Came across this art installation, Liza Lou's Kitchen, at the Whitney Museum of American Art, NYC. It's a kitchen made of tiny glass beads, that artist Liza Lou did, taking 5 yrs. to complete, from 1991 - 1996.
My favorite part is the sink.
RMH

Kiana Khansmith

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Cosmic Funnies
Cosimo Galluzzi
let's talk about Bridgerton tea, my ask is open
Noah Kahan
Jules of Nature
Xuebing Du
Lint Roller? I Barely Know Her

Origami Around
trying on a metaphor
Game of Thrones Daily
todays bird
we're not kids anymore.

titsay
2025 on Tumblr: Trends That Defined the Year
he wasn't even looking at me and he found me
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The Stonewall Inn

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@spectaclesandspaghettios
Came across this art installation, Liza Lou's Kitchen, at the Whitney Museum of American Art, NYC. It's a kitchen made of tiny glass beads, that artist Liza Lou did, taking 5 yrs. to complete, from 1991 - 1996.
My favorite part is the sink.
Douglas Fairbanks kissing with a cigarette in The Gaucho (1927) and Gene Kelly kissing with a cigarette in The Pirate (1948)
We are to face a category ten interstellar squall, something we rarely see in the Alpha Quadrant. // I've seen one once, a long time ago, but not from this close.
4.01 "Valles Marineris" STAR TREK: STRANGE NEW WORLDS (2022–)
Console buttons from Star Trek: The Original Series (1966-69)
Czech biopunk sci-fi in 1990, and what happened after.
By Cyril Simsa Eva Hauserová promoting her non-fiction title Na koštěti se dá i lítat [Broomsticks can also be used for flying], 1995 Of the
at some point in your life you will be boiling fruit, water, sugar, and lemon juice in a pot to make a syrup or jam. the instructions will tell you to simmer for a certain amt of time. your timer will go off and you will look at the pot and go, "hm, this doesn't look thick enough. maybe i'll let it go for another 10 minutes." this is the devil speaking. it's only so liquid right now because it is at boiling point. it will thicken when it cools down. learn from the follies of my youth and do not let this happen to you
at some point in your life you will be making a sauce or a stew in which you need to add cornstarch to thicken it. and you will prepare a slurry of starch in cold water and think "this looks like way too little starch to thicken this amount of liquid." this is the devil speaking. cornstarch instantly polymerizes at 95°C and if you add too much it will turn into an impossibly thick goop.
at some point in your life you will be making some sort of cream based dessert that requires gelatin to thicken it. and you will soak some gelatin sheets in water and think "this is too few gelatin sheets for this amount of cream." this is the devil speaking. it will thicken in the fridge and if you add too much you will end up with milk jelly
at some point in your life you will be baking cookies. you will take the sheet out after twelve minutes as the recipe instructs and the cookies will still be glistening and soft. "these don't seem cooked enough," you will think to yourself, "i should place them back into the oven until their edges are nice and golden." this is the devil talking. this is how you get dry, overdone cookies. the cookies will continue to bake on the warm sheet for several more minutes and then harden up after sitting on a rack for a while. trust the process. trust the process.
at some point in your life you will be adding a small pasta to a soup and you will think "that is not enough small pasta." this is the devil talking. the pasta will absorb the stock and expand. this is how you end up with a soup that is a solid mass of soggy ditalini.
At some point in your life you will be adding garlic to a dish and you will think "that is not enough garlic." These are angels speaking. They are correct. Add more garlic.
i fucking love when halloween music is just surf rock with a ghoul laughing in the background
these women did wonders for the “i’m single and i like it that way” community… i’m having a sexy ass life!
“Hey, up close you’re a sweater!” “Far away, too”
Attention all personnel! Available here
Iris van Herpen | Scarab Gown
FASHION IN FILM SERIES [1/?] ↳ CLUELESS (1995) | costume design by MONA MAY
Mr. Rogers had an intentional manner of speaking to children, which his writers called “Freddish”. There were nine steps for translating into Freddish:
“State the idea you wish to express as clearly as possible, and in terms preschoolers can understand.” Example: It is dangerous to play in the street.
“Rephrase in a positive manner,” as in It is good to play where it is safe.
“Rephrase the idea, bearing in mind that preschoolers cannot yet make subtle distinctions and need to be redirected to authorities they trust.” As in, “Ask your parents where it is safe to play.”
“Rephrase your idea to eliminate all elements that could be considered prescriptive, directive, or instructive.” In the example, that’d mean getting rid of “ask”: Your parents will tell you where it is safe to play.
“Rephrase any element that suggests certainty.” That’d be “will”: Your parents can tell you where it is safe to play.
“Rephrase your idea to eliminate any element that may not apply to all children.” Not all children know their parents, so: Your favorite grown-ups can tell you where it is safe to play.
“Add a simple motivational idea that gives preschoolers a reason to follow your advice.” Perhaps: Your favorite grown-ups can tell you where it is safe to play. It is good to listen to them.
“Rephrase your new statement, repeating the first step.” “Good” represents a value judgment, so: Your favorite grown-ups can tell you where it is safe to play. It is important to try to listen to them.
“Rephrase your idea a final time, relating it to some phase of development a preschooler can understand.” Maybe: Your favorite grown-ups can tell you where it is safe to play. It is important to try to listen to them, and listening is an important part of growing.
Mr. Rogers Had a Simple Set of Rules for Talking to Children - The Atlantic
Rogers brought this level of care and attention not just to granular details and phrasings, but the bigger messages his show would send. Hedda Sharapan, one of the staff members at Fred Rogers’s production company, Family Communications, Inc., recalls Rogers once halted taping of a show when a cast member told the puppet Henrietta Pussycat not to cry; he interrupted shooting to make it clear that his show would never suggest to children that they not cry.
In working on the show, Rogers interacted extensively with academic researchers. Daniel R. Anderson, a psychologist formerly at the University of Massachusetts who worked as an advisor for the show, remembered a speaking trip to Germany at which some members of an academic audience raised questions about Rogers’s direct approach on television. They were concerned that it could lead to false expectations from children of personal support from a televised figure. Anderson was impressed with the depth of Rogers’s reaction, and with the fact that he went back to production carefully screening scripts for any hint of language that could confuse children in that way.
In fact, Freddish and Rogers’s philosophy of child development is actually derived from some of the leading 20th-century scholars of the subject. In the 1950s, Rogers, already well known for a previous children’s TV program, was pursuing a graduate degree at The Pittsburgh Theological Seminary when a teacher there recommended he also study under the child-development expert Margaret McFarland at the University of Pittsburgh. There he was exposed to the theories of legendary faculty, including McFarland, Benjamin Spock, Erik Erikson, and T. Berry Brazelton. Rogers learned the highest standards in this emerging academic field, and he applied them to his program for almost half a century.
This is one of the reasons Rogers was so particular about the writing on his show. “I spent hours talking with Fred and taking notes,” says Greenwald, “then hours talking with Margaret McFarland before I went off and wrote the scripts. Then Fred made them better.” As simple as Mister Rogers’ Neighborhood looked and sounded, every detail in it was the product of a tremendously careful, academically-informed process.
That idea is REALLY worth learning to talk to the kiddos. Mr. Rogers still has a lot to teach us–especially for our own kids.
Dolly photographed with Arnold Schwarzenegger by Annie Leibovitz for Rolling Stone, 1977. 🩷🤍✨
College friendship is sending one of your friends who's graduating soon a giant list of monster theory and gothic horror academic reading recs so they can download as many PDFs as possible before they lose their university database access
Got a request for some of the recs here, so here's a short-ish list of some of the reading recs -- I've made an effort to link open source and/or at least slightly more accessible databases like JSTOR wherever possible, but some of these are, admittedly behind various paywalls that I wish everyone luck with circumventing in whatever manner you deem fit
Monster Theory - Really great anthology to start with, especially the first reading, Jeffrey Jerome Cohen's famous "Monster Culture (Seven Theses)" which is a personal favorite
The Journal of the Fantastic in the Arts - A general SF/F journal, but there are definitely a lot of great monster theory and gothic horror readings sprinkled throughout. Consider taking a look at Veronica Hollinger's "The Vampire and/as Alien," the special issue on Dracula, and Faye J. Ringel's "Genetic Experimentation: Mad Scientists and the Beast," among others
Werewolf Histories edited by Willem Blécourt - Phenomenal anthology on werewolf scholarship, especially if you're interested in the connections between werewolves and witchcraft and/or witch trials in Early Modern Europe
Skin Shows: Gothic Horror and the Technology of Monsters by Jack Halberstam - Of interest to those who are interested in the connection between the gothic and gender (among other topics). Halberstam has written extensively on both
The Journal of Dracula Studies - Exactly what it sounds like.
Preternature: Critical and Historical Studies on the Preternatural - Another journal, which focuses on the connections between witchcraft and occultism, monsters, demonology, and the like.
Susan Stryker's "My Words to Victor Frankenstein Above the Village of Chamounix" - An absolutely landmark piece of writing on Frankenstein and the transgender (and in particular the transfeminine) experience; one of my favorite pieces of academic writing of all time.
Speaking of Monsters: A Teratological Anthology - Another solid monster theory anthology
Arts of Living on a Damaged Planet: Ghosts and Monsters of the Anthropocene - A really, really good anthology about the ecological gothic that I cannot recommend enough. As a known werewolf guy I especially like the piece "Wolf, or Homo homini lupus" by Carla Freccero
The Vampire Lectures by Lawrence Rickels - So many vampires
Monster Culture in the 21st Century: A Reader - Another anthology, I in particular recommend Rosalind Sibielski's "Gendering the Monster Within: Biological Essentialism, Sexual Difference, and Changing Symbolic Functions of the Monster in Popular Werewolf Texts" in this one.
"The Trans Legacy of Frankenstein" by Jolene Zigarovich - Definitely a good read if you enjoyed the Stryker piece earlier; it's a more general survey of the idea but might give you some ideas for further reading
TransGothic in Literature and Culture - A whole anthology of works on transgender identity and the gothic!
Twenty-First Century Gothic: An Edinburgh Companion - Not to be confused with the other similarly named anthology earlier, this one is on various modern perspectives on the gothic.
"Christians and Jews in the Twelfth Century Werewolf Renaissance" by David A. Shyovitz - Stand-alone article but really really interesting
Wonders and the Order of Nature: 1150-1750 by Lorraine Daston & Katherine Park - Incredible volume that gets into several different subjects surrounding the fantastical in the medieval and early modern eras, monsters among them. The same authors have written some other fantastic work, such as "Unnatural Conceptions: The Study of Monsters in Sixteenth- and Seventeenth-Century France and England" and I honestly would recommend any of their work.
Monster Anthropology: Ethnographic Explorations of Transforming Social Worlds Through Monsters - A more anthropology focused volume, I particularly like Rozanna Lilley's "Drawing in the Margins: My Son's Arsenal of Monsters—(Autistic) Imagination and the Cultural Capital of Childhood"
Marvels, Monsters, and Miracles: Studies in the Medieval and Early Modern Imaginations - Another anthology, this time with a historical perspective
This isn't even everything I've dug into on the subject, but I hope it's enough to get folks started on some reading!
One of the best mom moments in TV history. I wish more parents knew how important it is to validate their children’s feelings.
What this is so beautiful
Marge tried real fucking hard sometimes.
Marge tried real fucking hard all the time
Amazing cat tree made by Robert Rogalski
Rabbits playing serious sumo. During 1871-73 it was popular for Tokyo residents to keep rabbits, and many rabbit pictures such as these were published. These will be exhibited at the “Ota Memorial Museum collection” exhibition until 7/26. [Text by Ota Memorial Museum of Art”]