the thing is that i think morrigan and wynne don't even realize that they are painful mirrors for each other and if they knew it would be even worse. wynne demonstrates p clearly, at least to me, that she learned v little from her failure w aneirin — or quite frankly, what she learned, she feels isn't worth applying to morrigan. that has everything to do w the fact that morrigan is a young woman.
when wynne tells a morrigan-romancing warden that morrigan is 'a maleficar' who will 'use [the warden] for her own ends', she has no idea that morrigan indeed plans on convincing one of the wardens to impregnate her. i place morrigan around 19, which is the age wynne was when aneirin was apprenticed to her. a year after aneurin disappeared, wynne found out she was pregnant.
there are two key dialogues to me between morrigan and wynne. the first is this one:
Wynne: I have been thinking about what you said, Morrigan. About the Circle.
Morrigan: Allow me to leap to the supposition that you disagree.
Wynne: Let us say that the Circle did not exist. What sort of a world would you envision for mages? Would you advocate a return to the days of the Imperium?
Morrigan: I advocate nothing. Nature dictates that the strong survive, if they have the will.
Wynne: So you prefer a life of hardship and fear, so long as you believe you aren't tethered and free to do as you wish.
Morrigan: That is so.
Wynne: But are you not here because your mother wished you to be?
Morrigan: I could leave if I desired to.
Wynne: Of course. It simply strikes me as odd that one who believes in such freedom has never spent any time alone and unprotected.
like it's not that wynne looks at morrigan and sees only a manipulative temptress bent on vaguely evil ends. this dialogue reads to me as tho she is fully capable of recognizing that morrigan is a) deeply naive and b) totally unprepared for the world that wynne believes eats up vulnerable young mages like her lost apprentice. i think there's also the implication here that wynne understands that flemeth is not a particularly good mother, and while she doesn't approve of killing flemeth, you can garner a whopping -5 disapproval, the highest of everyone, for letting flemeth go but telling morrigan that she's dead.
the second dialogue is this one:
Morrigan: I have spent time alone and unprotected.
Wynne: I'm sorry, what?
Morrigan: You said earlier that I had spent no time alone, I have. I left the wilds more than once when I was young to seek more of the world of men.
Wynne: Did you return to the Wilds on your own? Or did your mother seek you out?
Morrigan: She would never leave the Wilds. I returned on my own. The world of man… is dangerous.
Wynne: And frightening, I imagine. Especially for someone ill-prepared for it.
Morrigan: But the Circle is no place of safety. 'Tis a place of subjugation.
Wynne: Is it? It is by no means perfect, I agree, but consider the alternative. At least other mages can understand our struggle. We can help each other.
Morrigan: It is… something to consider, I suppose.
Wynne: Well that's certainly something.
here, morrigan kind of accidentally admits that she was rattled by what wynne said to her, and while she's trying to assert her independence, what she's describing is neglect. wynne picks up on that. wynne had a community of mages who could understand her struggle. morrigan had flemeth, and flemeth let morrigan go out on her own 'ill-prepared'.
but when wynne talks to a morrigan-romancing warden, even tho morrigan's romance involves her getting extremely reluctant abt physical intimacy, wynne frames the relationship as she sees it as one where morrigan is constantly lusting after the warden — wynne says it's 'as though [morrigan] has completely forgotten there's anything of [the warden] above the waist.' and wynne also confronts morrigan about the romance:
Morrigan: You do not approve of me, do you?
Wynne: You have to ask? I didn't realize I was being subtle.
Morrigan: Ah, the old cat still has her claws, I see. And you also do not approve of my involvement with our stalwart Grey Warden.
Wynne: You are dangerous, Morrigan. Dangerous, cunning and thoroughly deceitful. But you are beautiful, and he is young. It's a pity he doesn't know any better.
Morrigan: Why, Wynne, I do believe that is the first time you have ever offered a compliment. Thank you.
Wynne: Only you would take that as a compliment.
Morrigan: Listen, old woman. what happens between myself and him is not your concern. You can approve or not approve as you wish, but this is one thing you cannot influence and mold to your liking.
Wynne: So you say. I do hope that one day soon you will discover that neither is he.
Morrigan: You mistake my intent, old cat. And you are a fool.
Wynne: Am I? Well, let's hope so.
wynne was a young mage who was taken advantage of by someone w far more power than her, and it resulted in a tragedy. granted, not every warden is necessarily less vulnerable than morrigan, but every warden that has the capability to knock morrigan up will suffer none of the consequences of a pregnancy endured alone.
wynne can recognize that morrigan, for all her protestations, was ultimate a child w an inadequate protector — not unlike aneurin, whose fate she agonizes over even tho she's taking on more guilt than is necessary. but wynne connects morrigan's beauty w how dangerous wynne believes morrigan to be. morrigan at one point snipes that she 'is still young, beautiful, and my life is [her] own while [wynne is] bound to that circle', but it's clear that she feels her beauty gives her status. for wynne, it's a weapon in morrigan's arsenal.
the templar who knocked wynne up writes her an incredibly nasty letter that wynne keeps until her death. it reads:
it's a good thing we haven't spoken much since my return. anger put my mind in disarray and civility would have been damn near impossible. but it is time, and perhaps in writing, i can put into words what i find difficult to say in person.
you told me you had no choice but to let them take him. tell that to yourself if you must; we both know it isn't true. you had a choice from the very start. from the moment you found out. but you withheld knowledge of my own son from me because you knew i would have found a way. you knew i would have given up the order for the both of you. so blame my love for the chantry, the templars, my vows, if it helps you live with it. maintain the fiction that you couldn't drag me down with you. pretend that you are the martyred party. i'll always know the truth: you chose your place in the circle over your own son. your belief that perfect obedience could win a mage the trust of the chantry was more precious to you than what we had. you decided to be helpless when you had a choice to fight. it wasn't your decision to make. he was mine, too. the chantry may have taken him, but you kept him from me.
and idk. i just think this is all connected.
wynne never finds out that morrigan was essentially groomed into becoming a vessel. she might have wanted an old god's power; she might have wanted some way of protecting herself from flemeth. it is nevertheless overwhelmingly clear that morrigan has zero positive associations with motherhood, and the fact that she manages to become a loving parent to kieran is always in spite of flemeth. she didn't want to be pregnant. flemeth sent her w the wardens so that she would get pregnant.
it's not rly clear why wynne kept the pregnancy if she was so concerned abt her 'place in the circle.' but she did! and it resulted in her child being forcibly taken from her by the ppl who groomed her into devastating compliance. motherhood is no less fraught for wynne than it is for morrigan.
wynne looks at the warden and morrigan and knows the consequences of reckless, ill-advised sex. but i think she's so filled w self-loathing over the circumstances of her own reckless, ill-advised sex that she can't bring herself to see that morrigan is still young and vulnerable — as she was when she was a child encountering a world she wasn't prepared for — even if wynne doesn't know the full extent of it. morrigan has to be the aggressor. morrigan has to be the liar. a male warden is simply too in the thrall of morrigan's beauty to have much agency from wynne's perspective.
First of my glass animal mask series! This was so fun to paint, what other animals should I try? So far I'm thinking owl and deer for a woodland theme🦊🦉🦌
This painting and more have just been added as a print to my webshop :)
you may be familiar with disney twisted wonderland, the gacha game in which various disney villains are used as direct inspiration for handsome anime boys. well that game was so successful that disney is trying to do it again but this time they're just animeboyifying whatever
here's mickey, goofy, donald, and chip & dale. yeah they turned mickey & friends into anime boys. they're an idol unit or something. they're technically not anime boy versions of the source characters, they have different names. mickey's guy is "Neo Michel". not michael, michel, like he's french. chip & dale are "Ruska Moncrief" and "Ranka Monk", they have different last names, they're not brothers anymore so that they can be yaoibait instead, anyways this post isn't actually about these guys I'm just setting the stage for the actual humanizations I wanted to show you
They also did monsters inc. And. Well it's obvious from the designs who mike and sully are. but you will also notice. the blonde one on the left. with glasses. monsters inc is kind of famously about just the two guys so they didn't really have a lot of other non-villain characters to take anime boys inspiration from, I guess, so, well,
Yeah it's her. they made an anime boy version of the mean receptionist slug. her name is roz btw, as all of boygachagame twitter has become extremely aware of in the past 3 days as we speculated prior to the release of the full image who tf the third guy was. the anime boy's name is "noah slugger". at this point no parody of the types of things gacha games will make gijinkas of will ever be able to live up to what disney is officially spending their own real money on designing
Good morning Mr. Jigsaw I noticed that this trap has a time limit of 60 minutes but as per my accommodations through the school Center of Disability Resources I get time and a half on exams and quizzes is that still something I can apply to this game right now? Thank you for understanding have a nice day
washing dishes is evil because you go "oh fuck there's so many dishes this is gonna take foreverrr" and then you enter the dish abyss and emerge with your abdomen somehow covered in water and your hands all wrinky and then you look at the clock and what felt like half an hour was actually 10 minutes
If Hadestown has a moral, she says, then it’s “you have to try, you have to have hope, not because success is a given – it’s not. Orpheus fails. We heroicise” – here she breaks off to apologise that jet lag has led to her making up words – “we heroicise Orpheus not because he succeeds but because he tries, and that endeavour alone is worthwhile. How to live, and not merely survive, is to believe things could change.”
Anaïs Mitchell on her musical Hadestown: 'I worked on it so long I was afraid I'd never make another record'
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