Earthrealm Gods (Aka Raiden and pals)
Was listening to 'Rayden (Eternal Life)' from The Immortals' 'Mortal Kombat: The Album' and suddenly felt like drawing 'em.
seen from United Kingdom
seen from France
seen from Türkiye

seen from Uzbekistan

seen from Malaysia
seen from Uzbekistan
seen from China
seen from Türkiye
seen from United States
seen from China

seen from Türkiye

seen from Uzbekistan
seen from United States
seen from Uzbekistan

seen from Australia
seen from Italy
seen from T1
seen from Uzbekistan
seen from France

seen from United States
Earthrealm Gods (Aka Raiden and pals)
Was listening to 'Rayden (Eternal Life)' from The Immortals' 'Mortal Kombat: The Album' and suddenly felt like drawing 'em.
Kombatember Day 8: Wounded
Character bios and lore pages from the official Midway website for Mortal Kombat Mythologies Sub-Zero, accessed through the wayback machine. I think this is really important and fascinating information that deserves to be preserved. The detailed character and more info here is great to have
This Concept art is leaning more so in AU territory but I wanted to draw this one idea I had thought about.
'Imagine if Mk1 Raiden had 3 more siblings and those 3 being the mortal forms of the 3 other elemental gods from Mythologies.'
Allegory of Spring
Artist: Francesco de Mura (Italian, 1696-1782)
Date: 1759
Medium: Oil on canvas
Collection: Toledo Museum of Art, Toledo, Ohio, United States
Description
The inspiration for this painting comes from the first stanzas of an ode by the ancient Roman poet Horace. The ode describes the renewal of Spring in terms of Greek and Roman myth: Winter to Spring: the west wind melts the frozen rancour, The windlass drags to sea the thirsty hull; Byre is no longer welcome to beast or fire to ploughman, The field removes the frost-cap from its skull. Venus of Cythera leads the dances under the hanging Moon and the linked line of Nymphs and Graces Beat the ground with measured feet while the busy Fire god Stokes his red-hot mills in volcanic places.
Medjed, the smiter. An enigmatic and uncanny god, Medjed is a member of the house of Osiris. Despite seemingly hailing from Duat, Medjed doesn’t appear to participate in the soul’s journey across the afterlife unlike the other gods that call it home. However, Medjed’s command over the Nile god Hapi implies a higher position in the pantheon.
Medjed smites his enemies with light fired off from his eyes while his breath burns with flame. His body is said to be invisible, remaining unseen to those unlucky enough to draw his ire.
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Medjed is a rarely spoken of and depicted Egyptian god, only being mentioned in a single spell in the Book of the Dead. Medjed’s visual depictions are more common, appearing in 9 papyri and some coffins. Because of this rarity, little is known about Medjed.
Medjed’s appearance is incredibly strange for an Egyptian god. Medjed is unlike other gods who’re mainly depicted with animal heads or fully human. Instead, Medjed appears as someone seemingly covered in a shroud with two eyes and feet peeking out from underneath, occasionally Medjed is seen wearing a knotted sash or belt either above or below the eyes. Even stranger is that Medjed is seen facing forward, rather than the typical side profile every other being is depicted in Egyptian art, leading to him being even more unusual. This shrouded appearance is primarily believed to represent Medjed’s imperceptible nature, with his feet and eyes illustrating that he’s still an active being who can move and see. This admittedly both eerie and cute appearance has led Medjed to become world famous in the 21st century, especially in Japan after the greenfield papyrus was shown off in a 2012 exhibition.
Frankly, what Medjed represents as a god is unknown, however that hasn’t stopped some academics from hypothesizing. Some have proposed that rather than a shroud, Medjed is actually an anthropomorphic jar with the belt he wears used as a lid fastener. This however carries little evidence, as the belt integral to this view is frequently missing or is in different places that don’t connote a lid, likely meaning that it wasn’t an essential characteristic. Another hypothesis suggests that Medjed could’ve been a god of a certain star. This conclusion is drawn upon Medjed’s associations with light and fire. Medjed’s command over the Nile god Hapi also plays into this, as the annual flooding of the Nile was connected with ancient Egyptian astronomy. However, despite this substantial circumstantial evidence, Medjed’s name does not carry the star determinative in Egyptian hieroglyphics, casting doubt on this claim. With the high emphasis placed on Medjed’s destructive capabilities, one of the most likely interpretations is that Medjed was a god of punishment and justice, this is primarily evidenced by Medjed’s description in the book of the dead appearing in the section listing Duat’s judges and executioners. With his power, Medjed could’ve been seen as the deific punisher of the sinful souls within Duat. This could’ve been the reason as to why Medjed was rarely mentioned, as speaking of him could incur his wrath. It is also possible that multiple of these theories could be true, as Egypt was no stranger to multifaceted deities.
Aside from Osiris, Medjed was also associated with Horus as well. Frequently, Medjed was depicted alongside two other gods, one a double headed falcon, and the other being a vulture headed god. While the vulture god cannot be concretely identified as it seems to go unmentioned in text, the double falcon god however is. This double falcon god is mentioned in the Book of the Dead as a form of Horus that both unsympathetically punishes evildoers while rewarding the virtuous with truth.
Medjed’s name is actually the Egyptian word for “smiter” or “destroyer”. In other writings Medjed is instead rendered as Medjedu or Metchet.
Death of a God (2010)