๑(◕‿◕)๑

seen from Russia

seen from Japan
seen from Netherlands
seen from United States
seen from United States
seen from United Kingdom
seen from Brazil
seen from United Kingdom

seen from China
seen from Egypt

seen from United States

seen from France

seen from Malaysia

seen from Russia
seen from United States

seen from United States
seen from Türkiye

seen from United States

seen from United States

seen from United States
๑(◕‿◕)๑
Chris O’Donnell
Oliver's cameo on Chris OD's appearance for Tommy Didario's podcast, 3/24/2026
Why the rollout of 911: Nashville is uncomfortably MAGA-coded
*The choice of Nashville when they just wrapped up another city in the south, 911 Lone Star, feels extremely pointed and geared toward conservatives. Why not Memphis? Chicago? Boston (which I believe was one of the original choices to expand the franchise).
*When the OG 911 premiered, the cast credits were Angela Bassett, Peter Krause, Oliver Stark, Aisha Hinds, and Kenneth Choi. So, featuring two Black women, two white men, and one Asian man.
Nashville cast features:
Chris O'Donnell, Jessica Capshaw, Kimberly Williams-Paisley, Michael Provost and LeAnn Rimes or all white characters.
*In the official 2 minute trailer, the castmates of color don't even have any dialogue.
*They made sure the two hot firefighters were brothers so they wouldn't fall into the Buddie trap.
*Casting Chris O'Donnell as the Captain. I used to love him, but he was so "go girl give us nothing" in the trailer. He made Bobby look like Ozzy Osbourne. You can't tell me Coby Bell, who lives in Texas, wasn't available? Or Mark-Paul Gosselaar wasn't available.
Obviously TV shows need to appeal to viewers, but it feels so pointedly geared towards a specific type of viewer that I'm bothered by it and it feels like the antithesis of the flagship show.
I hope I'm wrong, but I feel even less excited about this show than I did 911 Lone Star.
Smash Hits (UK) 1995
Issue 420, 4th January - 17th January 1995 Issue 421, 18th January - 31st January 1995 Issue 422, 1st February - 14th February 1995 Issue 423, 15th February - 28th February 1995 Issue 424, 1st March - 14th March 1995 Issue 425, 15th March - 28th March 1995 Issue 426, 29th March - 11th April 1995 Issue 427, 12th April - 25th April 1995 Issue 428, 26th April - 9th May 1995 Issue 429, 10th May - 23rd May 1995 Issue 430, 24th May - 6th June 1995 Issue 431, 7th June - 20th June 1995 Issue 432, 21st June - 4th July 1995 Issue 433, 5th July - 18th July 1995 Issue 434, 19th July - 1st August 1995 Issue 435, 2nd August - 15th August 1995 Issue 436, 16th August - 29th August 1995 Issue 437, 30th August - 12th September 1995 Issue 438, 13th September - 26th September 1995 Issue 439, 27th September - 10th October 1995 Issue 440, 11th October - 24th October 1995 Issue 441, 25th October -7th November 1995 Issue 442, 8th November - 21st November 1995 Issue 443, 22nd November - 5th December 1995 Issue 444, 6th December - 19th December 1995 Issue 445, 20th December 1995 - 2nd January 1996
At Smash Hits Remembered
It’s Gotta Be You
Dick Grayson x reader
warnings:
a/n:
prompt: @sweetjedi: “Song: It’s Gotta Be You, Artist: Backstreet Boys, Character: Dick Grayson/Robin, Fandom: DC movies (non-DCEU/animation), Relationship: romantic interest, Nudge: Dick Grayson’s crush on Reader is now becoming a distraction to his Robin duties.”
Reporters and cops, the two groups of people that Gotham’s vigilantes crossed paths with the most once their endeavors were over. Once the bad guys were put away and civilians were out of harms way. Each time they saved the day, it seemed you were always there with your microphone in one hand and a camera pointed your way.