you really do have to hand it to bridgerton sometimes
sheepfilms
noise dept.
cherry valley forever
Peter Solarz

❣ Chile in a Photography ❣
Xuebing Du

#extradirty
todays bird
trying on a metaphor
Jules of Nature
Mike Driver
One Nice Bug Per Day
Aqua Utopia|海の底で記憶を紡ぐ

blake kathryn

@theartofmadeline
Cosimo Galluzzi

PR's Tumblrdome
ojovivo

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@starrybennz
you really do have to hand it to bridgerton sometimes
Practice | Performance
— 10Dance テンダンス (2025)
Don't know if you've read the 10Dance manga, but just from the trailer, what are your color predictions? Are we finally getting a black/black pairing?? Or will we have a plethora of colors? I for sure am so sat for Heated Rivalry and 10Dance, yaoi Enemies-to-lovers is just superior!!
I have not read the manga, but I have seen the books about the classical-style dancer and the Latin-style dancer.
So I picked up on something similar in the trailer.
Which makes me think these scenes are showing the moments when the men fall in love with the other by welcoming them into the other's color-coded world.
But I could be completely wrong, and the blue and red colors could mean nothing.
Thanks for the ask!
barely coherent rant about 10dance and it's obsession with storytelling through clothes.
right off the bat you are slapped in the face with these two scenes, cementing early on the overall personality of the shinyas. where sugiki is suffocating himself and his partner behind their perfect facade, suzuki is perfectly at home in an unbuttoned shirt (you're going to see lots of those, btw).
during their first 'interaction', suzuki is the one initially wearing a turtleneck. and this is about the only time you see him wearing one during a performance, perhaps indicative of his unwillingness to give his all while dancing, hence why he has that specific outfit on as he denies sugiki's request at first as well. but then, once he changes into his usual outfit, he agrees to walk toe to toe with sugiki. we see that sugiki is now the one sporting a turtleneck, and in my opinion it indicates that though sugiki approached suzuki, he's still very much on guard and eager to use this relationship for professional gain only. not to mention, suzuki explicitly asks whether sugiki will run away without fully investing in their deal.
sugiki hardly changes his practice attire. always the same suffocating prim & proper clothes. suzuki, though? changes quick as lightning. take this for example :
he starts off with a loose buttoned up shirt as he enters this new atmosphere, which comes off entirely once he's in HIS element, and comes back on when they're back to practicing ballroom (though this time it stays unbuttoned as he eases into it).
hah, the most sugiki will let you see is an open collar apparently. also, rare suzuki in turtleneck sighting! why, you ask? because he's adamantly refusing to look at their practice through the eyes of the 'female' position. aaaand would you look at that, once he does, he's back to being half naked in the immediate next shot.
sugiki has his defences high as per usual, but suzuki is on edge too. the completely buttoned up ('neat') look in a place where he's being schooled versus the immediate change once he's in his comfort zone™. no changes in sugiki, though, unfortunately.
once again, an open outfit for suzuki as he explains how he can feel all these emotions while partnered up with sugiki, as he picks up a call from the person in question and asks him to "come back soon", in sharp contrast with sugiki's professional facade in place yet again.
okay, lots of quick and fascinating changes here. so, suzuki shows up with his classic loose shirt, switches to a more covered but still somewhat open one, switches AGAIN to a turtleneck while he's quite literally frowning at their interlocked hands (a denial of feelings?), and then he's back to a mostly open top as he and sugiki have a serious conversation. sugiki, once again, stays in his same old outfit.
and just as i say that sugiki hits me with the open collar while they....do whatever bizzare intimate dancing ritual they're upto this time. the open collar that, in the next scene, is back to usual when he dances with aki. suzuki, interestingly enough, has a turtleneck in both scenes. more denial? jealousy? much to consider. he goes back to the usual though, once he messes up again, but is open to actually asking aki how he can improve this time.
a jacket that's partially zipped up as suzuki sort of reluctantly goes over to sugiki, who's our 'quick changer' of the night. he starts off with that scarf (?) wrapped quite securely around him, which he then sheds as he divulges what he did to fusako, and then he's wearing it again, except this time it's not as tightly wrapped because he's putting some small amount of trust in suzuki by asking him not to mention this incident again. but it's so lame, and once that hits him, what does he do? he throws it away. he sheds his fucking armor before he kisses suzuki. before he tells suzuki that he's always admired him.
welp. we're back at it again.
suzuki has not only ditched the turtleneck in his performance, his outfit is deliberately MORE exposed. not to mention similar enough that it gives sugiki flashbacks to the first time he saw suzuki, that same 'spark', so to speak. sugiki's wearing the expected turtleneck in the flashback but once he sees suzuki, he pulls at it. his facade is, quite literally, choking him. killing him.
this time it's really done for. suzuki laid himself bare in front of sugiki, and it was not returned. here's what i love most though :
he doesn't hide. he doesn't stuff it back inside. the clothes stay loose. this is the difference, i think, that is highlighted beautifully. the point of this post, if you will. sugiki never FULLY opens up. even when he sheds those turtlenecks or scarves he still has his uptight formal clothes as a shield. on the opposite end, once suzuki is over denying things, he will never pick that shield up again. he'll stay vulnerable, and there's so much strength in that.
this difference is also the reason why the final scene hits so hard for me, because we don't see sugiki talk to suzuki beforehand. he meets him as the 'facade', straight on the battleground, and he forces his own perfect image to bend to his own will. he's still sugiki, still competitive, but he can't fully go back to how he was before. not anymore.
Truly one of my greatest callings in life is making fan art for underappreciated fantasy books I read as a child
i’m super proud of this piece so i am posting this everywhere like where did this come from kim taehyung the man you are as my muse
(i post on insta and twitter as @/hxnni_bunni)
precious cargo 🖤💛🤍
[day 7 - free day!!]
i love them so much, wish we got more content about them
propaganda i'm not falling for: nanami hating gojo
wow a 3 sec post got more attention than pieces i spend months putting effort into ! ! check out my masterlist, i write. & support fanfic writers around you
Star Wars really said "Anakin Skywalker had issues rooted in childhood trauma that was not his fault" but also "Anakin made his own choices as an adult for which he alone is responsible" but ALSO "In spite of the truly evil things he chose to do Anakin was still capable of being loved and redeemed" and I think that's important.
honestly that's kinda impressive congrants you all anons for sharing the same idea NKJDFN
|| AU tag|| [tip jar!]
sends me into the stratosphere every time
Obviously there is so much interesting in the Neil/Jean dynamic but what I'm currently obsessing over is the way Neil let's Jean see the tattered bloody and mad parts of Nathaniel Wesninski no one else gets to see.
Neil doesn't want the foxes to know Nathaniel, Kevin is too obsessed and too cowardly to want anything to do with him. Andrew would and does see him but his promises and the future they imply belong to Neil Josten
Other than Andrew, only Jean Moreau sees Neil without the mask, sees the madness in his smile, the casual and easy violence, the bloody heart that beats despite it all.
Like, yes its very funny when Jean calls Neil out for being an ill-bred cretin, but it's important to note he doesnt do that to be exaggerating or insulting, he does it because that's the side of him Neil let's him see that everybody else only gets flashes of. Jean is just calling what he's seeing not realizing most people don't get such a clear view.
Neil 'most dishonest man in world' Josten who doesn't bother with the effort of lies around Jean Moreau
💜"What's a soulmate?💜
It's uh... Well, it's like a best friend, but more. It's the one person in the world that knows you better than anyone else. It's someone who makes you a better person. Actually, they don't make you a better person, you do that yourself - because they inspire you. A soulmate is someone who you can carry with you forever. It's the one person who knew you and accepted you and believed in you before anyone else did, or when no one else would. And no matter what happens, you will always love them. Nothing can ever change that." (Dawson Leery)💜
💜What a relief it is, that you can be seven for 12 years now...💜
I present to you:
AFTG as things that I have said before (starting post edition)
herpetological guide
starting a collection
Jedi Quest: The School of Fear by Jude Watson