it ain’t hard to tell
Akira x Nas

#extradirty
Monterey Bay Aquarium

Kiana Khansmith
ojovivo
almost home
Mike Driver
todays bird
Today's Document

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ellievsbear
No title available

Love Begins
Cosmic Funnies
h
Sweet Seals For You, Always

pixel skylines

shark vs the universe

Origami Around
Noah Kahan
The Stonewall Inn
seen from United States
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@subduedstar
it ain’t hard to tell
Akira x Nas
You Always Have Options II
Tianhao 田浩
Oil on canvas, 2026
By Jocelin Carmes
Anastasia Trusova aka Анастасия Трусова (Russian, b. 1988, Ivanovo region, Russia, based Eynatten, Belgium) - Cat in the Garden, 2024, Paintings: Acrylic on Canvas
Sea emeralds (Chaetomorpha coliformis), a type of green algae, on the coast of Wharekauri, Aotearoa
by Svenja Heesch
floating in uncertainty
the game is a blessing
ive seen some folks lately talkin on NEGATIVE REVIEWS and how to deal with them as authors or artists. personally i have not cared about reviews for several decades. negative reviews do not bother me in the slightest and buds often ask me HOW. ill explain a bit here and why this applies to everyone
first, the reason this matters to more than just authors and artists is because GUESS WHAT WE ARE ALL CREATORS. a book can get one star but so can a walk in the park or a sandwich we made. we are all in a state of critique from the world in some way because we are all creators
to narrow it in on AUTHORS however, ill start with something everyone already knows: ART IS SUBJECTIVE. in the most ZOOMED OUT sense, there is no good nor bad art. there are certainly methods of quantifying like 'is it effective?' 'did it move me?' and these are important but not some COSMIC truth
i think a lot of buds realize this and thats great. they say 'i think my book is FIVE STARS and this buckaroo thinks its ONE STAR but its subjective so it really is neither.' this is a great first step but personally its not ENTIRELY how i look at it (and probably where i will lose some thats fine)
i do not see a one star review of my art and think 'art is subjective so that is wrong'. i think 'art is subjective so that is the truth.' because it is. the subjective nature of art does not just mean everyone is wrong, it also means everyone is right. every takedown of my work is correct
i think there is a power in truly accepting this, not in some 'well let me TURN IT AROUND and use these mean quotes as promo' kind of thing (although that is fun too, trot your trot) but in an almost spiritual way, for lack of a better word. to ACCEPT these many truths is a blessing
theres nothing to be bothered by when you recognize that your creation, whether a painting or song or book, is ALL THINGS. it is not about your art being NEITHER good or bad, it is BOTH good and bad. it is BEYOND quantifying and when you start trying to do that you are simply playing a game
and HEY playin games is fun. reviews and critique are important (they are ALSO art). its a dang treat to be reviewed. BUT in the grand cosmic sense it is still a game of trying to put something ethereal into a coherent shape. there is absolutely no reason to get upset over a game
so this is why reviews never bother me. a glowing write up is a blessing. an insulting screed is a blessing. they are both true and i am honored to play the game. if this makes sense to you THATS GREAT hope it helps, and if you are like 'what the heck chuck?' thats okay too buckaroo. LOVE IS REAL
"Spiral Coast" (2009-2014) By Lieko Shiga. Scanned by me."
"Spiral Coast" began as a project focusing on the rura traditions of the coastal Kitakama community. Unfortunately In 2011 an earthquake and the following tsunami buried the small town, taking 60 lives and even Shiga's photo studio, along with most of her photos. And so, Shiga continued her project by capturing the aftermath of the tsunami in the following years. Focusing on their rebuilding, mourning, and the ultimate impact of the natural disaster."
石上純也氏 Junya Ishigami – Water Garden, 2018, Nasu Mountains, Japan
there's photographs of it in other seasons, pretty cool.
the source has more info and stuff like plans and cross sections.
Limumorph, robotic assistant.
Surrender to flesh and bones by Yan Lucas Migóne
Still life with dandelions and apple blossoms - Jeremy Miranda , 2022.
American , b. 1980 -
Acrylic on panel, 24 x 20 in.
grace jones on the gatefold for her album “muse”, 1979.
📸 by: richard bernstein
Poul Anker Bech (Danish 1942-2009), Sun Dreams, 1973, Oil on canvas
Blinding Afternoon Sun
𝗔𝗻𝗱𝗿𝗲𝘄 𝗪𝘆𝗲𝘁𝗵 Northern Point. 1950.