In this That Thing You Do! inspired article series, Scott Avett of The Avett Brothers talks about hearing himself on the radio for the first time
Sweet Seals For You, Always
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macklin celebrini has autism

oozey mess
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Cosimo Galluzzi

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official daine visual archive
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let's talk about Bridgerton tea, my ask is open

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@statehousesessions
In this That Thing You Do! inspired article series, Scott Avett of The Avett Brothers talks about hearing himself on the radio for the first time
In this That Thing You Do! inspired article series, artists remember hearing themselves on the radio
Low Cut Connie frontman Adam Weiner performs "Dirty Water" & "Shake It Little Tina"
Old Sea Brigade performs "Seen A Ghost" & "Love Brought Weight" at Philadelphia's Standard Tap
Jukebox The Ghost performs "The Spiritual" backstage before a show in Bethlehem, PA
The Greeting Committee performs "More" backstage before a 2019 show opening for The Arkells at Philadelphia's Underground Arts
Former Yellowcard frontman William Ryan Key performs "Vultures" & "Downtown (Up North)" from solo EPs Virtue & Thirteen
Johnathan Rice performs "Hollow Jubilee" backstage at Tellus 360 before a 2019 show opening for The Felice Brothers
Josiah Johnson performs "Nobody Knows"
Delta Spirit performs "It Ain't Easy" & "Home Again" from their new record, What Is There
We Are Scientists perform "KIT" & "Your Light Has Changed" backstage before a 2019 performance opening for Snow Patrol at The Tower Theater
With Folklore, her eighth studio album arriving just eleven months after her last and fourteen years after her first, Taylor Swift continues her reign as a true pop craftsman.
“As a songwriter, Swift has always had more in common with the Goffin & King pros of yesteryear than she has with any one genre or style, forever loyal only to what makes a song jump off the page.”
State House Sessions reviews Evermore by Taylor Swift
“But while Folklore’s arrangements were often spacious and still – intimate as if they were never meant to know an audience – Evermore is her very own gilded age. It’s ornate, lush and free, wrought with an air of the unpredictable and romantic. It also feels lived in and mournful, expressing uncertainty and nostalgia in ways that perhaps can’t really be conveyed until one has lived long enough to know them firsthand. She’s older now, lightyears removed from the teenager discreetly jotting down song ideas during class, and with that comes a wistfulness that other collections didn’t, maybe even couldn’t, hit upon so fully.”