Between seashells and other things | Jade leech x reader pt 3
pt 1 | pt 2
The next three months looks like this:
It looks like him knowing, without being told, the way you take your tea; with too much sugar and not enough milk, and that you will not admit this is too much sugar even when confronted directly with evidence. It looks like you knowing that he comes back from the water on Tuesday mornings later than any other day, and that asking why produces an answer so technically detailed and so deliberately unhelpful that you have stopped asking. Mostly.
It looks like his shoes beside yours by the front door. Not every day. But enough days that you stopped noticing they were there and started noticing on the days they weren't.
It looks like you reading on the porch while he sits on the steps cataloguing something small and oceanic in that notebook of his and neither of you talking for an hour. It doesnât feel like a thick, heavy silence. If anything it feels like a room you both live in.
It looks like those shells on the windowsill, which have multiplied by now. You havenât moved a single one.
It looks like him standing in your kitchen one evening making dinner for the both of you, in that human form that you have grown quite accustomed to. The way he is wearing an oversized shirt, his hair slightly damp from the earlier shower and the smell of something delicious being cooked in the pan on the stove. And for a moment you just lay there, listening to him move around in there like it was the most natural thing in the world, which it was, which it had become, which you were still in the process of understanding the full weight of.
Three months which have slowly multiplied to six, look like the particular way he says your name sometimes, when he thinks youâre not paying attention. Like it is something he is still getting used to having permission to say.
And in between those months, both of you live in a world thatâs patient and immovable. In a world filled with almost and maybe. The almost kisses in the kitchen that neither of you have mentioned and both of you have not forgotten for a single consecutive hour since. The âmaybe if i pretend to be asleep beside him on the couch, he will stay the nightâ. Itâs the moments where both want to say something but neither has enough courage to, remaining stuck in whatever tide you both are⊠And youâre running out of patience⊠almost.
But time goes by and in those six months Floyd arrived on a random Wednesday, which feels appropriate somehow. Chaotic things tend to happen on Wednesdays.
You are on the beach, close to the shore but not really, reading a book when something surfaces from the water at significant speed as if it was trying to announce itself. And you look up, eyes meeting that familiar green blue hues of eels, of Jade, but it cannot be him. Because Jade does not move like a wild shark, but more like an alligator: with deliberate and considered motions. This, whoever was, was taller (even if by a margin) and broader too. The heterochromia that had become so familiar in Jade was reversed and the grin that marked his face suggested that whoever he was, he had been waiting for this moment his whole life. And now he was going to have fun.Â
âYouâre the human,â he says, by way of greeting. Plopping down beside you, not too close, not too far. Enough to assess.Â
âIâm a human,â you say carefully, âyes.â
âNo,â he says,shaking his head, âyouâre the human. Jadeâs human.â He stops to observe you âYouâre smaller than I thought.â
âThank you,â you say, because nothing else comes.
âThat wasnât a compliment.â
âI know.â
âBut youâre funny,â he says, tilting his head, âJade said you were funny. I thought he was being weird about it because heâs weird about you, but you actually are.â He sounds genuinely surprised.Â
You are saved from having to respond to this by Jade, who decides to appear from the direction of the water at a pace that suggests he has been informed of this visit and has feelings about it that are not necessarily pleasant, his expression is controlled as always.
âFloyd,â he says.
âSheâs funny,â Floyd tells him, pointing at you.
âIâm aware,â Jade says.
âYou didnât say she was that funny.â
âI said she was funny.â
âYou undersold it.â
âI will oversell your departure if youâd like to test me.â
Floyd grins at him, wide and unbothered, and then drops down onto the sand beside you without asking, which you suspect is simply how he operates in every space he enters. He looks up at you with those mismatched eyes and something in his expression is, underneath all the chaos, genuinely curious.
âYou kept the necklace on,â he says, nodding at the pearl at your collarbone.
âI did,â you say.
He looks at Jade, then back at you, and something moves across his face that you cannot quite read. Then he nods, once, satisfied, like something has been confirmed.
âOkay,â he says. âYou can make me tea.â
âI absolutely do not have to do that,â you say.
âSheâs funny,â Floyd says to Jade again, delighted.
Jade moves, also still in his eel form, to sit beside Floyd but turned enough to face you too. His expression recalls the one of a man serving a sentence he has long ago accepted, while Floyd looks too delighted in the small chaos he brought along with him today. You cannot help but look at the differences, at how loud one is and calm the other is. Something warm and complicated moves through your chest. You go inside and make three cups of tea.
°ââ.àłàż*:°ââ.àłàż*:°ââ.àłàż*:°ââ.àłàż*:°ââ.àłàż*:°
Georgina is different.
Jade tells you about her visit three days in advance, which is itself a departure from his usual approach of presenting you with things as they are already happening. He tells you on a Thursday evening, sitting across from you at the kitchen table, and he tells you in the measured careful voice that you have learned means he is being precise because the thing he is saying matters to him.
âMy mother,â he says, âhas expressed a wish to meet you.â
You put your mug down. âOkay,â you say.
âShe isââ he pauses. âShe is not Floyd.â
âI gathered.â
âShe is also not intimidating,â he says, and then, âwellâ she is somewhat intimidating. But it is not intentional.â
âJade.â
âI want you to know that whatever she says she means kindly.â
âJade,â you say again, softer. âIâll be fine.â
He looks at you for a moment. âI know,â he says, in the tone of someone who does know and is fussing anyway and is aware of both of these things.
You meet her on a Sunday, the morning is very clear and the tide is low, and she comes from the water the way Jade does, unhurried and deliberate, except there is something about her that makes the whole shore feel slightly more formal, like the sea itself has straightened up a little.
She is extraordinary. That is the only word for it. Taller than both of her sons, loud without making any effort, long hair that reaches far past her back. Same wild grin as Floyd, same thin eyes as Jade. You had expected something and she is something else entirely. She looks at you for a moment, and you look back and do not look away, which feels important, and then something in her expression settles and she smiles, and the smile is warm and specific and directed entirely at you.
âShe kept the necklace,â she says, to no one in particular.Â
âEveryone keeps saying that,â you say.
âBecause it matters,â she says simply, and then she takes your hands in both of hers and holds them for a moment in a way that feels soft and deliberate, but not frightening at all, and she says, âyour grandmother spoke of you constantly. I am very glad you came back.â
Your throat does something you were not expecting.
âShe spoke of you too,â you manage. âI found her journals.â
Georginaâs eyes move briefly to Jade, which just now you realise he had emerged from the water too, something passing between them that you donât have the full context for, and then back to you. âGood,â she says, simply. âThen there is less to explain.â
You sit on the shore with her for two hours while Jade removes himself to a diplomatic distance and you are fairly certain she is the most gracious and subtly terrifying person you have ever met and you mean that entirely as a compliment. When she leaves she holds your hands again and says, quietly, so only you can hear, âhe has always known his own mind. He simply requires, occasionally, a nudge in the right direction.â
You look at her.
âIâm working on it,â you say.
She smiles. âI know,â she says. âSo is he.â
She goes back into the water and you stand there for a moment and then you turn around and Jade is exactly where you left him, watching you with that expression, and you look at him across the distance and think, quite clearly, that you are absolutely done with almost.
°ââ.àłàż*:°ââ.àłàż*:°ââ.àłàż*:°ââ.àłàż*:°ââ.àłàż*:°
You learn about Azul in random pieces, the way you learn about most things through Jade, which is to say gradually and always with the sense that you are receiving a highly curated version of events.
âHe sounds unhinged,â you say one evening, chin on your hand, listening to a story about a contract that you still cannot get your head around and the legal dispute that followed.
âHe is extremely competent,â Jade says.
âThose arenât mutually exclusive.â
âNo,â Jade agrees, âthey are not.â
âDid you like him?â
A pause. âI find him interesting,â Jade says, which you have learned is his version of yes when yes feels like too much information.
âDid he know about me? Or rather, does he know about me?â
Another pause, slightly longer.
âHe knew I wasâŠâ Jade says, carefully, âperiodically unavailable on certain tides.â
âPeriodically unavailable,â you repeat.
âHe did not ask further questions.â
âSmart man.â
âHe is, unfortunately, very smart,â Jade says, with the tone of someone for whom this has been occasionally inconvenient.
You file Azul away next to Floyd in the growing cabinet of things that make up the edges of Jadeâs life, the shape of the world he moves between, and you feel the warmth of being let into it even in pieces, even slowly, even like this.
°ââ.àłàż*:°ââ.àłàż*:°ââ.àłàż*:°ââ.àłàż*:°ââ.àłàż*:°
Then, at the end of the sixth month came Marco, in one afternoon of November, and with him also a bag over his shoulder and a tray of handmade biscuits in his hands. You meet him at the door and the hug lasts slightly longer than usual, but this is the usual way you two have always greeted each other since your first year of university, when you were in search of a place to cry and instead stumbled upon him tripping into a drumset. Yeah, thatâs a story for another time.
He is your oldest friend and you love him in a way that cannot be quantified. In a way thatâs definitely not romantically. But in retrospect you understand how it can be read from outside eyes, you just did not think this through back then.Â
You spent that first afternoon between showing him around the cottage, the little seaside town, eating at a good restaurant nearby and laughing to the point that your mouth hurt from it and your belly was full of good memories. He is not trying to be anything other than your friend. You know this. But itâs harder to explain this to Jade, whom arrives at the cottage slightly later than usual and when he does he is met with unfamiliar shoes by the front door and you laughing in the kitchen with a man he does not know after one too many wine glasses.Â
Jade shows absolutely nothing and is impeccably composed and greets Marco with the precise courtesy that you recognise as Jade operating on a register he does not normally use with you, all pleasant surface and nothing underneath it, and Marco, who can charm anyone, charms absolutely nothing out of him and is visibly puzzled by this in a way that would be funny under different circumstances. The circumstances are not different enough for it to be fully funny yet, however.
You see it because you know how to read in between Jadeâs lines by now. The way his eyes track across the room when Marco leans over to show you something on his phone and his shoulder presses to yours. The quality of his stillness when Marco laughs at something you say, that specific laugh he has always done, head tilted back, too loud for indoors. The moment, brief and contained, when Marco reaches out and tucks a strand of hair behind your ear because he has always done that, it means nothing, it has always meant nothing, except that Jade goes very quiet in a way that is different from his usual quiet.
Marco leaves the day after and hugs you for a long time at the door and whispers in your ear âwhoever he is, heâs gone on you. Embarrassingly.â And then he gets in his car and drives away before you can respond.
You stand at the door for a moment. And by the time you go back inside and think about Georginaâs words, on how Jade simply requires a nudge, and you think about eleven years and you think about all of those almost, always almost, and something in you makes a decision quietly and without ceremony.
°ââ.àłàż*:°ââ.àłàż*:°ââ.àłàż*:°ââ.àłàż*:°ââ.àłàż*:
It takes four more days because the right moment keeps not being the right moment, which you suspect is partly circumstance and partly Jade, who is perceptive enough to sense a conversation approaching and composed enough to simply not walk into it. You let him not walk into it for four days, but on the fifth day, while you are both sitting at the kitchen table after dinner, playing (or rather pretending to play a card game) you speak.
âI want to know where we stand.â
He looks up from the cards in his hands.
âWhat do you mean,â he says.
âI think you know what I mean.â
A careful pause. âWe stand where we have always stood,â he says, and it is not an answer and you both know it.
âThatâs not an answer,â you say.
âIt is an accurate description ofââ
âJade.â You look at him. âI am asking you plainly. I would like a plain answer.â
He holds your gaze for a moment and then he looks down at the cards in his hands and places them on the table. And when he looks back up his expression is doing the controlled effortful thing that you have seen before and have never been able to fully read until now.
âSome things,â he says, quietly, âare better approached carefully.â
âYou have been approaching this carefully,â you say, âfor six months. You were approaching it carefully for eleven years before that.â
âThat is notââ
âIâm not angry,â you say, and you arenât, which is important, you are something else entirely, something that is the far edge of patience worn down to its last honest thread. âI just want to know. Thatâs all. I just want you to tell me.â
He is quiet for a long moment.
âI think,â he says, âwe should not have this conversation tonight.â
You look at him.
âOkay,â you say, and your voice is even and you stand up and you say, âIâve been thinking, actually, that I might go back to the city for a bit. I have things there Iâve been putting off. It might be good to go back⊠And see Marco once again for a while I suppose.â
The room goes very still.
You are looking at the window, at the shells in the teal frames, and you hear the moment the silence changes from thick and still to something more desperate.
âWhen,â he says.
âI donât know. Soon, maybe.â You keep your voice light. âItâs not for too long. I'll come back.â
Another silence. Longer.
âI see,â he says, and something in those two words is different, the composure still there but something underneath it that is not composed at all, and you turn around because you need to see his face, and his face isâ
He is standing now. You didnât hear him stand. He is looking at you and for the first time in three months, for the first time since you have known him in any form, the careful surface of him has something running beneath it that he is not fully managing, and your heart does something it has no business doing right now.
âDonât,â he says. Quiet. Very quiet.
âJadeââ
âDonât.â He says it again, and it is not a request exactly but it is not a command, it is something raw in the middle of both of them. He stands up and you do too, and he is closer than he allows himself in daylight, in ordinary hours, and he looks at you and you look back at him and the pearl at your collarbone is very warm.
âYou want a plain answer,â he says.
âYes,â you say.
âThen here is a plain answer.â His voice is low and it has lost the careful distance entirely now, all of it gone, and what is underneath is something you have been waiting six months to hear and longer than that if you are being honest. âThere is not a room in this cottage or a stretch of that shore or a distance you could put between us that would change what I am trying very hard to manage every time you are near me.â He stops. His jaw moves.Â
âI was raised to be patient. I was raised to be measured and careful and to approach things with the consideration they deserve, and I have done that, I have done that with you specifically and with more effort than you know, because you deserve it and because I was not going to be the thing that made you feel otherwise.â He looks at you and the gold eye is very bright in the low kitchen light. âBut I am telling you plainly, since you asked plainly, that my patience is not limitless. And you standing in front of me saying you are thinking of leaving is not something I am willing to receive quietly.â
You donât move.
âSo donât,â you say softly.
He looks at you. âDonât what?â
âReceive it quietly,â you say. âIâm tired of quiet. Iâve been tired of quiet for months.â
Something gives way in his expression then, finally, he says your name in that voice, the one he uses when he thinks youâre not paying attention, except you are paying attention, you are paying all of it, and he closes the last bit of the distance between you two and kisses you the way that a tide comes in. Like it was always going to happen.
You hold the front of his shirt in both fists because the floor has become unreliable and he doesnât seem to mind, his hands at your face, your waist, careful and then not careful, patient and then not patient at all.Â
°ââ.àłàż*:°ââ.àłàż*:°ââ.àłàż*:°ââ.àłàż*:°ââ.àłàż*:°
Morning comes in through the teal framed windows the way it always does. The room is familiar and also completely new in the way that rooms become new when something in them has shifted permanently, and you lie still in the bed for a moment just existing in that. Clothes are still scattered around from last night, his body is warm and solid and very much naked beside you and for a moment you allow yourself to just feel instead of rushing head first in.
He is awake already. Of course he is. Lying on his back looking at the ceiling with the particular quality of someone who has been awake for a while and has been content to stay where they are, which is, you are learning, its own kind of statement from him.
He turns his head when he feels you move. You look at each other.
âHi,â you say, which is not the most eloquent thing you have ever said but it is seven in the morning and you are working with what you have.
Something in his face does the warm underneath thing, openly, without the careful management you are used to. It looks good on him. It looks like something you want to see every day for a very long time.
âHi,â he says back.
Outside a wave breaks against the shore, unhurried. The light moves through the shells on the windowsill and throws small soft shapes across the bed.
âYouâre not going back to the city,â he says. It is not a question. But it is also, underneath it, very slightly, a question.
âI was never going back to the city,â you say.
âI know,â he says, in the tone of someone who did know you had been lying the night before.
âTo be fair,â you say, âit worked.â
âIt was manipulative,â he says.
âIt worked,â you say again.
The corner of his mouth moves, then the other corner. Then he laughs, low, soft and quiet and real, the same laugh from the kitchen months ago. The same laugh that you have been collecting it, bottling all up, and if you could have gotten drunk off of it, you would have done so already. And the thought did not terrify you as much as it should have, really.
âFloyd is going to be insufferable about this,â he says, eventually after a moment.
âFloyd was already insufferable about this.â
âMore insufferable.â
âIs that even possible?â
âWith Floyd,â he says, with the weight of someone speaking from significant experience, âit is always possible.â
You turn onto your side to look at him properly. He is looking back at you with that expression, as if he was trying to decipher your soul, and your chest is so full of something warm and certain that it is almost funny.
âTea?â you say.
âPlease,â he says.
As you make the tea you think about that note in the cutlery drawer, the past few months, that letter your grandma had left you and how, if you hadnât stared outside the window at twelve years old, maybe this would have never happened.Â
I do know that you will be immensely happy.
You walk back in the room, with the awareness that your grandma has always been right. You hand him his tea, as if your mind hadn't just revolutionised your whole morning and simply sit beside him. He lifts his arm without looking up from the page of your book that he is currently reading, so that you can fit underneath it.
A gesture he could only have known to do because he knows you, because he has been paying attention, because he has been paying attention for a very long time. And you lean into him, resting on his bare chest and close your eyes. The ocean moves outside, steady and indifferent.
And everything is fine.
extra | 2 years later:
The thing about being married to Jade, which nobody tells you and which you have had to learn entirely through personal experience, is that patience is real but it is also finite, and the thing that most consistently exhausts it is his brother. It doesnât help that now, two years into the marriage, you have finally managed to juggle between life above and under the surface, your eel form doesnât feel odd, no anymore.Â
And as you are drifting beside Jade, in the easy way you have gotten used to, current warm and unhurried. The two of you exist in the particular comfortable quiet of people who have long since stopped feeling the need to fill their silences. It is a good afternoon. It has been a good afternoon for approximately forty minutes, which is, you are learning, roughly how long a good afternoon lasts before Floyd becomes a factor. You feel it before you hear it. A disturbance in the current, distant and then not distant, moving fast and getting faster, and you look up from the coral you had been assessing and Jade looks up too and you look at each other.
âFloyd,â you say.
âFloyd,â he confirms with resignation.
Floyd arrives the way Floyd always arrives, which is at full speed with no particular concern for whoever is already occupying the space he is arriving into, except that this time he is also laughing, that big unhinged laugh that you have gotten genuinely fond of despite your better instincts, and he shoots past you both close enough that the current of him almost spins the both of you.Â
âHI!!!â he shouts, not stopping. No looking back.
âFloyd,â Jade calls back.
âCanât stop,â Floyd says, voice already smaller in the distance, âbusy.â
âWhat did you do,â Jade calls back.
âNothing,â Floyd shouts back, from very far away now.
Then Azul arrives.
You have met Azul thrice, all under circumstances in which were civilised and involved furniture and a table between every party, and he was on both occasions composed and precise as Jade had described him in the past. You, however, have never seen Azul in the water before. Azul in the water is still composed, technically, but thanks to his much bigger form, he is moving with a focused energy that suggests he has completely abandoned the concept of dignity in favour of something more pressing. Or to put it simply: Floyd is about to get his ass handed to him. Â
He stops when he sees you both, because even mid chase Azul is constitutionally incapable of not acknowledging a social situation, and he straightens (as much an octopus can at least), and for one extraordinary moment he simply nods at you both like he has passed you in a corridor.
âGood afternoon,â he says, slightly out of breath, and a tight smile.Â
âAzul,â Jade says.
âJade.â A pause. He glances in the direction Floyd disappeared. His jaw moves. âYour brother,â he says, with great control, âhas done something.â
âYes,â Jade says.
âI am going to need you to be more surprised than that.â
âI am not surprised,â Jade says simply.
Azul looks at you, perhaps hoping for a more satisfying reaction.
âWhat did he do,â you ask, because you genuinely want to know and also because someone should ask.
âHeââ Azul stops. He seems to be deciding how to phrase it. This takes a moment. âHe made certain alterations,â he says carefully, âto a document.â
âWhat kind of alterations?â
âCreative ones,â Azul says, in a tone that suggests creativity is an understatement.Â
âMy condolences,â you say, trying (and failing) to keep your mouth at bay because the last thing you need is to laugh now.
Something in his expression suggests this is not quite enough but that he appreciates it nonetheless, and then Floydâs voice comes back from some distance ahead, cheerful and completely unbothered. Azul nods at you both again.
âLovely to see you,â he says, on instinct, pure reflex. "We are still on for next week, right? Dinner at yours guys?" Without even receiving an answer he goes,and you watch him go. Then you look at Jade. Jade is looking at the middle distance with the expression of a man who has made his peace with many things over the course of his life and this is simply the most recent of them. Then he reaches out without looking for your hand, carrying on your guy's swim.Â
âI believe that we...â he says, âmight not be delighted by Floyd's presence next week. â
âYou believe?â you asked back, amused
âIndeed I do." you don't miss how the corners of his lips curl slightly in the resemblance of a smirk.Â
Somewhere in the distance Floyd laughs, enormously loud and bright, and something that sounds like Azulâs shouting at him follows it, clipped and exasperated, and the current carries both of them away until the water is quiet again, warm and easy and lit from above in long pale columns that move across everything slowly.
âI love your family,â you say after a moment of peace, and you mean it, which is the funniest part.
Jade looks up at you with a warm expression, one that even after two years of marriage is always refreshing to see as if it was a completely new thing to discover, again and again.
âThey are,â he says, âan acquired taste.â
âLucky for you I have good taste.â
The corner of his mouth moves. âLucky for me, indeedâ he agrees, quietly, and goes back to study whatever he had been studying before and the ocean moves around you both in the warm unhurried way it has always moved, and somewhere above the surface the cottage sits on the shore with its teal frames and its shells still in the windows, and this is your life, all of it, the quiet and the chaos and everything in between.
And you wouldnât change a single thing about it.
tags: @tohrusribbon @mousedit @soramcduckahyucky @yourcuttingedge @dweeb-central @cherry-blossom-2137 @0bluesky0 @sewingsimplysews
author's note: thank you so much, for all of the love showed to me during the creation of this fic, truly!! This is the last part, it's been lovely writing my first fic for Jade, I hope he was in character and that you all enjoyed this as much as I did. If you wish to be in my taglist do send me an ask, make sure to mention in which fandom and character's works you would like to be tagged under. Thank you again <33
















