slay it again, bro @slayitagain - Tumblr Blog

bishiedoll

人魚 (Mermaid) by Takabatake Kasho, 1920s, originally published in the magazine 少女画報 (Shoujo Gahou).

cryptotheism

I always wanted to be the guard that tells only lies

cryptotheism

I mean I've actually never wanted to be that.

cryptotheism

Stupid stupid stupid. C'mon. At this rate I'll never be a lie guard.

brothermouse-skeleton

As a professional guard who always lies, don't worry about it, you're doing great.

#oh dear

critical-objects-deactivated202

Laura Aguilar is a Los Angeles-based photographer whose work mines the intersection between feminism, body image, queer politics, and latinx identity. Her earliest works depicted latina lesbians in intimate portraits, calling to mind the frankness of Catherine Opie, while her best known series features self-portraits of Aguilar posed nude in the California desert landscape. These photographs are instantly striking, finding in the artist’s body formal elements that echo the landscape itself, as in its doubling here with the giant rock that eludes the frame. Aguilar also forces our gaze onto a body that does not conform to stereotypical images of latinx or feminine identity—a body type that is not so much othered as invisible, despite its ubiquity. The artist originally began to produce these photos as a means of grappling with her own issues with weight and self-acceptance, but quickly came to see them as something more. They offer a profound, ambivalent vision of woman and nature. We see Aguilar dissolve into the landscape in search of anonymity, at the same time that she reclaims the pride and beauty in her body far removed from the society that rejects it.

Laura Aguilar, Grounded #111, 1992

formlines

Flying Raven Sculpture This Flying Raven sculpture, including the base, measures approximately 11 inches or 28 centimeters high, by 18 inches or 46 centimeters long, by 19 1/2 inches or 50 centimeters wide.

Rod Smith

househunting

$225,000/2 br/1 br/2000 sq ft

Kingman, AZ

Built in 1901

alisonzai

salantami

Les Étoiles (“The Stars”) in Ivry-sur-Seine, France, is one of the most iconic examples of post-war experimental housing. Designed by architect Jean Renaudie in the 1970s, the complex rejects the monotony of uniform blocks — instead, it bursts into angular terraces, sharp geometries, and lush rooftop gardens.

Photograph: Robert Doisneau

o-kurwa

theunvanquishedzims

#i mean. bro #i hate to break this to you but #you are in fact good at the small amount of piano ur playing #it is not fake

Dude taught himself to compose and calls it fake

“Just string it together in any order, the more random it is the more complex it’ll sound" improvising music on the fly was one of Mozart’s party tricks

Not saying this guy is Mozart but he’s smart and clever and talented and way, way underappreciating himself