whatās the rush?
The time will pass anyway
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@shammens-art
whatās the rush?
The time will pass anyway
Tips for Writing Injuries
ā§ Broken ribs suck.Ā You donāt just āwalk it off.ā Breathing hurts. Laughing hurts. Existing hurts. Characters with rib injuries wonāt be doing heroic sprints.
ā§ Concussions arenāt instant naps.Ā Dazed vision, nausea, dizziness, maybe even personality changes, but theyāre not going to collapse neatly like in the movies.
ā§ Blood loss is sneaky.Ā Itās not just about dramatic pools of blood. Itās dizziness, confusion, and the body getting cold as circulation tanks.
ā§ Adrenaline lies.Ā Someone can take a serious injury and not feel it until the fightās over. That āI didnāt realize I was bleeding until laterā trope? Very real.
ā§ Twisted ankles are brutal.Ā One bad step and suddenly running is off the table. Even walking hurts like hell. Perfect way to ground a chase scene.
ā§ Burns linger.Ā Even small burns hurt more than most people expect. Blisters, infection risk, constant pain, itās not just a cool scar later.
ā§ Dislocated shoulders = useless arm.Ā Characters canāt keep swinging a sword or firing a gun. Theyāre basically fighting one-armed until itās fixed.
ā§ Shock is a thing.Ā Pale skin, trembling, rapid heartbeat, and eventually disorientation. A character might not even realize how bad their wound is.
ā§ Stitches arenāt magic.Ā Getting sewn up is painful and recovery takes time. Theyāre not instantly battle-ready after a needle and thread.
ā§ Scars tell stories.Ā Some fade, some donāt. Some stay sensitive forever. Donāt forget the aftermath when the wound becomes part of the character.
the world is running out of glassblowers and yet you want to become a fucking doctor
One of the most jarring moments of my university education was in a physics class when I was given a device that measures gravity and was told āthis cost the university sixteen thousand dollars, but the only glass blower in the world who could make the glass springs inside it died so itās literally irreplaceable. If you drop it those springs will shatter. Go fuck around with it for a day and take some measurementsā
In the UK there's a thing called the endangered crafts list which I highly recommend if you fancy discovering some crafts you never even knew existed. Scientific and optical instrument making is considered 'critically endangered' and glassworking (scientific glassware) is just considered endangered, which is for 'crafts with a shrinking market share, an ageing demographic or crafts with a declining number of practitioners.' There's some other crafts in that category which are easier to teach yourself or go to classes on that list, like lithography, marbling or block printing on fabric, so it might be worth considering those if you're looking for something to try.
With recent news of Adobe shutting down adobe animate
sometimes you need dialogue tags and don't want to use the same four
now for all your bodily perception needs
They should invent a being a writer that doesn't come with being isolated and diminishing returns on what you are given back compared to how much you give
So there's this story I love about Paul Williams, right? Famous musician who has done a ton of super popular work over a very long career. Well one thing he really poured his heart and soul into was the movie Phantom of the Paradise which fucking BOMBED. Like, mere words cannot describe how bad this reimagining of Phantom of the Opera But At A Disco went. It absolutely crushed Paul Williams. Broke his heart. His biggest failure.
Except during a tour of his he met who described as a young, nerdy Mexican kid who brought him a copy of the Phantom of the Paradise for him to sign. The kid wouldn't stop talking about how much he loved the soundtrack, and how much it inspired him. This kid was literally one of the few people in the world that loved the movie
It wasn't until Paul Williams ran into the kid all grown up did he realize it was Guillermo del Toro.
And it happened again, too! He also met a pair of young French men who wouldn't stop raving about how much they loved Phantom of the Paradise and how much it inspired them and their own band, Daft Punk. The three of them ended up doing an album together. An album that I would listen to on repeat while writing the early drafts of my book.
I guess what I'm trying to say is that sometimes the creative process seems cruel, unforgiving, and thankless. You can pour your heart and soul into something only to make zero waves. But even a so-called-failure can inspire and lift up someone that needs it. So you gotta keep creating, if only to be the next link in the chain of creativity and art.
Also I don't know about you but I haven't seriously written in months and I honestly feel like I'm going to explode from too many words so like, you also gotta keep relating or else you might explode.
Your story is still worth writing even if it veers off from what you planned originally.
Itās still worth writing even if you arenāt feeling it right now.
Itās still worth writing even if itās fanfiction.
Itās still worth writing even if you donāt think anyone else would ever want to read it.
Itās still worth writing even if it doesnāt get published.
Itās still worth writing even if it doesnāt get adapted into a huge blockbuster movie.
Itās still worth writing even if you canāt have fancy illustrations at the beginning of chapters or a map of the world at the beginning.
Itās still worth writing even if someone you trusted told you to stop.
Itās still worth writing if you just rolled your eyes at me.
Itās still worth writing, SO WRITE IT.
General PSA's for begginer alt crafting
- superglue heats up when in contact with fiber, your craft can start smoking or even catch on fire
- you can wash clothing painted with acrylic paint in the washing machine if you turn it inside out and use the lowest temperature
- don't put painted clothes in the dryer.
- you can wash clothes with metal bits in the washing machine but use the handwashing setting, dry the metal bits with a paper towel before hanging them to dry, and know that it WILL be loud
- synthetic dye is needed to dye synthetic fibers and requires a long time simmering in a boiling pot. This WILL stink up the house and you NEVER want to make food in that pot again
- faux leather is vinyl not leather. Get vinyl paint to paint on it
- don't use your teeth as tools, they don't regenerate. Reconstructing enamel costs a small fortune (ask me how I know.)
- when handsewing a lot through thick fabric get thin needles, it will require less force and be less taxing on your wrists. When machine sewing get a higher grade needle (~130 for jean)
- embroidery floss is overpriced and not as strong as it looks. For sewing on heavy stuff get denim thread, it will last forever
- don't feed a 60$ home sewing machine ten layers of denim before you learn how much a servicing fee costs, these things are dellicate
- spray paint is best applied from 30-40cm away, in swift movements. Putting too much or applying from too close will cause drips. You can sand them down and apply a new layer of paint AFTER they dry. Wipe the can nozzle after painting if it's messy, you don't want it to clog and become unusable
- water based markers on fabric will bleed, if not instantly then with time, alcohol markers will fade with time
- most fabric glues are machine washable up to a certain temperature. modgepodge is not waterproof, hitack is handwash only. Check the instructions
- the flatter the surface the easier hot glue will peel off. Faux leather stands no chance, fibers like yarn will hold it best, but is impossible to remove the glue from them in the future
- rivets are a thing that exists, only require a hammer to install and can be used as permanent fabric attachment
- studs, gromets and other metal junk at small fabric stores are laughably overspriced
- acetone (found in nail polish remover) will remove acrylic stains out of furniture, flooring and faux leather, if used in excess can damage the laquer. Can also be used to remove prints and glue off of plastic (do a small test before commiting, might melt the plastic it it's grade is low)
- residue from stickers (and k-tape) can be removed with oil
- acrylic stains cannot be removed out of clothing or carpet so protect your area before painting and don't wear clothes you care about
- if your thread keeps getting tangled or snagging while handsewing try waxing it
- you can lock in screw-in spikes with screw lock glue if you're scared of them falling off because they unscrew
- you can add washers to screw-in spikes if you're scared of them falling through flimsy fabric or too big of a hole
- if you're making anything out of soda cans have a metal file on hand, they are deceptively sharp and will hurt you and rip through fabric you're installing them in
- bleach can be found in mold killing spray (don't touch that shit with bare hands. chemical burn.)
- fabric paints are no different from slightly dilluted acrylic. You can make it yourself by adding a bit of fabric softener to acrylic or honestly even water
- if you are setting anything with an iron use parchment paper or a pressing cloth to pervent your stuff from sticking to your iron and ruining it
- if you want a safety pin somewhere permanently pinch it shut with pliers
- as much as you can, avoid putting glue on clothing, it makes it really hard to change your decisions later on and upcycle the project in the future
- kiss your friends
- avoid using faux leather if real is affordable. It's plastic, it falls apart and stretches easily, and it will never fully degrade in the environment once you have to throw it away. Real leather (if affordable) will last for years and years, and degrade like any organic waste product once thrown away.
Too many artists are held back by outdated and bad color theory rules, or even rules that are fine but have built in limitations that you should know and I want to set everyone free.
Tertiary Red and Secondary Blue could be in your color theory understanding and make paint mixing way easier but they played you
Also hot takes:
Learning color theory through oil painting is more difficult than learning it through gouache & watercolor, primarily because it takes way more time to find mass tone and mix everything and also it's much less obvious to easily and quickly discern if a paint pigment is highly staining or transparent.
Oil painters like to seem like they have the richest and most storied traditions in color theory to past down but also inevitably they are the most likely to retain an extremely limited chroma palette based on classical palettes for the sake of classicism and not always make that fact very apparent to a beginner aside from saying it's an "old masters palette" watercolor/gouache painters are bad at using paints that are not light-fast and clinging to them despite having better alternatives, but generally still understand chroma gamuts and pigment importance better or at least talk about them more.
When you're mixing paints, the earth colors (browns) don't need to handled and thought of as brown. Ask yourself if the brown is yellow, orange, red, or leaning towards a black (which would be treated as a violet or blue, depending on whether black is warmer or cooler).
Yes there are cool reds and warm blues
Any reference color wheel that places red on the very top hurts my feelings, stop doing this just because you learned "roygbiv". Yellow is at the top and the Indigo-Blue range is on the bottom because this also means the color with the lightest possible value is opposite the color with the darkest possible value, so you have the colors arranged with a value scale from top to bottom BUILT IN.
this is related to why ivory black is actually very dark blue.
@rizahawkeyesmuscles
This makes me think makeup artists have good color theory, having to understand undertones of skin, warm v neutral v cool toned red lipstick....
Yes!!! I mean first of all, makeup artists are artists.
and they are ALSO ultimately just blending pigments to produce certain colors and effects, so yeah professionally do study the basics of color theory and then necessarily have to adapt it to their medium. And they tend to generally add like, what you talked about with recognizing cool/warm/olive/neutral undertones and such as a big consideration to their canvas.
And that IS why people will say "this is a cooler red lipstick" (although even cooler than that would be magenta or fuschia!).
I think the only thing I've noticed wrt to honestly mostly beauty influencers and not actual professional MUAs is that too many people buy an eyeshadow palette of cool tones in the palette and then put it on and complain it pulls "too warm for their cool skin." And it "isn't actually a true cool tone palette."
I just want to grab all these people by the face and say:
"Shhhhhh. Color temperature is relative. Although you have cool skin undertones, you ALSO have blood under your skin which will inherently make your base skin-canvas slightly warm no matter your foundation shade. So when you put any kind of pigment that isn't fully opaque onto your skin, the transparency WILL be warmed by your skin because you're alive and have blood still. The eyeshadow palette IS a cool palette. You're just not a vampire, which is why that cool taupe shade suddenly looks different from the mass tone in the palette."
These influencers would understand this better if they did some watercolor painting on pre-tintedpaper and then compared it to painting on pure white.
But a MUA probably already figured this out yeah.
In case anyone is curious here are my top color recommendations
Handprint.com is hands down the most comprehensive scientific explanation of how different color wheels or palette choices work. It's big and dense and exceptionally thorough. I skim frequently and find myself always learning more. https://handprint.com/HP/WCL/water.html everything is done using watercolors as a reference point but a LOT of this translates to other mediums. For the record his CIECAM color wheel is what I consider to be the best (not 3 dimensional) color wheel for artists. Period.
He uses pigment numbers for some of the most common watercolors rather than specific paint brands or color names to place the pigments. It's also a case study in why yellow being at the top is the best because it also means you have a value scale from top to bottom (since black paints are just dark violets or blues, ultimately.)
When you look at this, you can start realizing more and more why the earth colors can be used as if they were like, straight red, or yellow, or orange. Like if you wanted to make a limited palette, you could use "burnt sienna" as your dark yellow (which will make the whole palette lean orange!) Or it could be your orange or you could use burnt sienna as your red. (Look at gamut masking links below)
Seriously it's good to try and swatch your medium (even really quickly!) Within a CIECAM Artist's color wheel. Below are two of my attempts:
From loose memory and then mapping pigments roughly.
He also discusses the difference between visual complements and mixing complements!
Anyways absolutely try to read bits and pieces. The whole site is amazing. Handprint is amazing.
Also:
https://gurneyjourney.blogspot.com and James Gurney's book: Color and Light: a guide for the realist painter. James Gurney is the dinotopia guy. That book is also amazing for painting fantasy with lots of fantastical examples. Here are two short videos on gamut mapping and gamut masking. Accompanying blog posts.
No surprises here! His book also charts pigments:
Actually these are my four favorite books hands down:
Color and Light: a Guide for the realist painter - James Gurney
Color for Painters: a guide to traditions & practice - Al Gury
The oil painters color handbook - Todd m casey
Artist's master series: Color & light - 3d total publishing. This one emphasizes digital!
The first two have been out for awhile now and you can more easily find them cheaper/used online than the latter two which are relatively newer and hefty hardbacks.
Also, from personal experience: al gury is a sweetheart angel who is a huge crazy cat man. I adore him, he's so kind and helpful. I think it's a little late to join the current session (although they did only start Jan 28, so you can always ask! Class videos are recorded), BUT he frequently offers a class on color that is fully online through PAFA continuing education, as well as other classes. I haven't taken it yet, but I HAVE taken other classes online with Al and he's really great.
Oh also online gamut masking tools:
In krita: https://docs.krita.org/en/user_manual/gamut_masks.html
https://claudiamatosa.com/resources/gamut-masking simple tool
https://mypaintingclub.com/blog/post/39-The-Gamut-Mask-Tool another tool with more complexity
The tl;Dr of a gamut mask is to show you the full range of possible colors you can mix within a given palette (choices of colors/pigments).
Hey, man, c'mere. Listen. Get in real close, this is important.
You're gonna make stuff again. You're gonna make stuff you're proud of. You're gonna make stuff you're excited to share. You're going to feel that overwhelming drive to create, not just the frantic I want to want to you're stuck in now. You're going to have awesome ideas, and you're going to make them into reality. You're going to create again. You're still an artist. You're still a writer. You're still home to the same passion you had before. You'll find it again. It's not gone. It's just resting. Let it rest. You're going to make stuff again. I promise.
folks in my discord liked how I drew the void-y tentacles, and since it's a super fast and easy method, I made a little tutorial for them - thought I'd share it here too! maybe it helps someone š®
Something i wish someone would have told me as a kid:
Draw without worrying about what the final product looks like. Write short stories about anything you think of. Sketch whenever you can. Grab your old paints and canvas and put color to it. Turn on your favorite song and sing. You dont even have to finish your pieces, just go until youre done. If you want, watch tutorials and draw that way. Just create. If you dont have the tools, draw in the sand with your fingers. Put leaves in patterns, stack your food in a fun way. Make things, even if you hate the final product. Because society has made making art seem like a sin unless you immediately make something beautiful. Art shouldn't be about that. Its about expression, and fun. And you'll find eventually that those pieces you hated helped you get to the point you create something you love.
Dont ever stop making art.
Words to replace said, except this actually helps
I got pretty fed up with looking for words to replace said because they werenāt sorted in a way I could easily use/find them for the right time. So I did some myself.
IN RESPONSE TO Acknowledged Answered Protested
INPUT/JOIN CONVERSATION/ASK Added Implored Inquired Insisted Proposed Queried Questioned Recommended Testified
GUILTY/RELUCTANCE/SORRY Admitted Apologized Conceded Confessed Professed
FOR SOMEONE ELSE Advised Criticized Suggested
JUST CHECKING Affirmed Agreed Alleged Confirmed
LOUD Announced Chanted Crowed
LEWD/CUTE/SECRET SPY FEEL Appealed Disclosed Moaned
ANGRY FUCK OFF MATE WANNA FIGHT Argued Barked Challenged Cursed Fumed Growled Hissed Roared Swore
SMARTASS Articulated Asserted Assured Avowed Claimed Commanded Cross-examined Demanded Digressed Directed Foretold Instructed Interrupted Predicted Proclaimed Quoted Theorized
ASSHOLE Bellowed Boasted Bragged
NERVOUS TRAINWRECK Babbled Bawled Mumbled Sputtered Stammered Stuttered
SUAVE MOTHERFUCKER Bargained Divulged Disclosed Exhorted
FIRST OFF Began
LASTLY Concluded Concurred
WEAK PUSY Begged Blurted Complained Cried Faltered Fretted
HAPPY/LOL Cajoled Exclaimed Gushed Jested Joked Laughed
WEIRDLY HAPPY/EXCITED Extolled Jabbered Raved
BRUH, CHILL Cautioned Warned
ACTUALLY, YOUāRE WRONG Chided Contended Corrected Countered Debated Elaborated Objected Ranted Retorted
CHILL SAVAGE Commented Continued Observed Surmised
LISTEN BUDDY Enunciated Explained Elaborated Hinted Implied Lectured Reiterated Recited Reminded Stressed
BRUH I NEED U AND U NEED ME Confided Offered Urged
FINE Consented Decided
TOO EMO FULL OF EMOTIONS Croaked Lamented Pledged Sobbed Sympathized Wailed Whimpered
JUST SAYING Declared Decreed Mentioned Noted Pointed out Postulated Speculated Stated Told Vouched
WASNāT ME Denied Lied
EVIL SMARTASS Dictated Equivocated Ordered Reprimanded Threatened
BORED Droned Sighed
SHHHH ITāS QUIET TIME Echoed Mumbled Murmured Muttered Uttered Whispered
DRAMA QUEEN Exaggerated Panted Pleaded Prayed Preached
OH SHIT Gasped Marveled Screamed Screeched Shouted Shrieked Yelped Yelled
ANNOYED Grumbled Grunted Jeered Quipped Scolded Snapped Snarled Sneered
ANNOYING Nagged
I DONāT REALLY CARE BUT WHATEVER Guessed Ventured
IāM DRUNK OR JUST BEING WEIRDLY EXPRESSIVE FOR A POINT/SARCASM Hooted Howled Yowled
I WONDER Pondered Voiced Wondered
OH, YEAH, WHOOPS Recalled Recited Remembered
SURPRISE BITCH Revealed
IT SEEMS FAKE BUT OKAY/HA ACTUALLY FUNNY BUT I DONāT WANT TO LAUGH OUT LOUD Scoffed Snickered Snorted
BITCHY Tattled Taunted Teased
Edit: People, Iām an English and creative writing double major in college;Ā I understand that thereās nothing wrong with simply usingĀ āsaid.ā This was just for fun, and it comes in handy when I need to add pizzazz.Ā
In addition to a little pizzazz in the dialogue tags, these are also super useful as part of the narration, or summing up/paraphrasing something that has been said, or even in a characterās dialogue as they describe how someone was talking!
Snarled growled hissed my BELOVEDS
NEVER GIVE UP
"just write a little every day" ok but what if i write nothing for 3 weeks and then suddenly type like iām being hunted by god
Never-before-published model sheets for canned Amblin Cats movie šāā¬āļøšļø
Hi all. As promised, I am sharing a comprehensive .PDF of model sheets that were created for the Amblimation Cats movie that never saw the light of day. Most of these model sheets have not been published or posted anywhere on the internet as far as I'm aware. I'm going to get ahead of some questions for the good of the order:
Are these real? I certainly didn't sit and create all 117 pages myself for the sake of an elaborate hoax!
How did you get these? I work in the animation industry. A senior coworker caught wind of my cats obsession and said he had the Xeroxes and asked if I wanted him to bring them in. Internally, I flipped my shit. And then I digitized his hard copies.
How did your coworker get these? They were found in the library of the university he used to go to. (Not super unusual at an arts school in southern California.) He made photo copies back then and has been holding onto them. The thing is he knows nothing about CATS; isn't a CATS fan, never seen it, etc. I guess he just felt it was something worth holding on to!
Can you upload better quality? Unfortunately what you're seeing as good as the quality gets. These are scans of photocopies from the 90s. There is nothing to be done for the crunchiness.
What about (missing characters)? I'm showing you everything I was personally given!
Which character is (nondescript drawing of a cat)? If the image isn't labeled, your guess is as good as mine! I put all the misc./unlabeled cats in the back of the PDF. The only exceptions are ones that I felt were abundantly obviously supposed to be a specific character.
Who are the artists? Unfortunately, there's no way I can tell for sure. None of the sheets are signed. I wouldn't even go about guessing because many concept artists can perfectly emulate more "well known" illustrators whose styles were sought after. My coworker said he might be able to figure out who the draftsmen were; until then it's a mystery! If I find out, I will come back to this post and update it with that information.
Are these all the model sheets ever? No! In fact, there are model sheets that have been posted online that are not in the bundle I was given. I have no idea of the sum total of model sheets in existence.
Where's the link?! Here it is! Have fun kitties!