hey so the last time we saw them playing pool was in season 5. as in the season where eddies ptsd spiral really came to a head. and we know bucks kidnapping arc has been intentionally mirroring eddies shooting storyline. for eddie the shooting was the initial catalyst. but learning that his army friends had died is what ultimately pushed him over the edge.
with buck its almost reversed. bobbys death comes first. and then the kidnapping is what is going to tip him over. the structure of these arcs feels deliberate. like theyre designed to parallel each other in a way thats building towards buddie canon from the start.
also worth noting the last time they played pool we got that quiet soft look between them. now we are back in that same setting again. in the middle of another emotionally charged arc.
Story of a Plot Device: Buck’s Bi Journey, Tommy, and the Buck-and-Eddie Thing
A post covering the behind the scenes journey of Buck’s bisexuality and exploring how I feel the show has been actively developing the Buck-and-Eddie thing from 7x04 on. I try to keep it as impartial as possible, but this does get into Buck’s relationship with Tommy as a plot device, so you know, if that’s not your thing, this post probably isn’t for you. Otherwise, more behind the cut 👇 (you can also read on Google Docs here)
A Look Behind The Scenes of Bi Buck
From the start, Buck’s character has been bi-coded in the eyes of fans, linked back to his interactions with the tapeworm victim in season one, and later most notably his interactions with Eddie throughout the series starting with the classic “Whattaman” introduction. Both of these are acknowledged by Oliver Stark as things that were perhaps unintentional at the time, but that he feels contributed to bisexuality being in the DNA of his character:
So you had been playing scenes in previous seasons with that in mind?I don’t think at the time, looking back, it was conscious, but there are certainly moments. The first one that sticks out to me.… if I go back to season 1, there’s this scene: It’s the tapeworm emergency, and the way Buck is kind of connecting with this guy.… I think there have been hints that weren’t intentional, but I think do create pieces of this journey for me. (Source)
From there, Oliver states that his character being bisexual was actually pitched to the network once before in season four, but was ultimately shut down from somewhere above.
Oliver Stark, who’s played Buck for six years, has been aware of fan theories about Buck’s sexuality for a long time. But while showrunner Tim Minear floated the idea to him as a possibility for Season Four, it was ultimately axed. “It was shut down from above,” Stark says. “I don’t know from where exactly but somebody had not wanted that story to progress then.” (Source)
After the show was cancelled on Fox and picked up by ABC, but prior to any confirmation of a bisexuality arc, Oliver decided he wanted to start leaning into this interpretation for his character’s identity if the opportunity presented itself.
What’s kind of crazy is that this season I did decide “If there’s an opportunity, I think I want to start leaning more heavily into that.” I hadn’t had that conversation with Tim though, so when Tim then brought this storyline to me, I was like, “Well, guess what: I totally think that’s the right direction and I’m all for it.” (Source)
Going into Season 7, we know that Lucy was intended to pilot the helicopter that rescued Bobby and Athena—she’s even still included on the paperwork Hen files to make the request—but due to the actress’s unavailability, this role was delegated to Tommy, who was then considered as a new love interest:
Choosing Tommy as Buck’s new love interest came down to timing and Ferrigno’s charisma. Originally, Lucy was supposed to pilot the helicopter used to rescue Bobby (Peter Krause) and Athena (Angela Bassett) from the cruise ship disaster from the three-part premiere. But because of her role in Fox’s “Rescue: HI-Surf,” Arielle Kebbel was unavailable for the scene. That left Tommy. (Source)
However, it wasn’t Buck who was initially meant to come out in season 7—according to LFJ, that storyline originally was considered for Eddie.
It was originally, possibly, going to be with Eddie and Tommy, but that fell through. But Oliver was willing, and I think that Oliver is just such a brave, generous actor. (Source)
Like Buck’s character, fans have felt for years that Eddie was also queercoded. Canonically, he was a teen dad who felt pressured by the church to marry Shannon, and his breakup with Ana was framed very similarly to a canon queer character in another series. (This isn’t evidence of intent, just an observation in similarities.) His dialogue in the Season 7 finale with Kim is also eerily similar to the words Michael said to Athena after coming out to her.
But regardless of the actual intention behind those scenes at the time, the interview with LFJ confirmed that Eddie’s sexuality at the beginning of Season 7 was something being discussed in the writer’s room, just as Buck’s had been during Season 4. Ryan also confirmed in a podcast that he wasn’t sure which character of the two, if any, would lead in that way.
What ultimately set this story in motion for Tommy and Buck instead of Tommy and Eddie was the availability of other actresses. Marisol’s actress was able to return, Natalia’s and Lucy’s were not.
“I thought that [Oliver and Annelise] were great together,” says Minear. “But, I think after the long strike and after the pandemic… [Annelise] is based in New York, and it was partially her decision to not return for this premiere. I originally had a big story in there with that character. But, to be honest, I’m not sure I could have fit it all in. You can see how quickly that real estate goes. And I just kind of wanted to explore other avenues with Buck this year.” (Source)
I wanted to get into the background a little on the journey it’s been to have Buck come out as bisexual, and also to point out that Eddie’s sexuality has been given the same consideration, before getting into anything else.
Of course, interviews can be misleading, and things that are true one minute may change the next. Ultimately, what matters is what’s shown on screen, so let’s dive into that.
Buck’s Bi Realization
The story starts in 7x04 with Buck getting a tour of Harbour Station from Tommy, who thinks Buck is considering a change in career. Buck seems interested in getting to know him better, but when Eddie shows up to hang out with Tommy, jealousy and insecurity begin to set in.
What follows is a confusing mess of feelings—on one hand, Buck was interested in Tommy on some level. On the other hand, a lot of his spiraling has less to do with Tommy and more to do with the fear of losing Eddie. The second Eddie says, “You know, it’s like that thing when you meet somebody, and you just click,” Buck appears to switch targets. He’s ranting to Maddie about how often Eddie’s had Tommy over, how cool Christopher seems to think he is, he’s nitpicking little flaws in Tommy’s character, and more importantly, he conspires to try and win Eddie’s attention back:
He sees Eddie on the phone laughing with someone else. It’s never stated that it’s Tommy, but the assumption is palpable as Buck uses the bench press without a spotter while peeking at Eddie to see if he notices and comes over. He turns down Ravi’s offer to spot.
He has a basketball delivered to the fire station so he can ask Eddie to shoot hoops, and again is disappointed when Eddie doesn’t notice. This is particularly uncharacteristic for Buck, since it follows the scene with Maddie where Buck reveals that Eddie is going to the pickup game with Tommy instead since Buck keeps refusing to go.
He asks Chim to go to the pickup game under false pretenses, even though as Maddie pointed out, Buck doesn’t like basketball. He proceeds to compete against Tommy and Eddie, though the scene is more focused on Eddie, and things escalate when Buck knocks Eddie out of the way and injures his ankle.
It’s a sobering moment for Buck, whose actions have steadily escalated until this point out of jealousy. He talks to Maddie about it, telling her he was pissed seeing Eddie and Tommy be such good friends after only two weeks. He says, “I felt left out, and I guess I was trying to get his attention.”
Maddie’s response feels significant: “Well, that’s not how you get someone’s attention. You clear your throat. You tap them on the shoulder. You don’t hurt them.” Her words show that she thinks it was Eddie’s attention Buck was trying to get, and Buck doesn’t deny this. At this moment, at least, he agrees with her.
Tommy comes to Buck’s apartment later to clear the air. He assures Buck that he never wanted to cause bad blood between him and Eddie, and that Eddie can have more than one friend. Specifically, he adds, “I mean, it’s not like I could ever replace you. Christopher would definitely have something to say about that.” This is important because while Buck was also interested in getting to know Tommy, his feelings were amplified and muddied by the fear that Eddie and Chris liked Tommy more than him, which Tommy picks up on.
They find some common ground when Tommy admits that he was jealous too (of the 118), and that seems to endear Buck to him, as he reassures him that the reason he went to Harbour Station was because he wanted to get to know him better after he threw in with them no questions asked. This starts to reframe things a little, something Buck is able to do now that his fear of losing Eddie has been appeased somewhat by Tommy telling him Eddie isn’t pissed at him for what happened.
Their conversation takes a bit of a flirtatious turn, but it’s all very subconscious on Buck’s part. We’ve seen him this way before with men, but it’s always been left in the subtext. The show finally brings it to the surface when Buck tells Tommy that trying to get his attention has been kind of exhausting, and Tommy, a little caught off guard, says “My attention?”
Because, that’s the point, isn’t it? It hasn’t always been clear whose attention Buck was trying to get, or who Buck was more jealous of, because he kept going back and forth, even pointing out the similarities between the two men. Maddie thinks it was about Eddie, and Tommy—who we now know with the context of 8x11 saw Eddie as the “competition” for Buck’s affection—likely thought the same. But in this moment, Buck says, “Yeah, I guess so,” and chooses to believe that it was always just about Tommy.
Tommy kisses him, and a lot of things start to make sense for Buck, who Oliver states has always felt like something was missing in his understanding of himself. From there, they make arrangements for their first date, and the Eddie of it all should be put to rest now that Buck has 1) reassured himself of his place in Eddie’s life, and 2) reassured himself that Tommy is interested in him, too. Instead, he remains a prominent focus in this relationship, highlighting exactly why Tommy saw him as his competition.
The First Date
In 7x05, Buck has his first date with Tommy, and although it’s a little awkward, it seems to be going well until Eddie shows up and assumes they’re just hanging out. Buck further encourages this by saying he and Tommy are going to go find some hot chicks, which Tommy doesn’t appreciate and later bites back with a pointed comment about how you can never have enough closet space.
This interaction leads to Tommy deciding to end the date early, feeling that Buck isn’t ready. But Buck’s behaviour wasn’t really about whether or not he was ready to date a man—there’s a specific trigger that he spends the rest of the episode spiralling over. He vents to Maddie about it, telling her that who he was dating didn’t matter—the point was that he lied to his best friend, and much like when he hurt Eddie during the pickup game, he doesn’t know why.
Maddie tells him, “I just think maybe you’re not sure of your own feelings yet, and if there’s something you need to tell Eddie, you will. Just… in your own time.”
What’s interesting here is that while 7x04 bounced back and forth between Buck being jealous of Tommy and Eddie, Buck closed that door by coming to the conclusion it was about Tommy all along. Maddie’s words gently pry the door back open, suggesting to the audience that Buck may not be as sure of his feelings as he thinks. This is revisited in 8x11, when she says it “wouldn’t be so crazy,” if Buck was in love with Eddie, so I do think it’s safe to assume she’s referring to the possibility of Buck misplacing or misunderstanding his feelings in this scene.
Buck does eventually tell Eddie about the date, and Eddie appears most surprised by the fact that Tommy is gay. This is an interesting contrast to Tommy’s disbelief in 8x11 when Buck says Eddie is straight. Both reactions we can reasonably guess are due to the similarities their characters share, as established by Buck in 7x04. Then, Eddie reassures Buck that this doesn’t change anything between them, while Buck tells Eddie he kind of can’t stop thinking about Tommy. In the end, though both of them seem a little off at first, Eddie encourages Buck to call Tommy and try again, while Buck encourages Eddie to work things out with Marisol.
I’m sure some might wonder, if the show was going the buddie route, why not make this scene the turning point? And while I still think it was, I also think the show was sensitive to not portraying to the general audience any harmful stereotypes around a character coming out and it being assumed they’d suddenly be into their male friends, something Oliver mentioned wanting to tread carefully around. Instead, this scene focused on Eddie’s support and acceptance of Buck.
Buck takes Eddie’s advice, and meets up with Tommy again to apologize. Tommy tells him there’s nothing to apologize for, he just left because he didn’t feel Buck was ready and he didn’t want to pressure him. Buck admits he’s not sure what he’s ready for—which is in line with Maddie’s comment about him not being sure of his feelings—but that he’s ready for something, and he thinks it could be with Tommy. He invites him to join him at Maddie’s wedding, and so we enter the relationship phase of this storyline.
The Relationship
Buck on two separate occasions has voiced wanting to get to know Tommy better—first, when he explained why he wanted a tour of Harbour Station, and again, when he asks for a second chance at dating. Yet the show never actually gives us very much insight into Tommy’s character, or shows the two of them getting to know one another better. The little bit we do get only serves to highlight the disconnect in their relationship or further other plots.
For example: when Buck plans a bachelor party for Chim, the show chooses to have Tommy be on call and not participate in the costume theme. The show chooses to have Buck and Eddie wear matching costumes, specifically of another popular queercoded relationship. The show chooses to have Tommy leave early, though there’s no plotline that depends on it outside of ensuring Buck and Eddie spend the night partying together instead. For the purposes of Chim’s disappearance, the same could have been accomplished by Buck and Tommy spending the night together, while also developing that relationship. If it was a matter of required screentime for Eddie as a main, they could have even followed the s9 playbook of having him third wheel.
Instead, while Chim is gone, it’s Eddie who helps look for him, and who is quietly supportive at Buck’s side. And while yes, Eddie is closer to Chim, Tommy knows him too. In fact, he even reminds us of this at the bachelor party when Eddie makes a comment about not knowing they were allowed to bring a date.
The next time we see Tommy, it’s after Chim has been found. He shows up after his shift, Buck kisses him, and the evidence of this is left on his face for a quick coming out scene that requires no extra time spent on it. We see him again briefly for the medal ceremony, where the cruise arc is wrapped up officially and Gerrard is re-introduced to the audience. There is a deleted scene here, where Hen and Karen grill Tommy about his intentions with Buck, but ultimately it doesn’t make the cut.
From there, we don’t see or even hear of Tommy again until Buck is having dinner with him in his loft. Buck confides in him about how Bobby’s like the father he never had, and we get the first kernel of insight into Tommy’s backstory: he doesn’t talk to his dad, and when he was at the 118, he had Gerrard, which he says didn’t make him a better person.
This throwaway line is meant to serve two purposes: one, call back to Tommy’s history on the show and how he was introduced, and two, set the stage for Gerrard’s return as Captain of the 118. It’s to remind audiences of how bad it was before Bobby—and to build anticipation for how bad it’s about to become without him heading into season 8.
When we return in 8x01, Buck is venting to Tommy about Gerrard while Eddie gets things ready for a virtual birthday celebration for Chris. It’s enough of a scene to establish that Buck is comfortable in his relationship with Tommy post-timeskip, and that Eddie is still friends with him.
Looking back with the benefit of hindsight, it really sets the tone for how the rest of their relationship unfolds. We don’t see Tommy again until 8x05, and while he is featured more prominently during the Billy Boils drama, as Oliver says, it serves mostly to “reintroduce and re-establish them so that the weight of the breakup could make sense for the characters and for the audience.”
Even with this goal in mind, Eddie is the elephant in the room for most of their scenes. He’s already at the hospital when Tommy arrives with a visitor’s badge to check on Buck, and he doesn't leave. Tommy does spend the night with Buck to keep an eye on him after he’s discharged, but the following morning sees Eddie brought in for medical advice and to tend to Buck’s face even though Buck’s sister is a former nurse and his brother-in-law a current paramedic. When Denny gets hurt, Tommy is included in the waiting room scene, but he feels out of place, and the show highlights this by notifying everyone of Denny’s condition via text so we can see that Tommy is excluded from their family dynamic. Again, narrative choices matter: Hen could have simply texted Chim, or someone could have come out to update them. Instead, we establish that there’s a group chat—and Tommy still isn’t part of it months into their relationship.
None of these things are necessarily bad in isolation, but added together, it just feels like a really odd choice for a relationship you’re trying to establish—unless, of course, that isn’t the point.
The Breakup
In 8x06, Buck and Tommy celebrate their 6 month anniversary at the restaurant where they had their first date. Buck doesn’t have a gift, but Tommy does, and it’s tickets to a Lakers game. It seems like an odd choice considering Buck’s dislike of the sport, but it’s probably a reference to the basketball game that brought them together—especially when Tommy jokingly says Buck can take Eddie if he wants, a nod to the original conflict.
The scene also brings up the Kinsey scale, and one hell of a bomb drop: before Tommy was out as a gay man, he almost married Buck’s ex, Abby. On its own, the Kinsey scale discussion might make sense as a plot device to introduce the audience to Buck’s bisexuality (as some members of the general audience think he “turned gay.”) But when paired with Tommy’s revelation about Abby, it serves as a reminder that sexuality is complex, and just because you’ve been with women before, doesn’t mean you’re necessarily bisexual like Buck. It’s no coincidence that in this same episode Eddie claims to be straight—or that five episodes later, Tommy would be skeptical of this.
Buck struggles with the revelation that Tommy almost married Abby, which leads to him talking to Maddie (and Josh) about it. By the end of the conversation, he feels he’s been unfair in his reaction, and this leads him to feel he should suggest taking the next step in their relationship. He conflates how he felt about Abby (his first serious relationship) with how he feels about Tommy (his first relationship with a man) and asks him to move in with him. He kind of takes Josh’s speech about the “pre-Glee world” and puts Tommy up on this pedestal as a gay pioneer, and Tommy recognizes it for what it is. He tells Buck that his feelings right now are new, and exciting, but he’s not his last—he’s his first.
They break up, and Buck goes to Eddie’s to drown his sorrows. Eddie, who has just taken the first step in no longer depriving himself of joy as a form of punishment, answers the door. The lighting and framing feels more than a little suggestive—Eddie coming off the high of dancing in his underwear, fixing his hair before opening the door and greeting Buck. It feels a lot like foreshadowing, but we’ll only know that for sure once the show decides whether or not to commit. As it stands, Buck’s in no place to question or appreciate what he just walked in on, and the two enjoy each other’s company in companionable silence.
Buck does wallow a bit over the breakup, admitting to feeling lonely but getting by. Whenever he gets the urge to call Tommy, he bakes, and judging by the inside of his fridge it happens a lot in the beginning. Maddie expresses concern over this, which Buck misinterprets as her suggesting he call Tommy. Instead, she tells him that maybe he should think about what’s next. Buck tells Chim and Maddie he’s not sure which “pond,” to jump back into, a nod to his newly realized sexuality, and Maddie tells him to trust that the universe will bring him a special person.
This isn’t the first time Maddie’s been used as the voice of reason while Buck holds on to a relationship that’s over—we saw it in season 2 when he was living in Abby’s apartment long after she’d ghosted him. Using her again in this context tips the audience off that whatever Buck shared with Tommy wasn’t built to last, and like Tommy himself, Maddie knows this isn’t Buck’s endgame. Still, Buck is Buck, and he’ll only take her advice when he’s processed his feelings and feels ready to move on. It’s clear that time isn’t quite yet, since he’s still baking and checking his phone obsessively to see if Tommy’s sent anything. There’s a moment where it looks like he might—Buck sees him typing—but nothing comes of it.
Buck, of course, sees it as a sign that he should message Tommy after all, but the rest of the team joins Maddie in talking Buck off the ledge and trying to convince him it’s not a good idea. They go as far as stealing his phone and keeping it from him, and it’s obvious that no matter what Buck is feeling right now, none of the people closest to him thought this relationship was “the one.”
Again, this isn’t something that has come up with our endgame relationships, only doomed pairings like Buck and Abby, or Chim and Tatiana. When our endgame pairings have faced hurdles in their relationships, the other characters have always encouraged working things out or giving the other person time. In some cases, they’ve even directly meddled. The only exception is Hen when Chimney wanted to propose to Maddie, and she showed remorse for it in the same episode, making it clear that the narrative didn’t agree with her initial feelings but was making space for her being overprotective.
The show could do the same with Maddie—but when it comes up again, that isn’t what happens. Instead, we see the connection between Buck and Eddie go from being left in the subtext, to deliberately being brought up to the general audience as a question to consider.
The Buck-and-Eddie Thing
Though we’ve seen the show nudging the general audience in the direction of Buck and Eddie throughout this arc, it really starts to pick up after the end of 8x08, when Buck learns that Eddie is moving back to Texas to be with his son. This revelation brings us full circle as he finds himself feeling like he’s losing Eddie again, and we see how hard it hits him in 8x09 even as he tries to be supportive. From the sabotaged meetings with potential renters, to spilling the news to the team, Buck keeps fumbling the ball on being the supportive best friend he wants to be. The show even makes a point of highlighting the contrast of the 118’s reaction to Eddie moving, and Buck’s confusion when it’s so different from how he’s been feeling.
The rest of the episode is spent with a lot of pent up feelings between them; Eddie is frustrated when Buck lets his emotions get in the way of being supportive, and Buck is hurt when he hears Eddie say to his potential renters that everything that matters to him is in Texas. The two of them dance around talking things out until the end of the episode, when everything finally spills over.
Buck has spent the entire episode being passive aggressive and pretending like everything’s fine when it’s not; Eddie asks him to own his feelings instead of making excuses for why they’re something else. Buck finally admits that he was mad, and takes it a step further by revealing he’s been having more trouble dealing with the idea of Eddie not being around than he likes to admit. Eddie admits to not liking it either, but if Buck’s going to make it about having to choose between him, or his son, he’ll lose every time.
It’s kind of an odd thing to say to your strictly platonic best friend, but Buck and Eddie have never exactly followed the normal patterns of friendship. Buck assures Eddie that’s not even a question for him, but before they can dig deeper, the rest of the 118 show up and it’s revealed that Buck has given notice on his loft so he can take over Eddie’s lease. Eddie is visibly moved by Buck doing this for him, though Buck adds it’s not just for him—it’s for Chris, too. Just like when Buck introduced Eddie to Carla, he shows his support by enabling Eddie to do what he thinks is best for his son, something no one else in Eddie’s life has done.
Though the conversation seems to end here, Buck’s feelings come up again in 8x10 when Eddie is helping him look for a missing Maddie. Just as things were starting to feel normal again, everything started to fall apart—Tommy dumped him, Maddie’s missing, and now Eddie’s “just moving back to Texas, mm, like it’s nothing, it doesn’t affect anybody else. It does.”
Buck’s outburst is the first time the narrative really calls on Eddie to tell us how he feels about the move outside of reuniting with Chris, and Eddie quietly admits it’s “not nothing” like Buck seems to think. We see the fight leave Buck, who now feels bad for implying it’s easy for Eddie to uproot his life, but Eddie waves it off: they’ve been up all night, Buck doesn’t have to explain himself.
Still, it’s obvious there’s still more to say, because the show keeps revisiting this discussion between them even after they left things on a good note in the previous episode. All of the narrative weight is on their feelings about the other—how Buck feels being left behind, and how Eddie feels about leaving him. Again, this is unusual. When Chimney was the one leaving back in season 5, we didn’t spend multiple episodes on how Hen felt about that, because of course Chimney was going to chase after Maddie, just like Eddie is chasing after Chris now. But this storyline with Buck and Eddie’s feelings doesn’t just take up one or two episodes—it goes from the moment Buck learned Eddie was moving at the end of 8x08, all the way through to Buck’s crashing out in 8x11 because he misses Eddie so much. That’s four episodes spent on how they’re going to cope being so far apart, which seems like an awful lot of screen time if the show isn’t trying to do a slowburn romance between the two.
By the end of 8x10, Eddie finally addresses the question Buck’s been dancing around and tells him, “I know this thing between us has been messy and hard, and both of us could have handled it a little better. But I hope you know, you do matter to me.”
Because that’s what some part of Buck has been afraid of all along—that he is replaceable in Eddie’s life, that he is someone Eddie finds easy to walk away from. You can trace this fear all the way back to his jealousy in 7x04, when he thought Tommy was taking his place in Eddie and Christopher’s life. And the thing is, Buck and Eddie never actually got to talk about that. Tommy just came over to apologize, saying he could never replace Buck, and that was the end of it. It’s been an open ended question ever since, and while Buck obviously knows on some level that he is important to Eddie, he has his own deep rooted insecurities that needed reassuring. Eddie knows this about him, and while he may sometimes struggle with his own feelings, he has always validated Buck’s existence in his life.
The two of them are awkward in their goodbye, neither knowing what to say or do with their hands. Buck runs to get Eddie the chocolate chip protein cookies he made to give him energy, and the two of them share a hug. Eddie makes a strange expression partway through, though the reason is left ambiguous. From there, they say their goodbyes, and Buck watches Eddie drive away, his expression growing more and more forlorn.
Up to this point, one could maybe argue that this storyline has been about Buck’s abandonment issues in a more general sense rather than about any feelings he has for Eddie, though it still feels like a stretch. But in 8x11, we see a direct parallel between Buck showing up on Eddie’s doorstep after Tommy broke up with him, and Buck showing up on Maddie’s doorstep after Eddie left.
He’s also back to baking as a coping mechanism, which is another interesting parallel to make here as it insinuates the loneliness he feels from Eddie being gone is comparable to the loneliness he feels from his ex dumping him. More than that, he hasn’t even been able to bring himself to move into Eddie’s house because as he says later in the episode, it feels like accepting that he and Chris really aren’t coming back. Honestly, it feels like we get more melancholy and longing from Buck about his best friend moving than we did about his boyfriend dumping him.
Maddie encourages Buck to go out and make new friends, and that’s what we see Buck try to do with Ravi. There’s another interesting parallel here, as we see Ravi working alone on what Buck and Eddie turned into a two man job:
It’s a subtle way of showing just how much Buck and Eddie do together, and to highlight the gaping hole Eddie’s absence has caused. Ravi is a little suspicious of Buck’s offer to hang out; Buck tries to tell him that it took him a while to warm up to Eddie too, but the defense falls short when he reveals it didn’t even take a whole shift. It only gets worse from there: when trying to find an activity Ravi might enjoy, he can only think of things that Eddie likes doing, and when they actually go out, all he can do is talk about Eddie. It’s not even reminiscing so much as it’s gushing about how cool and awesome he is. Eddie made sure we weren’t late to the game and changed the tire with the boot still on, Eddie wouldn’t do something illegal because he has a silver star. Ravi is visibly bored, and then we learn that they’re even playing the drinking game Eddie taught him.
So it’s not really surprising that when Ravi sees an out, he takes it. He brings Tommy over and ditches Buck, and Buck says it kind of feels like being dumped again. They catch up a little, and Buck’s given an opportunity pretty early on to naturally bring up Eddie leaving. What’s interesting here is that Tommy doesn’t really engage much when Buck tells him about his sister being abducted, even though he knows Chimney and worked with him before. He also doesn’t offer up a lot about himself, which is par for the norm at this point.
What Tommy does show interest in, however, is the fact that Eddie left. We learn that Eddie stopped talking to Tommy after the breakup, something Buck looks pleased about, and then suddenly Tommy tells Buck he’s actually been thinking about calling him. One thing leads to another, and Buck brings him back to the house for a hookup.
We catch up with them immediately the next morning, and Buck tells Tommy he knows their hookup doesn’t mean they’re getting back together. Tommy asks why, and Buck asks if he’s saying he wants to try again. This is a huge turning point for them, potentially, because they’ve had some time apart to think about what it is they want. If the show were setting them up for endgame, we probably would have seen them reconcile here.
Instead, Tommy drops yet another bomb: he’s not worried about Buck breaking his heart anymore, now that the competition is out of the way. The fact that the viewer immediately knows who he’s referring to says a lot about how the show has been laying the groundwork for Buck and Eddie, but Buck is still very much in the dark at this point.
If Maddie’s words in 7x05 were gently prying the door open for Buck to examine his feelings for Eddie, Tommy’s words here are essentially ripping the door off its hinges. He tries to brush it off so Buck won’t dwell on it, but the damage has already been done. Buck eventually works out that Tommy’s referring to Eddie, and instead of denying that Eddie’s the competition, Buck tries to make light of him living in his house (Eddie was just a renter) and asserts that Eddie’s straight.
Tommy’s reaction to this is to scoff and go, “okay,” showing he doesn’t really believe that. Again, Tommy has often been used as a mirror for Eddie, with their shared interests and backgrounds. By having Tommy—a former closeted gay man—express doubt over Eddie’s perceived heterosexuality, the narrative is once again opening a door to question what we think we know. This is something it keeps doing—about Buck, about Eddie, about their relationship. None of this is necessary for a ship you don’t intend to make happen, or for a character they don’t intend to have come out.
Buck snaps that he “doesn’t have to sleep with everyone he has feelings for, and he doesn’t have to have feelings for everyone he sleeps with,” and that’s basically the final nail in the coffin of what could have been for his relationship with Tommy. It’s obvious that Tommy’s words have hit a sore spot. It bothers Buck so much, in fact, that we see him venting to Maddie about it later on in the episode. “I live in Eddie’s house, therefore I must be in love with him?” Maddie doesn’t think it’s that out of the question. She asks if he is in love with Eddie, and says it wouldn’t be so crazy.
Let’s recap: Buck gets jealous over Eddie having a new friend, and as those feelings escalate Buck ends up injuring his ankle. Maddie tells him there are better ways to get someone’s attention than hurting them. Buck lies to Eddie about his date with Tommy, and spirals over why he’d lie to his best friend instead of the fact that he fumbled the date. Maddie tells him she thinks he isn’t sure of his feelings yet, and if there’s something he needs to tell Eddie, he will, in his own time. She doesn’t offer Buck any advice when it comes to his actual relationship with Tommy—Josh does that, and it ultimately ends in a breakup. Eddie moves, and Buck spends multiple nights at Maddie’s because he can’t bring himself to accept that Eddie and Chris really aren’t coming back.
With all roads leading to Eddie, it really isn’t surprising that Maddie might wonder about Buck’s feelings, and by this point she’s throwing subtlety out the door because Tommy has already named the elephant in the room. Buck insists he’s not hopelessly pining for his straight best friend—again, making a point of emphasizing Eddie’s unavailability due to his sexuality—but that yes, Eddie leaving has left a huge hole in his life. He even goes as far as to say he understands Tommy feeling threatened by what he and Eddie have.
Ignoring the fact that he could have said all of this to reassure Tommy and didn’t, a romantic partner should not feel threatened by your best friend. We’ve never seen it with any of Buck’s other partners, so why now? Because Buck’s other partners didn’t know that Buck was interested in men, and therefore didn’t have any reason to examine his friendship with Eddie. Tommy likely wouldn’t either, if he believed that Eddie was straight. By bringing this up as an issue, it’s forcing the show—and the characters—to confront it in a way that’s never been necessary until now. If Buck was reaching the correct conclusions each time this has come up, we wouldn’t have multiple episodes dedicated to exploring it.
Buck also explains that part of his reaction with Tommy was that it felt as though he were being accused of something. He doesn’t elaborate, but you can infer that it felt like he was being accused of having feelings for Eddie and lying about it, or of being disingenuous about his feelings for Tommy, which were real to him at the time. A lot of his response right now is defensiveness because of that, and as long as he thinks Eddie isn’t an option anyway, he’s not going to examine it any closer, no matter how much the people in his life are asking him to.
By the end of the conversation, Buck has talked himself into thinking he should call Tommy and apologize for using him as a distraction so he wouldn’t have to feel alone. He’s basically admitting that hooking up with Tommy had less to do with any feelings they once shared, and more to do with the fact that Buck is just lonely without his best friend around. That’s the reason he was hanging out with Ravi in the first place, but that wasn’t enough to fill the void he feels with Eddie being gone. It wasn’t enough to distract him from the fact that Eddie and Chris wouldn’t be coming back, so he could finally sleep in his new place. He puts an entirely new spin on “getting over someone by getting under someone else.”
Not only does this arc spend a lot of time reminding the audience of the depth of Buck and Eddie’s friendship, it also re-frames it in a possible romantic context through the eyes of people observing it from the outside. Viewers are now called on to reconsider their interactions through that same lens, while waiting to see if Tommy’s assumptions about Eddie prove to be true.
In the meantime, a new obstacle has been introduced in Buck’s journey to finding happiness: how does he reassure any of his future partners that Eddie isn’t a threat, when he couldn’t even convince the man he dated for six months? It seems like Oliver may be getting his wish for a slowburn, will-they-won’t-they.
We do see Tommy one final time after all this, and it serves as a bookend to their relationship: he helps Buck save the 118, ending things on a more positive note so that Buck can look back on their time together positively. This is something Tim mentioned wanting for the pairing, as a sort of entry level relationship for Buck. The show makes no efforts to lay the groundwork for a reconciliation, despite Tommy being present for Buck losing a father figure, and despite Tommy attending Bobby’s funeral, because his purpose in this story has been served.
Chooseable: A Meta on Buck’s Arc and Why It Was Never About Destiny
Before I start, I want to say this gently:
This is a fan theory. It’s not an attack on Buddie. It’s not meant to invalidate anyone’s interpretation. It’s simply how I personally read Buck’s arc on 9-1-1.
You’re absolutely allowed to disagree. I only ask that disagreement stays respectful. We can interpret the same story in different ways without tearing each other apart.
Okay.
Fan Theory:
Buck has never been searching for love.
He’s been searching for proof that he’s chooseable.
If you follow Evan Buckley’s journey from Season 1 onward, his arc isn’t fundamentally romantic.
It’s about identity.
1. Buck Was Born to Be Useful
Buck isn’t “the guy who loves too much.”
He’s the child who was born to save someone.
The Daniel reveal reframes everything. It’s not just family drama — it’s psychological foundation.
Buck wasn’t born to exist.
He was born to fix.
And when that becomes your origin story, your entire sense of self is tied to usefulness.
The question under all of Buck’s behavior becomes:
“If I’m not needed, who am I?”
2. Seasons 1–2: The Body as Anesthesia
Early Buck is impulsive, hypersexual, adrenaline-driven.
But that’s not shallowness.
That’s avoidance.
Sex. Risk. Chaos.
Those aren’t expressions of freedom.
They’re noise.
Because silence forces him to confront the fear that he has no intrinsic worth.
Buck doesn’t want to be loved for who he is.
He wants to be necessary.
So Buck oscillates:
– deep attachment
– self-sabotage
– control
– constant reassurance-seeking
He believes abandonment is inevitable, so if something feels too good, he destabilizes it first.
Because controlling the loss feels safer than being blindsided by it.
4. The Daniel Reveal: The Core Wound
When Buck learns the truth about his birth, his internal narrative changes permanently.
It’s no longer:
“My parents didn’t understand me.”
It becomes:
“I was never meant to be me.”
That creates three deep wounds:
– fear of being second choice
– anger at parental betrayal
– compulsion to compensate
From here comes his most dangerous pattern:
If something feels too good, he risks it himself.
Control over abandonment.
5. Buck’s Bisexuality Is Consistent, Not a Twist
Buck’s fluidity doesn’t contradict his arc — it fits it.
He’s never been rigid.
He’s connection-oriented, not label-oriented.
The real question isn’t who he loves.
It’s why he chooses.
If love has always functioned as proof, validation, necessity — then his endgame cannot be passion-based or destiny-based.
It has to be stability-based.
6. Seasons 7–9: The Shift Toward Maturity
In the later seasons, Buck changes.
He stays in hard conversations.
He doesn’t flee immediately.
He tolerates vulnerability.
He asks for reciprocity.
He isn’t healed.
But he’s self-aware.
And this leads to the central thesis:
The person who stays with Buck long-term won’t be someone who completes him.
It will be someone who doesn’t need to be saved by him.
He needs someone who:
– doesn’t idealize him
– doesn’t fear him
– doesn’t use him as emotional scaffolding
– doesn’t leave when he stops being the hero
Someone who stands in front of him when he’s wrong.
Not behind him.
Someone who teaches him duration.
His happy ending won’t be loud.
It will be quiet.
7. Buck and Eddie: The Deepest Bond in the Show
Let me be very clear:
Buck and Eddie have the deepest connection on 9-1-1.
And that’s exactly why I don’t read them as romantic.
Intimacy is not automatically romance.
What they share is intimacy — but of a specific kind.
8. Eddie Is Not the Resolution of Buck’s Core Trauma
Buck’s foundational wound is:
“I exist to be useful.”
To truly heal, he needs someone who:
– doesn’t depend on him to survive
– doesn’t need rescuing
– doesn’t choose him because he’s indispensable
Eddie enters Buck’s life with Christopher.
Buck becomes essential in that dynamic.
He’s steady. Protective. Present.
But that also means he’s necessary again.
That doesn’t make the bond unhealthy.
It just means it doesn’t fully break the original pattern.
9. Eddie Is a Mirror, Not a Regulator
Buck and Eddie are deeply similar.
They both:
– carry family trauma
– struggle to ask for help
– default to self-sacrifice
– protect others to avoid themselves
They understand each other instinctively.
But they amplify each other.
They don’t regulate each other.
And mature Buck needs grounding, not mirroring.
10. They’ve Already Said “I Love You” — Just Not Romantically
There’s a kind of love that isn’t romantic.
It’s ontological. Foundational.
Buck and Eddie have already expressed that kind of love:
I don’t think we’ve had this much fodder with such few scenes in a long time, and I am LIVING!
Okay, so first of all I have to mention the parallel between 217, when the team was coming in, one by one, to see the suspended Bobby, and this ep, with everyone dropping by one at a time to be there for the recovering Buck. The similarity is of course in the found family connection. In both cases we see the importance of the absent member of the team through these visits. The difference is in the way the team came to Bobby because they need him to be there for them as their captain and friend even when he’s not on the job. But in Buck’s case, they don’t need anything. They’re coming by because they want to be there for him when he needs his team members and friends. Buck’s parents needed a reason to love him. Buck’s found family in this ep is loving him anyway. ~~
I’m gonna scream about the couch in a second, but I have to admit that while I was watching the ep, the moment that REALLY had my eyes shoot wide open and my breaths go into hyperventilation is when Maddie reads the note saying Buck has gone out. Because as soon as it was made clear Buck had chosen to escape his apartment and all of his visitors, I knew where he was headed. First off, the very fact that everyone else came to him, while Eddie was the one person Buck chose to go to already had me biting my fists. Once more, like in so many other cases (for example, when the lightning hit and Eddie was filmed differently to everyone else in the 118, or the way he was the only absent person in Buck’s dream and the only one Buck remembered without needing a physical object to jog his memory), Eddie is singled out as having a unique space in Buck’s life that no one else occupies. And of course there is this domestic quality and element of choosing each other as we see them repeatedly opening the door for and to get to the other one. ~~
But just think of the meaning! This man puppy, who only ever wanted to be loved and who’s being showered with attention and care, is absolutely restless because he’s having a hard time and feels like he has to pretend with the people he loves the most, and therefore he’s failing to fall asleep on his own couch. He seeks comfort in a connection that’s even deeper than the people who have been to see him, where he can really be himself without pretense. And that’s what’s insane, because he was visited among others by Maddie and Hen, his loving blood and adoptive big sisters. NO ONE can claim that his r/s with them is anything other than deep, and yet when he needed something more, when he needed an escape, when he needed a place where he could simply rest and be himself, he went to Eddie’s. This isn’t just Buck standing in Eddie’s kitchen declaring, “I’m not really a guest” in 311. This is him being more of a guest in his own apartment than in Eddie’s house. This is him being home and safe and able to JUST BE in Eddie’s space.
This is Buck beginning his healing by sleeping on the SAME couch where Eddie did in 514, connecting their healing in a parallel that is going to make me tear my own hair out. Which actually connects us back to 407, when Buddie talk about Buck’s need for his loft to be his safe space. Now it’s canon that this desired safe space is Eddie’s home, and I will chew through every piece of glass out there before I calm down from this. Once again, there are opposite sex canon couples on TV who never get this level of soulmate development! ~~
Oh, I also found it very interesting that Buck tells Maddie about his list he goes through every time he wakes up, to make sure he’s not in the coma world. We didn’t see him going through those steps when he woke up on Eddie’s couch. Remember how I said Eddie had to be absent in the dream world or Buck might not have made it out of there? Well, this ep adds to that. By virtue of being the only one who’s fully absent, it means Eddie is the one person whose very presence is a cue for Buck that he’s in the real world and safe, the only one who, by simply being there, negates the need for a list. I AM MELTING. (my gif, please excuse the awfulness) ~~
Speaking of soulmates bonding, I have to point out the opposite sex soulmates we do have in this very ep. Bobby confesses that Athena is it for him because she makes him feel like he’s standing on solid ground, she helps him be himself by finding again a piece of him.
We also see her becoming a part of his healing process when he allows her to come to his AA meeting. This is exactly what we see Buddie going through in 612! Eddie is Buck’s solid ground, the person he can count on and who can provide him with rest (that’s what solid ground represents), who allows him to simply be himself, and Eddie is also a part of the healing process that Buck allows him into by seeking out Eddie, and by opening up to him when Eddie asks him to, after finally getting some rest on the couch... ~~
That brings me to the couch because that in itself is just... Wow, this show really hates my nails and wants me to chew on them fully, I see how it is. Let’s not forget for how long the couch metaphor has been with us! Once Taylor and Buck discussed their couches situation when she was moving in with him in 513, and it was clear there was an incompatibility issue because she was bringing in a couch while he already had one (meaning they had already failed to communicate about this pretty basic point), it was clear they’d have to choose only one and dispose of the other. Very tellingly Taylor doesn’t really leave room for choice, so Buck (who only asked her to move in out of guilt) gave up his for hers. That’s the start of the couch being a metaphor for his romantic relationships, and I can’t believe it started a whole season before this ep! And then when Taylor moved out in 518, he was left with none? But that wasn’t unhinged enough for our show, so they brought it into an even greater focus with the lasagna scene in 601, when it was made even clearer that the “right couch” for Buck is about his romantic partner, that he’s aware of that significance, and that he admitted to it IN EDDIE’S PRESENCE. I can’t believe Buck fell asleep like that on Eddie’s couch, when they BOTH KNOW what the couch means. This is the most naked two men have ever been with each other on a TV show without taking their clothes off! Then Buck’s parents get him a couch he doesn’t want, one that’s all wrong for him, one he didn’t get to CHOOSE, so unsurprisingly he can’t sleep on it. That would have been a lot already, but then this ep turns around and SLAMS US IN THE FACE with Eddie’s couch being the right one for Buck to fall asleep on and to do so effortlessly! Two seconds on it, and Buck was out. That’s okay, 911, I just have to work a double shift while I’m sick today, I didn’t need to also have my sanity. You absolutely can have everything left of it. (my gif, please excuse it) ~~
I know it’ll sound dumb, but I was happy crying over the beers in Eddie’s fridge and the zoomed in shot we got of them. Look, it’s their thing, right? We’ve seen the two of them sipping on beers together in the iconic 309 kitchen scene (NGL, the oral sex scene in my Blue Against Blue fic was inspired by this), and it’s been a repeated theme, so when I saw Eddie had no less than 6 beers easily accessible in the top shelf of his fridge, chilling away, it screamed “This is my Buck stash” to me.
I will forever be a mess that Eddie Diaz, tough war veteran, actually has a supply of beers ready in his fridge for whenever soft man puppy Evan Buckley drops by unannounced. Can you imagine when Eddie goes grocery shopping and he probably smiles softly to himself when he buys his Buck beers? These two are so domestic and in love and equally soft about each other, it’s gross. And by gross I mean I love it, please gimme more. ~~
Oh, but the domesticity just keeps leveling up in this ep! Because then Buck wakes up and makes his way to the kitchen, where he just… lets Eddie take care of him by serving water. And it’s so tender and husbandy, and affectionate, and connects so perfectly to Eddie asking Buck to share with him. Because Buck wouldn’t let others fuss over him, but he lets his hubby take care of him. And he doesn’t tell others, even ones who are significant people in his life, where he’s really at, but he will share everything with Eddie. Not to mention that it doesn’t take much to get him to open up. All Eddie has to do is ask, and despite Buck’s initial announcement not to, he just goes right ahead and spills. I am inhaling and exhaling into the palms of my hands.
Of course, tucked in there is also Buck asking Eddie about the shooting. We all remember Buddie holding eye contact through that and Eddie reaching out to him, right? Or everything that transpired between them in the ambulance, all of it so romantically coded... This scene tells us that Eddie doesn’t remember those bits. I find it interesting to consider that maybe Eddie really doesn’t. That maybe the reason he hasn’t figured out yet how he feels for Buck is because he blanked out on the way he turned to Buck during the most intense moments of his life, and the ones he thought were his last. ~~
I mentioned during the hiatus in replies to asks I got that I suspected just like the distance between Buddie in 5a served to bring them closer together in 5b as Buck helped Eddie with his healing, the same structure was being followed in s6, just in the reverse, where Eddie will eventually help Buck. You can’t imagine how deep and meaningful I find it, that the show has actually structured these two seasons as counter paralleling each other, and showing Buddie as being a vital part of this mutual healing, so I tried to demonstrate that with this gifset. ~~
Last one! The cardiologist. Look, I already mentioned in my previous weekly meta that the heart theme started with Eddie, and then it was expanded to Buck. I find it insane that the show really hammered it home by having the same cardiologist be the doctor for both men, and that while she’s at it, she hints to both that their issues are not purely physical. How long before the metaphor-loving Buck catches on? IDK, but every single choice about this ep feels incredibly deliberate, when so much is condensed into so few scenes.
(my weekly meta posts) (my Buddie gifs) (all of my content)
~~ I can’t explain how much I’m asking of the amazing @whosoldherout for the gif requests, and the results are always so stunning, I’m deeply grateful!
~~ My tag list will follow in the reblog, please let me know if you wanna be added/removed here. Thank you in advance for any reblog and like! I’m sick and took three different medications to be semi-functional, so I really hope you’ll like this. Please don’t hesitate to let me know if you did! xoxox
The cut scene that posted—Chris telling Eddie that his girlfriend Penny broke up with him—adds a large amount of context to the events in 7x10. I’ve already posted some thoughts about Shannon and Eddie and the lake (here), so let’s talk about Chris and his girlfriend(s) and his relationship with his mother. It explains some up-in-the-air questions that arose from 7x10, particularly why Chris called his grandparents and didn’t call Buck.
In 7x01, Eddie discovers that Chris is dating multiple girls. He asks Buck to talk with him. This brings to light Chris’s feelings about his mother and her leaving Texas, and results in Eddie giving him her letter. The end result (which is really only confirmed by the cut clip), seems to be that Chris followed Buck’s advice and picked one girl to focus his attention on.
(Gif: @mythtakens)
Like most middle school relationships, it comes to an end. In the cut scene from 7x09, Chris tells Eddie that Penny (the girl he had over for video games in 7x01) broke up with him. No matter what we, as adults, might think of those cute middle school hand-holding situationships, Chris is most likely devastated. He and Eddie chat, and Eddie ends up telling him about how he met Shannon, at a lake near the Senior Diaz’s house in El Paso. He gives him HOPE that he, too, will find a Shannon one day.
(Gif: @ayo-edebiri)
Shortly after this (also in 7x09), Chris walks in on the Ghost of Shannon, standing in his house.
So, in season 7, Chris has received these messages about dating:
“We don’t cheat on girls.” (the conversation with Buck in 7x01)
“Girls actually do leave.” (the breakup revealed during the 7x09 cut scene; Eddie’s confirmation that “They do that.”)
“Dad is a cheater.” (the scene at the end of 7x09)
”All of Dad’s girlfriends leave.” (The off-screen breakup with Marisol, combined with knowing that Shannon left, and the whole Ana thing.)
”What was the point of picking one girl when she was going to leave anyway?” (Combination of 7x01, cut scene, and end scene of 7x09)
He receives these messages about Shannon:
“Mom loved me, but she left anyway.” (The letter in 7x01)
“Dad met Mom when he was my age.” (The cut scene from 7x09)
“Mom came back.” (Season 2; rehashed in 7x01)
“Dad isn’t over Mom.” (Question asked & not answered in 7x09 cut scene; in-his-face takeaway from Kim encounter in 7x09)
“I’m not over Mom.”
So, between the whole drama about the multiple girlfriends and the reactions of Eddie and Buck, and the Dead Mom Trauma in 7x01 (I.e. the letter and his feelings, which he’s found some closure for, but “comforted” doesn’t mean “fixed”), and the things revealed in the 7x09 cut scene, I can really see that the events of 7x09 were the straw that broke the camel’s back, rather than the isolated incident that editing made them appear to be.
That’s why this scene was important. We’ve all been trying to figure out why Chris didn’t go to Buck or why his very good relationship with Eddie didn’t make him think a bit more before going nuclear (I.e. calling his grandparents). But the Penny breakup brings this full circle.
He probably feels as betrayed about the 7x01 conversation (the relationship advice from Buck, which he obviously took and ran with) as he does by his dad’s hypocrisy and by walking in on the Ghost of Shannon. Add to that:
(1) The fact that she (Ghost Shannon) was IN HIS HOUSE (his safe place)
(2) Penny and Marisol are both gone (so why shouldn’t he leave, too)
(3) He’s had a recent reminder of where Shannon was at his age (that lake in Texas)
Well, it makes a lot more sense. Context is everything, and we didn’t really have the full context to interpret Chris’s actions.
Everything that went right and wrong with 9-1-1 season 7 (according to me, duh!)
Let me start by saying that I enjoyed the season a lot, but that doesn't mean that it was flawless and I thought the finale didn't deliver. So, this is me pointing out what I did and didn't like and why, and how I wish it'd happened instead.
Also: it's a short and somewhat rushed season due to the writers' strike, this I know. You know who else knew? TPTB. So, nope, it’s not a valid excuse for any of its shortcomings. If they tried to bite off more than they could chew, that's on them.
Everyone knows that having a three-episode arc for the honeymoon was a bad choice, it was clear because the episodes dragged due to it and the Bathena drama made no sense. Let's say they had to keep up with the tradition and that it's a huge budget deal to build those sets so they had to milk them for all they were worth. Fine. It could've still been made more interesting, but wrong choices were made. I didn't appreciate the whole pirates taking over thing, and the season ended with the cartel, which... why do you want to have POCs being the bad guys so badly?
So, let's go by the assumption that having a three episode arc for Bathena's honeymoon was the only choice possible, fine... but didn't Madney deserve a lot of attention as well considering they got freaking married? Why was that not a two-parter? Why not have a first part with cases and some fun bachelor/bachelorette shenanigans, and have Chim disappearing be the cliffhanger? Why not dedicate a big chunk of the second part to that, like they did, and then actually give the wedding some breathing room? Sure, it mirrored their kiss after the whole Doug debacle but these are two main characters who got married. It's a drama show but the drama gets old if there are no bright moments in between.
The inclusion of Amir was interesting because of what it brought up in Bobby. Plus, the actor was clearly great and he was such a big deal that he, well, he was given A LOT of screentime. This made me mad because the show, as previously mentioned, was short on time as it was. Having a new character come in and have such a huge role would’ve made sense if we were talking about a full season. As it was, his presence meant that some of our regulars were pushed to the background. Their storylines suffered for it, and while the show usually does this, it's sorta okay when screentime is divvied up between the regular cast. When it's an outsider... well, I have some issues with that. Like, we literally know more about Amir than we do about Ravi at this point. Also: Amir was clearly an amazing person and he was wronged time and time again. Athena got to play solo-cop as it's her thing, and we're supposed to think she was being heroic instead of downright wrong and abusing her power? If I were Amir, I'd sue her and I'd burn their house down for real (not really, but you know what I mean). They put this man through hell. Sure, Bobby saved him... which felt such a white savior redemption thing. And I know the show and the character said otherwise, but it still felt awful and then it just got worse. In any case, they could’ve made this story play out with more nuances instead of devoting so much of a short season to it to the detriment of our stable cast.
Buck had an amazing start of the season, finding himself and his truth and sharing it with his family. The fact that they had him entering the dating scene with a character like T*mmy... I didn't like that. Any random person would've been better. But, also, I don't wanna be that person but this is my blog so I'm gonna be: Oliver clearly hadn't been enjoying the latest interactions between these characters to the point where their scenes, few as they were, were actually hard to watch. The last one was literally the most cringe inducing moment of TV I've ever witnessed. Instead of Buck exploring himself, we have him reacting to the odd, negative and out of place comments that T*mmy keeps throwing his way. It's just weird and not at all the happy story Oliver was hoping for, so I get him. I hope this gets better next season, with BT being bones and Buck being able to thrive instead of falling back into a revamped awful dating life.
On the other hand, this season was the Buddiest of them all. Well, I mean, it had the most hints of it actually happening at some point. When Buck talked about there being underlying sexual tension in the premiere, it was just ashslgjñhjsdñgjsñdg. They were comparing Chris's interactions with girl friends and boy friends but we all know that wasn't all that was. We had Eddie talking about how much growth Buck had done from being a playboy, which funnily enough he never got to meet, to the person he's today. Another great indicator were the whole 100th/101st episodes, with Buck clearly wanting to get Eddie's attention due to jealousy, which everybody could see, and the ~reveal that the episode was from Buck’s POV which was also incredible because that man was so in love with Eddie, it’s just insane. But, even most importantly maybe, was Maddie's scene with Buck... It was a mirror of her calling him out on his guy crush on Eddie from season 2, with the circled with a heart around it, but the next episode it got real. To me, her words and her face spoke volumes: first she couldn’t believe Buck was with Eddie’s friend, then she told him he might not be sure of his own feelings and finally that if there’s something he needs to tell Eddie, he will, just in his own time. That was NOT about Buck being bisexual, it was Maddie reading right what Buck was reading wrong: how Buck had been jealous because of the way he feels about Eddie and how he was putting his feelings for Eddie into somebody else. Someone safe for the time being, all things considered. That's a thread waiting to be pulled when the right time comes if I ever saw one! I've been giddy just thinking about it ever since, tbh. We also had a Buddie scene in pretty much every episode, and I absolutely adored them in the bachelor party because they were so in sync, as they were all season long actually. The parallel of Eddie asking for Buck’s help at the end was nice as just that, but the story... I’ll rant about it later. I love that Oliver has been pushing the Buddie agenda harder than ever, so I'm hoping he's talking Ryan's ear off about it and that they'll demand it from Tim soon enough.
Onto Eddie, the problem with the whole Kim thing actually starts because they killed Shannon in the first place. They should've never done that, I've always thought this way. She was a great character and seeing Eddie co-parent with his ex would've been great storytelling, he could've still had a breakdown due to divorcing her or even her dating again or whatever. Besides the insanity of Kim going back to his house after learning the truth, the fact that Eddie broke down and caved in was understandable. I actually thought that was pretty well done. The problem was all that followed. We don't care about Marisol because the show never made us care about her, so her part in all of this was completely irrelevant.
As for Chris, I honestly have SO many issues with his reaction. Him being confused would only be right, but being that mad with Eddie? I honestly feel like I'm missing something because the two of them developed such a strong relationship that it felt like Chris's reaction was totally OOC. Why wouldn't Chris want to know Eddie's side of the story? Why would he want to leave his dad and his house? Why would he want to leave the state? Why would he want to go live with his grandparents? Sure, he had a good relationship with them at that point, but we can only gather that by... imagining it, for the most part. How long since they been around? Why not mention that they were visiting or that Chris was with them when he was away to set the stage? It honestly felt like it was all improvised and they wanted to leave Eddie without Chris and this was all they could come up with. There were other ways that could've actually made more sense to get to this place, but they chose to do it in a way that's both hurtful to the characters and to their progression throughout the seasons. Make it make sense!!! There's also the fact that the finale script was all written under the assumption that Eddie and Kim were kissing when Chris showed up. That didn't actually make the cut. This is clearly a consequence of rushed scripts and filming schedules, and while we can interpret every scene saying they kissed as an exaggeration or simply a wrong interpretation of the situation, it actually made me very mad. Having characters rehash what happened the episode before so the people who missed it can catch up is normal but I hated it with my whole heart. Those people can go to hell, but if they're gonna spend time of the finale doing that, the least they could do was make the facts factual. Sure, Eddie was going insane and he said it was hard to explain but everyone in-show very much believed that Eddie had kissed Kim. This was upsetting because of the exact reason why that kiss was cut, as said by Ryan in an interview this week.
On top of this, Chris’s 13 years old. Eddie letting him go was not it. Eddie had every right to tell him he's staying whether he liked it or not because he's his father and he got to decide where he lives. The show tried to make the whole thing come out as noble but I thought it was bullshit. From what we know about Eddie, he wouldn't just let him go: he would either tell Chris to stay put or go with him. The fact that, again, they clearly wanted to have Eddie alone for whatever reason, and they couldn't find a better way to pull it off... that's just bad on TPTB's part.
Hen and Karen were put through hell once more for no reason. Why can't the big obstacle for them be simply getting through Mara? Why do they have to get to a good place only for it to be ripped away? Don't say it's drama tv, I don't care, people on screen deserve happiness, damn it! They most of all, tbh, and the fact that Denny was so upset just made it 5464641636469 worse. Then we had Madney helping out, which was lovely but completely unrealistic from a legal pov and also... why can't HenRen just get what they want without a het couple's intervention? So Ortiz had enough power to get Mara away from them but she didn't know that the people wanting to foster her were part of the 118 even though she had something to do with Gerrard being reinstated? I know this was what Tim implied on his socials to explain why someone as shitty as Gerrard would be taken back by the firehouse... which, I don't know if that even makes sense? Does she have the kind of power to do any of this?
A lot of questions now:
Why was a random woman given so many precious minutes of the finale just so Athena could have a car to go after an innocent man? Why does she keep getting away with asking for personal favors, recklessly involving Maddie too?
Why wouldn't the editor of the episode give us a full body frame at least of Buddie by Bobby's hospital bed? This made me particularly mad because it actually looked like Oliver and Ryan were not there filming (though we knew they were), and that's why they kept showing their backs.
Maybe they had lines, maybe not, but a few seconds while Chim, Hen and Maddie talked would've been nice... since it clearly seemed like nobody was particularly perturbed by Bobby's state.
I'm sorry but I can't fear for his life when his wife is away trying to get revenge and his team are just... there.
Also, why are him, Athena, the aforementioned neighbor and Amir allowed to just walk into a house that suffered that much fire damage? Wouldn't the structure be compromised?
Plus, Athena and Bobby kinda were awful to Amir, first killing his wife and then accusing him and all, so why would he want to talk about anything with Bobby, nevermind say he's earned his family? He was wronged so badly, he didn't owe them a thing, it's honestly ridiculous.
Then Bobby came back so fast... but he had quit before and forgot about it?
The Gerrard reveal was actually not something I hated because I love a good shake up. I bet he'll last three episodes at most.
We know this isn't gonna be good exactly, and it makes zero sense, but a change in dynamics is always refreshing and could put some things into perspective.
I hated when Buddie weren't partnered, but I ADORED the way Hen was weirded the fuck out by the closeness she is not used to having with Chim while on the field, so I can't wait for some of it.
Things I wanna see:
More May, more Ravi, Eddie’s sisters.
More Buddie.
No dating people to fill up time for either of them.
Eddie’s gay/demi awakening (I swear, if this is not where his story is going, it will all feel like such a waste, much like during his previous breakdown).
Chris and Mara going back home soon.
Gerrard and Ortiz getting what they deserve.
This is so long it's insane, if you've read it, I thank you. If I think of anything I forgot, I'll add it later. If you have anything to contribute, please do. I'm around and I'd love to discuss this show and all its intricacies.
they were insane for not showing us buck and eddie talking about the hostage situation, or even sitting together, or even looking at each other after that initial scare by the way
and they were even more insane for showing the way eddie’s gaze lingered on buck after he said “im going to go see [my son]” as if he’s expecting buck to follow him or as if he’s remembering the moment where buck defended chris’ name or like he’s waiting for something but buck isn’t really looking at him at all, looking somewhere near the ground like he’s avoiding looking at him directly, only catching glimpse of him through his peripheral vision???
and they were downright unhinged for “did he get to see his son” and the slow pause and look in buck’s eye when he says “no”
