total tenderness while he played with Martha, and Paul loved being on the receiving end of that look. Of course, Paul isn't going to outright admit, "I just loved the adoring way he looked at me." So when he tries to share a memory he clearly treasures, he stumbles over how to frame it into a neat, conventional story. Notice how he deflects the interviewer's question instead of clarifying what he meant by John becoming "warm and sympathetic"âhe simply pivots back to saying he could tell John liked seeing him with Martha. The core of this memory for Paul is simply how John was looking at him, not much more. If anything, the anecdote reveals how deeply John felt about Paul: the mere sight of Paul being carefree, happy, and playful tugged at John's heart so intensely that it was written all over his face. The true center of John's attention wasn't Marthaâit was Paul. Paul knows that, and I feel that this why he gets so hesitant/self-conscious whenever he tries to explain the story publicly.
PAUL MCCARTNEY after the Philippines leg of the Beatlesâ final world tour; July 5th, 1966. (?)
© Robert Whitaker
Gustav Klimt's The Kiss
John Lennon backstage at Sundsta LĂ€roverk in Karlstad, Sweden | 25 October 1963
Paul McCartney in Revolver recording session (1966) Photographer: Leslie Bryce
Paul McCartney at Abbey Road in February of 1970 recording the âMcCartneyâ album on one of Ringoâs kits. Photography by Linda McCartney / Linda Enterprises Ltd. © Paul McCartney (https://www.lindamccartney.com/).
JOHN LENNON and PAUL MCCARTNEY We Can Work It Out music video (1965)